Property:Has text

From Off the Road Database

This is a property of type Text.

Showing 20 pages using this property.
F
<div class="poem"> <p>"W-why, no." She spoke uncomfortably. She was aware that his twinkling eyes were on her throat. His look made her feel unclean. She tried to think of some question which would lead the conversation to the less exclamatory subject of crops. They were on a curving shelf road beside a shallow valley. The road was one side of a horseshoe ten miles long. The unprotected edge of it dropped sharply to fields forty or fifty feet below. </p> </div>  +
<div class="poem"> <p>"Why, I kind of hope—— Government railroad, Alaska. I'm going to try to get in on that, somehow. I've never been out of Minnesota in my life, but there's couple mountains and oceans and things I thought I'd like to see, so I just put my suitcase and Vere de Vere in the machine, and started out. I burn distillate instead of gas, so it doesn't cost much. If I ever happen to have five whole dollars, why, I might go on to Japan!" </p> </div>  +
<div class="poem"> <p>"I—oh—oh, bring us ham and eggs. Is that all right, father?" </p> </div>  +
<div class="poem"> <p>Milt had, in his two years of high school in St. Cloud, and in his boyhood under the genial but abstracted eye of the Old Doctor, learned that it was not well thought of to use the knife as a hod and to plaster mashed potatoes upon it, as was the custom in Mac's Old Home Lunch at Schoenstrom. But the arts of courteously approaching oysters, salad, and peas were rather unfamiliar to him. Now he studied forks as he had once studied carburetors, and he gave spiritual devotion to the nice eating of a canned-shrimp cocktail—a lost legion of shrimps, now two thousand miles and two years away from their ocean home. </p> </div>  +
<div class="poem"> <p>Milt passed Claire Boltwood as though he did not see her; stood at the rear of the garage kicking at the tires of a car, his back to her. Over and over he was grumbling, "If I just knew one girl like that—— Like a picture. Like—like a silver vase on a blue cloth!" </p> </div>  +
<div class="poem"> <p>Mr. Boltwood did not answer. His machine-finish smile indicated an enormous lack of interest in young men in Teal bugs. </p> </div>  +
<div class="poem"> <p>Claire was dainty of habit. She detested untwisted hair, ripped gloves, muddy shoes. Hesitant as a cat by a puddle, she stepped down on the bridge. Even on these planks, the mud was three inches thick. It squidged about her low, spatted shoes. "Eeh!" she squeaked. </p> </div>  +
<div class="poem"> <p>The girl was gone at twenty-nine minutes after twelve. At twenty-nine and a half minutes after, Milt remarked to Ben Sittka, "I'm going to take a trip. Uh? Now don't ask questions. You take charge of the garage until you hear from me. Get somebody to help you. G'-by." </p> </div>  +
<div class="poem"> <p>Then was Claire certain that the waitress was baiting her, for the amusement of the men at the long table. She exploded. Probably the waitress did not know there had been an explosion when Claire looked coldly up, raised her brows, looked down, and poked the cold and salty slab of ham, for she was continuing: </p> </div>  +
<div class="poem"> <p>"No, I'm sure nothing will go wrong now. You mustn't feel responsible for us. But, uh, you understand we're very grateful for what you have done and, uh, perhaps we shall see each other in Seattle?" She made it brightly interrogatory. </p> </div>  +
<div class="poem"> <p>"Where do you want the car?" Claire asked sharply. </p> </div>  +
<div class="poem"> <p>"I beg pardon?" </p> </div>  +
<div class="poem"> <p>"Try Gopher Prairie maybe?" suggested Mac, through the hiss and steam of the frying hamburger sandwich. </p> </div>  +
<div class="poem"> <p>Usually her guests stepped on the right-hand running-board, beside Mr. Boltwood, and this man was far over on the right side of the road. But, while she waited, he sauntered in front of the car, round to her side, mounted beside her. Before the car had started, she was sorry to have invited him. He looked her over grinningly, almost contemptuously. His unabashed eyes were as bright and hard as agates. Below them, his nose was twisted a little, his mouth bent insolently up at one corner, and his square long chin bristled. </p> </div>  +
<div class="poem"> <p>"Well, can't you make it?" </p> </div>  +
<div class="poem"> <p>"Road darn muddy." </p> </div>  +
<div class="poem"> <p>"I'm immensely grateful to you, but—do you know much about motors? How can I get out of this mud?" </p> </div>  +
<div class="poem"> <p>"Sure. You get ten—years! And you get out!" </p> </div>  +
<div class="poem"> <p>Milt left the Old Home rather aimlessly. He told himself that he positively would not go back and help Ben Sittka get out the prof's car. So he went back and helped Ben get out the prof's car, and drove the same to the prof's. The prof, otherwise professor, otherwise mister, James Martin Jones, B.A., and Mrs. James Martin Jones welcomed him almost as noisily as had Mac. They begged him to come in. With Mr. Jones he discussed—no, ye Claires of Brooklyn Heights, this garage man and this threadbare young superintendent of a paintbare school, talking in a town that was only a comma on the line, did not discuss corn-growing, nor did they reckon to guess that by heck the constabule was carryin' on with the Widdy Perkins. They spoke of fish-culture, Elihu Root, the spiritualistic evidences of immortality, government ownership, self-starters for flivvers, and the stories of Irvin Cobb. </p> </div>  +
<div class="poem"> <p>"Heavenly! There's some gravel. We can make time. We'll hustle on to the next town and get dry." </p> </div>  +