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<p>A LONG WAYS FROM HOME </p>  +
<div class="poem"> <p>TWO days of downpour greeted us at Galveston while we waited for our car to arrive. It was the climax of three months of rain which had followed three drouthy years. The storm swept waves and spray over the breakwater toward the frame town which has sprung up hopefully after twice being devoured by the sea monster. A city of khaki tents dripped mournfully under the drenching; wet sentries paced the coast-line, and looked suspiciously at two ladies—all women are ladies in Texas—who cared to fight their way along the sea-wall against such a gale. Toby and I were bored, when we were not eating Galveston's oysters. </p> </div>  +
<div class="poem"> <p>The city, pleasant enough under the sun, had its usual allotment of boulevards, bronze monuments, drug stores, bungalows of the modest and mansions of the local plutocrats, but it had not the atmosphere of New Orleans. We were soon to learn that regardless of size, beauty or history, some towns have personality, others have about as much personality as a reception room in a Methodist dormitory. </p> </div>  +
<div class="poem"> <p>Next day, news came that our boat had docked, and telephoning revealed that the car was safely landed. There are joys to telephoning in the South. Central is courteous and eager to please, and the voices of strangers with whom one does curt business at home become here so soft and winning that old friendships are immediately cemented, repartee indulged in, and the receiver hung up with a feeling of regret. That is the kind of voice the agent for the Mallory Line had. To be sure, it took us a day to get the car from the dock to the street, when it would have taken half an hour at home, but it was a day devoted to the finer shades of intercourse and good fellowship. I reached the dock half an hour before lunch time. </p> </div>  +
<div class="poem"> <p>"Yes'm, the office is open, but I reckon yo' won't find any hands to move yo' car," was the accurate prediction of the official to whom I applied. "Pretty nearly lunch time, yo' know." </p> </div>  +
<div class="poem"> <p>So I waited, filling in time by answering the guarded questions the watchman put to me. I was almost as fascinating an object of attention to him as his Bull Durham, though I must admit that when there was a conflict between us, I never won, except once, when he asked where the car and I came from. </p> </div>  +
<div class="poem"> <p>"Massachusetts?" Bull Durham lost. </p> </div>  +
<div class="poem"> <p>A great idea struggled for expression. I could see him searching for the right, the inevitable word. I could see it born, as triumph and amusement played over his features. Then caution—should he spring it all at once or save it for a climax? Nonchalantly, as if such epigrams were likely to occur to him any time, he got it off. </p> </div>  +
<div class="poem"> <p>"You're a long ways from <i>home</i>, ain't yo'?" </p> </div>  +
<div class="poem"> <p>With the air of saying something equally witty, I replied, "I surely am." </p> </div>  +
<div class="poem"> <p>Like "When did you stop beating your wife," his question was one of those which has all the repartee its own way. For six months, we were to hear it several times daily, but it always came as a shock, and as if hypnotized, we were never to alter our response. And it was so true! We <i>were</i> a long ways from home, further than we then realized. At times we seemed so long that we wondered if we should ever see home again. But we were never too far to meet some man, wittier than his fellows, who defined our location accurately. </p> </div>  +
<div class="poem"> <p>After his diagnosis and my acceptance of it, further conversation became anticlimactic. The "hands" were still absent at lunch, so I followed their example, and returning at two, found them still at lunch. But at last the agent drifted in, and three or four interested and willing colored boys. Everybody was pleasant, nobody was hurried, we exchanged courtesies, and signed papers, and after we really got down to business, in a surprisingly few minutes the car was rolled across the street by five-man power, while I lolled behind the steering wheel like Cleopatra in her galley. At the doorway the agent halted me. </p> </div>  +
<div class="poem"> <p>"Massachusetts car?" he asked. </p> </div>  +
<div class="poem"> <p>"Yes, sir," said I. Were there to be complications? </p> </div>  +
<div class="poem"> <p>In a flash he countered. </p> </div>  +
<div class="poem"> <p>"Yo' surely <i>are</i> a long ways from home." </p> </div>  +
<div class="poem"> <p>I laughed heartily, and with rapier speed replied, </p> </div>  +
<div class="poem"> <p>"I surely <i>am</i>." </p> </div>  +
<div class="poem"> <p>They told us the road from Gal<i>ves</i>ton to Houston(Hewston)was good—none better. </p> </div>  +
<div class="poem"> <p>"Good shell road all the way. You'll make <i>time</i> on that road." This is the distinction between a Southerner and a Westerner. When the former tells you a road is good, he means that it once was good. When a Westerner tells you the same thing, he means that it is going to be good at some happy future date. In Texas the West and South meet. </p> </div>  +