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  • The Baker's Boy  + (Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Newsome, Mary Effie Lee </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> Golden Slippers: An Anthology of Negro Poetry for Young Readers </br> </br> </br> Publisher </br> </br> Harper & Row </br> </br> </br> Year of Publication </br> </br> 1927 </br> </br> </br> Pages </br> </br> 26</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> The baker's boy delivers loaves </br>All up and down our street. </br>His car is white, his clothes are white, </br>White to his very feet. </br>I wonder if he stays that way. </br>I don't see how he does all day. </br>I’d like to watch him going home </br>When all the loaves are out. </br>His clothes must look quite different then, </br>At least I have no doubt.</br> </br> </br> </br> car road whitenessdoubt. car road whiteness)
  • Sunday Morning  + (Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> MacNeice, Louis </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> The Faber Book of Modern Verse </br> </br> </br> Publisher </br> </br> Faber and Faber </br> </br> </br> Year of Publication </br> </br> 1923 </br> </br> </br> Pages </br> </br> 304</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> Down the road someone is practising scales, </br>The notes like little fishes vanish with a wink of tails, </br>Man’s heart expands to tinker with his car </br>For this is Sunday morning, Fate’s great bazaar, </br>Regard these means as ends, concentrate on this Now, </br>And you may grow to music or drive beyond Hindhead anyhow, </br>Take corners on two wheels until you go so fast </br>That you can clutch a fringe or two of the windy past, </br>That you can abstract this day and make it to the week of time </br>A small eternity, a sonnet self-contained in rhyme.</br> </br> </br> </br> pleasure speed maintenance car part road </br> </br> </br> </br> </br> </br> </br> But listen, up the road, something gulps, the church spire </br>Opens its eight bells out, skulls’ mouths which will not tire </br>To tell how there is no music or movement which secures </br>Escape from the weekday time. Which deadens and endures.</br> </br> </br> </br> architecture music sound metaphor haptic death metaphor haptic death)
  • On The Road to Nowhere  + (Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Lindsay, Vachel </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> Selected Poems of Vachel Lindsay </br> </br> </br> Publisher </br> </br> Macmillan </br> </br> </br> Year of Publication </br> </br> 1916 </br> </br> </br> Pages </br> </br> 101-102</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> Upon Returning to the Country Road</br> </br> </br> </br> rural </br> </br> </br> </br> </br> </br> </br> On the road to nowhere </br>What wild oats did you sow </br>When you left your father's house </br>With your cheeks aglow? </br>Eyes so strained and eager </br>To see what you might see? </br>Were you thief of were you fool </br>Or most nobly free?</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Were the tramp-days knightly, </br>True sowing of wild seed? </br>Did you dare to make the songs </br>Vanquished workmen need? </br>Did you waste much money </br>To deck a leper's feast? </br>Love the truth, defy the crowd </br>Scandalize the priest? </br>On the road to nowhere </br>What wild oats did you sow? </br>Stupids find the nowhere-road </br>Dusty, grim and slow.</br> </br> </br> </br> metaphor plant road condition slowness </br> </br> </br> </br> </br> </br> </br> Ere their sowing's ended </br>They turn them on their track, </br>Look at the caitiff craven wights </br>Repentant, hurrying back! </br>Grown ashamed of nowhere, </br>Of rags endured for years, </br>Lust for velvet in their hearts, </br>Pierced with Mammon's spears, </br>All but a few fanatics </br>Give up their darling goal, </br>Seek to be as others are, </br>Stultify the soul. </br>Reapings now confront them, </br>Glut them, or destroy. </br>Curious seeds, grain or weeds </br>Sown with awful joy. </br>Hurried is their harvest, </br>They make soft peace with men. </br>Pilgrims pass. They care not, </br>Will not tramp again.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> O nowhere, golden nowhere! </br>Sages and fools go on </br>To your chaotic ocean, </br>To your tremendous dawn. </br>Far in your fair dream-haven, </br>Is nothing or is all... </br>They press on, singing, sowing </br>Wild deeds without recall!inging, sowing Wild deeds without recall!)
