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<div class="poem"> <p>The state of mind of the touring motorist entering a strange place at night is as peculiar and definite as that of a prospector. It is compounded of gratitude at having got safely in; of perception of a new town, yet with all eagerness about new things dulled by weariness; of hope that there is going to be a good hotel, but small expectation—and absolutely no probability—that there really will be one. </p> </div>  +
<div class="poem"> <p>He drove his Teal bug out of the garage. At thirty-two minutes after twelve he was in his room, packing his wicker suitcase by the method of throwing things in and stamping on the case till it closed. In it he had absolutely all of his toilet refinements and wardrobe except the important portion already in use. They consisted, according to faithful detailed report, of four extra pairs of thick yellow and white cotton socks; two shirts, five collars, five handkerchiefs; a pair of surprisingly vain dancing pumps; high tan laced boots; three suits of cheap cotton underclothes; his Sunday suit, which was dead black in color, and unimaginative in cut; four ties; a fagged toothbrush, a comb and hairbrush, a razor, a strop, shaving soap in a mug; a not very clean towel; and nothing else whatever. </p> </div>  +
<div class="poem"> <p>She sat straight, shook her head. "Nope. I'll do it. And I'm not going to insist on being heroic any longer. I'll get a farmer to pull us out." </p> </div>  +
<div class="poem"> <p>Two stores farther on, a bulky farmer hailed, "Say, Milt, should I get an ensilage cutter yet?" </p> </div>  +
<div class="poem"> <p>"Huh! Such an auto! Look, it break my harness a'ready! Two dollar that cost you to mend it. De auto iss too heavy!" stormed Zolzac. </p> </div>  +
<div class="poem"> <p>"Well, I didn't——" </p> </div>  +
<div class="poem"> <p>"Yes," dryly, "quite an accident. Well, I'll skip on ahead again. May run into you again before we hit Seattle. Going to take the run through Yellowstone Park?" </p> </div>  +
<div class="poem"> <p>"My! You're quite a ways from home, aren't you?" </p> </div>  +
<div class="poem"> <p>"Idiot! Ought to have put on my rubbers. Well--too late now," she observed, as she started the engine. </p> </div>  +
<div class="poem"> <p>She noticed the sign on the air-hose of the garage—"Free Air." </p> </div>  +
<div class="poem"> <p>"Vell?" </p> </div>  +
<p>CLAIRE ESCAPES FROM RESPECTABILITY </p>  +
<p>"Oh! So he's still working that old gag! I've heard all about Adolph. He keeps that harness for pulling out cars, and it always busts. The last time, though, he only charged six bits to get it mended. Now let me reason with him." </p>  +
<div class="poem"> <p> ***** </p> </div>  +
<div class="poem"> <p>Hence it was to the traveling men, not to supercilious tourists in limousines, that Milt turned for suggestions as to how to perform the miracle of changing from an ambitious boy into what Claire would recognize as a charming man. He had not met enough traveling men at Schoenstrom. They scooped up what little business there was, and escaped from the Leipzig House to spend the night at St. Cloud or Sauk Centre. </p> </div>  +
<div class="poem"> <p>When the wheels struck the slime, they slid, they wallowed. The car skidded. It was terrifyingly out of control. It began majestically to turn toward the ditch. She fought the steering wheel as though she were shadow-boxing, but the car kept contemptuously staggering till it was sideways, straight across the road. Somehow, it was back again, eating into a rut, going ahead. She didn't know how she had done it, but she had got it back. She longed to take time to retrace her own cleverness in steering. She didn't. She kept going. </p> </div>  +
<div class="poem"> <p>Till now she hadn't believed it. But she dared not glance at the approaching car. It was their interesting guest who steered the Gomez past the other; and he ran rather too near the edge of the road ... so that she looked over, down. </p> </div>  +
<div class="poem"> <p>"And keep your hand where it belongs. Don't go trying to touch that switch. Aw, be sensible! What would you do if the car did stop? I could blackjack you both before this swell-elegant vehickle lost momentum, savvy? I don't want to pay out my good money to a lawyer on a charge of—murder. Get me? Better take it easy and not worry." His hand was constantly on the wheel. He had driven cars before. He was steering as much as she. "When I get you up the road a piece I'm going to drive all the cute lil boys and girls up a side trail, and take all of papa's gosh-what-a-wad in the cunnin' potet-book, and I guess we'll kiss lil daughter, and drive on, a-wavin' our hand politely, and let you suckers walk to the next burg." </p> </div>  +
<div class="poem"> <p>"I know, but—I want to tackle some sure-nuff city. Like Duluth or New York." </p> </div>  +
<div class="poem"> <p>Claire had only a blotched impression of peaked wooden buildings and squatty brick stores with faded awnings; of a red grain elevator and a crouching station and a lumberyard; then of the hopelessly muddy road leading on again into the country. She felt that if she didn't stop at once, she would miss the town entirely. The driving-instinct sustained her, made her take corners sharply, spot a garage, send the Gomez whirling in on the cement floor. </p> </div>  +