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<div class="poem"> <p>Claire tried to give him a smile, but the best she could do was to lend him one. She could not associate interesting food with Milt and his mud-slobbered, tin-covered, dun-painted Teal bug. He seemed satisfied with her dubious grimace. By his suggestion they drove ahead to a spot where the cars could be parked on firm grass beneath oaks. On the way, Mr. Boltwood lifted his voice in dismay. His touch of nervous prostration had not made him queer or violent; he retained a touching faith in good food. </p> </div>  +
<div class="poem"> <p>"Yuh, that's true, but—— You stick here, Milt. You and me will just nachly run this burg." </p> </div>  +
<div class="poem"> <p>"Aw, you're the limit, Milt. Always looking for something new." </p> </div>  +
<div class="poem"> <p>She was battling to hold the car in the principal rut. She snatched the windshield open, and concentrated on that left rut. She felt that she was keeping the wheel from climbing those high sides of the rut, those six-inch walls of mud, sparkling with tiny grits. Her mind snarled at her arms, "Let the ruts do the steering. You're just fighting against them." It worked. Once she let the wheels alone they comfortably followed the furrows, and for three seconds she had that delightful belief of every motorist after every mishap, "Now that this particular disagreeableness is over, I'll never, never have any trouble again!" </p> </div>  +
<p>RELEASE BRAKES—SHIFT TO THIRD </p>  +
<div class="poem"> <p>MISS BOLTWOOD OF BROOKLYN IS LOST IN THE MUD </p> </div>  +
<div class="poem"> <p>"Hhhhmm," yawned her father. </p> </div>  +
<div class="poem"> <p>His voice was cordial; he was their old friend; faithful watcher of their progress. Claire found herself dimpling at him. </p> </div>  +
<div class="poem"> <p>"Not necessarily. You're the better driver. And I shall take it easy. Are you going to stay long in Seattle?" It was not merely a polite dinner-payment question. She wondered; she could not place this fresh-cheeked, unworldly young man so far from his home. </p> </div>  +
<div class="poem"> <p>"Papa! How you talk on the young lady! Make shame!" </p> </div>  +
<div class="poem"> <p>"Her name is Vere de Vere!" he confessed. Then he fled back to his bug. He drove it in front of the Gomez-Dep. The hole in the road itself was as deep as the one on the edge of the cornfield, where she was stuck, but he charged it. She was fascinated by his skill. Where she would for a tenth of a second have hesitated while choosing the best course, he hurled the bug straight at the hole, plunged through with sheets of glassy black water arching on either side, then viciously twisted the car to the right, to the left, and straight again, as he followed the tracks with the solidest bottoms. </p> </div>  +
<div class="poem"> <p>The windows of the deserted house stared at him; a splintered screen door banged in every breeze. Lichens leered from the cracks of the porch. The yard was filled with a litter of cottonwood twigs, and over the flower garden hulked ragged weeds. In the rank grass about the slimy green lip of the well, crickets piped derisively. The barn-door was open. Stray kernels of wheat had sprouted between the spokes of a rusty binder-wheel. A rat slipped across the edge of the shattered manger. As dusk came on, gray things seemed to slither past the upper windows of the house, and somewhere, under the roof, there was a moaning. Milt was sure that it was the wind in a knothole. He told himself that he was absolutely sure about it. And every time it came he stroked Vere de Vere carefully, and once, when the moaning ended in the slamming of the screen door, he said, "Jiminy!" </p> </div>  +
<div class="poem"> <p>"I guess I vill then." </p> </div>  +
<div class="poem"> <p>It was a tin beetle of a car; that agile, cheerful, rut-jumping model known as a "bug"; with a home-tacked, home-painted tin cowl and tail covering the stripped chassis of a little cheap Teal car. The lone driver wore an old black raincoat with an atrocious corduroy collar, and a new plaid cap in the Harry Lauder tartan. The bug skipped through mud where the Boltwoods' Gomez had slogged and rolled. Its pilot drove up behind her car, and leaped out. He trotted forward to Claire and Zolzac. His eyes were twenty-seven or eight, but his pink cheeks were twenty, and when he smiled—shyly, radiantly—he was no age at all, but eternal boy. Claire had a blurred impression that she had seen him before, some place along the road. </p> </div>  +
<div class="poem"> <p>"Gomez-Deperdussin." </p> </div>  +
<div class="poem"> <p>"I—I beg your pardon." </p> </div>  +
<div class="poem"> <p>"Oh, miss, I don't know vot I should do. My boys go on the public school, and they speak American just so goot as you. Oh, I vant man lets me luff America. But papa he says it is an <i>Unsinn</i>; you got the money, he says, nobody should care if you are American or Old Country people. I should vish I could ride once in an automobile! But—I am so 'shamed, so 'shamed that I must sit and see my <i>Mann</i> make this. Forty years I been married to him, and pretty soon I die——" </p> </div>  +
<div class="poem"> <p>She obeyed. </p> </div>  +
<div class="poem"> <p>The farmer merely grunted. To Claire, "Yuh, four dollars. Dot's what I usually charge sometimes." </p> </div>  +
<div class="poem"> <p>"You won't do nothin', Jack, 'cause I'd gouge your eyes out." </p> </div>  +