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<div class="poem"> <p>She burst out, flaring, "Kindly do not touch me!" </p> </div>  +
<div class="poem"> <p>For the first time since she had been ten—and in a state of naughtiness immediately following a pronounced state of grace induced by the pulpit oratory of the new rector of St. Chrysostom's—she permitted herself the luxury of not stopping to brush her teeth before she went to bed. Her sleep was drugged—it was not sleep, but an aching exhaustion of the body which did not prevent her mind from revisualizing the road, going stupidly over the muddy stretches and sharp corners, then becoming conscious of that bed, the lump under her shoulder blades, the slope to westward, and the creak that rose every time she tossed. For at least fifteen minutes she lay awake for hours. </p> </div>  +
<div class="poem"> <p>These were not peasants, these farmers. Nor, she learned, were they the "hicks" of humor. She could never again encounter without fiery<br /> resentment the Broadway peddler's faith that farmers invariably say "Waal, by heck." For she had spent an hour talking to one Dakota farmer, genial-eyed, quiet of speech. He had explained the relation of alfalfa to soil-chemistry; had spoken of his daughter, who taught economics in a state university; and asked Mr. Boltwood how turbines were hitched up on liners. </p> </div>  +
<div class="poem"> <p>"'Fraid I couldn't. I'm kind of a lone wolf." </p> </div>  +
<p>A YOUNG MAN IN A RAINCOAT </p>  +
<div class="poem"> <p>She saw Milt, after five minutes of stationary watching, start forward. He came dustily rattling up with a hail of "Distributor on strike again?" so cheerful that it hurt her to dismiss him. But she had managed a household. She was able to say suavely: </p> </div>  +
<div class="poem"> <p>"Of course." Mr. Boltwood's manner did not merely avoid Milt; it abolished him. </p> </div>  +
<div class="poem"> <p>"But get who?" </p> </div>  +
<div class="poem"> <p>She ran the car to the side of the road. </p> </div>  +
<div class="poem"> <p>Milt Daggett stopped, casually greeted them: "Why, hello, Miss Boltwood. Thought you'd be way ahead of me some place!" </p> </div>  +
<div class="poem"> <p>"What's his line?" </p> </div>  +
<div class="poem"> <p>"Thanks, uh, thank you, sir, but I wouldn't like to do it. You see, it's kind of my vacation. If I've done anything I'm tickled——" </p> </div>  +
<div class="poem"> <p>"Why, sure. You bet," said the man casually. His readiness ruined her inspired fury. She was somewhat disappointed. </p> </div>  +
<div class="poem"> <p>The boys of Claire's own age, not long out of Yale and Princeton, doing well in business and jumping for their evening clothes daily at six-thirty, light o' loves and admirers of athletic heroes, these lads Claire found pleasant, but hard to tell apart. She didn't have to tell Jeff Saxton apart. He did his own telling. Jeff called—not too often. He sang—not too sentimentally. He took her father and herself to the theater—not too lavishly. He told Claire—in a voice not too serious—that she was his helmed Athena, his rose of all the world. He informed her of his substantial position—not too obviously. And he was so everlastingly, firmly, quietly, politely, immovably always there. </p> </div>  +
<div class="poem"> <p>"Pretty lil feet, ain't they, cutie! Shoes cost about twelve bucks, I reckon. While a better man than you or old moldy-face there has to hit the pike in three-dollar brogans. Sit down, yuh fool!" </p> </div>  +
<div class="poem"> <p>"I should think you'd put a pink sash on it. Seems like it's kind of plain—it's a real pretty piece of goods, though. A pink sash would be real pretty. You dark-complected ladies always looks better for a touch of color." </p> </div>  +
<div class="poem"> <p>"Not exactly but—— Say, did you study rhetoric in Normal School? I have a rhetoric that's got all kind of poetic extracts, you know, and quotations and everything, from the big writers, Stevenson and all. Always been so practical, making a garage pay, never thought much about how I said things as long as I could say 'No!' and say it quick. 'Cept maybe when I was talking to the prof there. But it's great sport to see how musical you can make a thing sound. Words. Like Shenandoah. Gol-lee! Isn't that a wonderful word? Makes you see old white mansion, and mocking birds—— Wonder if a fellow could be a big engineer, you know, build bridges and so on, and still talk about, oh, beautiful things? What d' you think, girlie?" </p> </div>  +
<div class="poem"> <p>He added attractive outing shirts, ties neither too blackly dull nor too flashily crimson, and a vicious nail-brush which simply tore out the motor grease that had grown into the lines of his hands. Also he added a book. </p> </div>  +
<div class="poem"> <p>Claire had been highly grateful and laudatory to both of them—but she remained here, ten miles from nowhere. It was a beautiful place. Down a hill the wheat swam toward a village whose elevator was a glistening tower. Mud-hens gabbled in a slew, alfalfa shone with unearthly green, and bees went junketing toward a field of red clover. But she had the motorist's fever to go on. The road behind and in front was very long, very white—and very empty. </p> </div>  +
<div class="poem"> <p>"Dot ain'd true, maybe <i>einmal die Woche kommt</i> somebody and <i>Ich muss die Arbeit immer lassen und in die Regen ausgehen, und seh' mal</i> how <i>die</i> boots <i>sint mit</i> mud covered, two dollars it don't pay for dis boots——" </p> </div>  +