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<div class="poem"> <p>The thin pit-pit-pit was coming again. She looked back. She saw Milt's bug snap forward so fast that on a bump its light wheels were in the air. She saw Milt standing on the right side of the bug holding the wheel with one hand, and the other hand—firm, grim, broad-knuckled hand—outstretched toward the tough, then snatching at his collar. </p> </div>  +
<div class="poem"> <p>    Swiftly the brazen car comes on.<br />     It burns in the East as the sunrise burns.<br />     I see great flashes where the far trail turns.<br />     Butting through the delicate mists of the morning,<br />     It comes like lightning, goes past roaring,<br />     It will hail all the windmills, taunting, ringing,<br />     On through the ranges the prairie-dog tills—<br />     Scooting past the cattle on the thousand hills.<br />     Ho for the tear-horn, scare-horn, dare-horn,<br />     Ho for the gay-horn, bark-horn, bay-horn. </p> </div>  +
<div class="poem"> <p>He was for the first time seeing a smart woman. This dark, slender, fine-nerved girl, in her plain, rough, closely-belted, gray suit, her small black Glengarry cocked on one side of her smooth hair, her little kid gloves, her veil, was as delicately adjusted as an aeroplane engine. </p> </div>  +
<div class="poem"> <p>But there was plenty of gas. There was no discernible reason why the car should not go. She started the engine. It ran for half a minute and quit. All the plugs showed sparks. No wires were detached in the distributor. There was plenty of water, and the oil was not clogged. And that ended Claire's knowledge of the inside of a motor. </p> </div>  +
<div class="poem"> <p>Before he answered the young man strode ahead to the front of her car, Claire obediently trotting after him. He stooped to look at her front axle. He raised his head, glanced at her, and he was blushing again. </p> </div>  +
<div class="poem"> <p>"Boltwood." </p> </div>  +
<div class="poem"> <p>On the morning when Milt Daggett had awakened to sunshine in the woods north of Gopher Prairie, he had discovered the golden age. As mile on mile he jogged over new hills, without having to worry about getting back to his garage in time to repair somebody's car, he realized that for the past two years he had forced himself to find contentment in building up a business that had no future. </p> </div>  +
<div class="poem"> <p>Milt turned again and came toward them, but slowly; and after he had drawn up even and switched off the engine, he snatched off his violent plaid cap and looked apologetic. </p> </div>  +
<div class="poem"> <p>"You're engaged?" wistfully. </p> </div>  +
<div class="poem"> <p>"Well, I don't know, I kind of like those simple things," apologized Milt. </p> </div>  +
<div class="poem"> <p>"Going far?" </p> </div>  +
<div class="poem"> <p>So unexpectedly, so genially, that Claire wondered if he realized what was happening, Milt chuckled to the tough on the running-board, as the two cars ran side by side, "Bound for some place, brother?" </p> </div>  +
<div class="poem"> </div>  +
<div class="poem"> <p>This time Claire did not say "Yes!" She experimented with, "Yes, quite a ways." </p> </div>  +
<div class="poem"> <p>She turned up the collar of her gray tweed coat, painfully climbed out—the muscles of her back racking—and examined the state of the rear wheels. They were buried to the axle; in front of them the mud bulked in solid, shiny blackness. She took out her jack and chains. It was too late. There was no room to get the jack under the axle. She remembered from the narratives of motoring friends that brush in mud gave a firmer surface for the wheels to climb upon. </p> </div>  +
<div class="poem"> <p>Claire sufficiently recovered to pick out the type from the fly specks on the menu, and she ordered a small steak and coffee for her father; for herself tea, boiled eggs, toast. </p> </div>  +
<div class="poem"> <p>"Oh, miss, I don't know vot I should do. My boys go on the public school, and they speak American just so goot as you. Oh, I vant man lets me luff America. But papa he says it is an <i>Unsinn</i>; you got the money, he says, nobody should care if you are American or Old Country people. I should vish I could ride once in an automobile! But—I am so 'shamed, so 'shamed that I must sit and see my <i>Mann</i> make this. Forty years I been married to him, and pretty soon I die——" </p> </div>  +
<div class="poem"> <p>Milt attended the motion pictures every evening, and he saw them in a new way. As recently as one week before he had preferred those earnest depictions in which hard-working, moral actors shoot one another, or ride the most uncomfortable horses up mountainsides. But now, with a mental apology to that propagandist of lowbrowism, the absent Mac, he chose the films in which the leading men wore evening clothes, and no one ever did anything without being assisted by a "man." Aside from the pictures Milt's best tutors were traveling men. Though he measured every cent, and for his campfire dinners bought modest chuck steaks, he had at least one meal a day at a hotel, to watch the traveling men. </p> </div>  +
<div class="poem"> <p>"Why, I kind of hope—— Government railroad, Alaska. I'm going to try to get in on that, somehow. I've never been out of Minnesota in my life, but there's couple mountains and oceans and things I thought I'd like to see, so I just put my suitcase and Vere de Vere in the machine, and started out. I burn distillate instead of gas, so it doesn't cost much. If I ever happen to have five whole dollars, why, I might go on to Japan!" </p> </div>  +
<div class="poem"> <p>"Really, I don't know. Which is the better?" The girl's voice was curiously clear. </p> </div>  +