  • On Broadway  + (Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> McKay, Claude </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> Spring in New Hampshire and Other Poems </br> </br> </br> Publisher </br> </br> Grant Richards Ltd </br> </br> </br> Year of Publication </br> </br> 1920 </br> </br> </br> Pages </br> </br> 18</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> About me young and careless feet </br>Linger along the garish street; </br> Above, a hundred shouting signs </br>Shed down their bright fantastic glow </br> Upon the merry crowd and lines </br>Of moving carriages below: </br>O wonderful is Broadway—only </br>My heart, my heart is lonely.</br> </br> </br> </br> urban </br> </br> </br> </br> </br> </br> </br> Desire naked, linked with Passion, </br>Goes strutting by in brazen fashion; </br> From playhouse, cabaret and inn </br>The rainbow lights of Broadway blaze </br> All gay without, all glad within; </br>As in a dream I stand and gaze </br>At Broadway, shining Broadway—only </br>My heart, my heart is lonely.</br> </br> </br> </br> urban is lonely. urban)
  • Spring in California  + (Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Fraser, Vonard </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> Motor Land </br> </br> </br> Publisher </br> </br> -</br> </br> </br> Year of Publication </br> </br> 1922 </br> </br> </br> Pages </br> </br> 24</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> There's a strident call in the Open Road </br>Where the Spring's glad message lies, </br>And the motor sings me a joyous song </br>With a lilt of the azure skies.</br> </br> </br> </br> car sound music personification pleasure road sky spring </br> </br> </br> </br> </br> </br> </br> O’er the ribboned line of the Great Highway, </br>Where the wildflower carpet's laid, </br>Where the poppy opens her golden cup </br>As a symbol of Spring arrayed.</br> </br> </br> </br> highway plant metaphor road spring </br> </br> </br> </br> </br> </br> </br> Through the forests, born in an ancient day, </br>With their banks of moss and bloom, </br>And the bordered aisles of the canyons dim </br>Where the giant Redwoods loom.</br> </br> </br> </br> forest tree plant </br> </br> </br> </br> </br> </br> </br> Then o'er hill and dale to the realm of snow, </br>To the mirrored lakes and rills, </br>While the skylark's call from the meadows green </br>Can be heard on a thousand hills.</br> </br> </br> </br> snow lake animal sound </br> </br> </br> </br> </br> </br> </br> For the feverish press in this Game of Life </br>What a balm does Nature bear! </br>What a draught of health in the new-turned earth, </br>What a change from the realm of Care!</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> O, the key to much that the world loves best </br>Can be found beside the way, </br>If your motor sings you a joyous song </br>At the dawn of a bright spring day.</br> </br> </br> </br> car personification pleasure music sound springtion pleasure music sound spring)
  • The Love-Hour  + (Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Oppenheim, James </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> Songs for the New Age </br> </br> </br> Publisher </br> </br> The Century Co. </br> </br> </br> Year of Publication </br> </br> 1914 </br> </br> </br> Pages </br> </br> 90-91</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> city urban </br> </br> </br> </br> </br> </br> </br> Where may she of the hall bedroom hold the love-hour? </br>In what sweet privacy find her soul before the face of the belovéd? </br>And the kiss that lifts her from the noise of the shop, </br>And the bitter carelessness of the streets? </br>Neither is there garden nor secret parlor for her: </br>And cruel winter has spoiled the shores of the sea; </br>The benches in the park are laden with melting snow, </br>And the bedroom forbidden...</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> But ah, the love of a woman! She will not be cheated! </br>Up the stoop she went to the vestibule of the house, </br>And beckoned to me to come to that darkness of doors: </br>Here in a crevice of the public city the love-hour was spent...</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Outside rumbled the cars between drifts of the gas-lit snow, </br>And the footsteps fell of the wanderers in the night... </br>Within, the dark house slept... </br>But we, in our little cave, stood, and saw in the gleaming dark </br>Shine of each other’s eyes, and the flutter of wisps of hair, </br>And our words were breathlessly sweet, and our kisses silent...</br> </br> </br> </br> car sound night snow </br> </br> </br> </br> </br> </br> </br> Where is there rose-garden, </br>Where is there balcony among the cedars and pines, </br>Where is there moonlit clearing in the dumb wilderness, </br>Enchanted as this doorway, dark in the glare of the city?ark in the glare of the city?)
  • Civilization  + (Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Oppenheim, James </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> Songs for the New Age </br> </br> </br> Publisher </br> </br> The Century Co. </br> </br> </br> Year of Publication </br> </br> 1914 </br> </br> </br> Pages </br> </br> 9-10</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> Civilization! </br>Everybody kind and gentle, and men giving up </br>their seats in the car for the women... </br>What an ideal! </br>How bracing!</br> </br> </br> </br> car car part </br> </br> </br> </br> </br> </br> </br> Is this what we want? </br>Have so many generations lived and died for this? </br>There have been Crusades, persecutions, wars, and majestic arts, </br>There have been murders and passions and horrors since man was in the jungle... </br>What was this blood-toll for? </br>Just so that everybody could have a full belly and be well-mannered?</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> But let us not fool ourselves: </br>This civilization is mostly varnish very thinly laid on... </br>Take any newspaper any morning: scan through it... </br>Rape, murder, villany, and picking and stealing: </br>The mob that tore a negro to pieces, the men that ravished a young girl: </br>The safe-blowing gang and the fat cowardly promoter who stole people’s savings... </br>Just scan it through: this news of civilization...</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Away then, with soft ideals: </br>Brace yourself with bitterness: </br>A drink of that biting liquor, the Truth...</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Let us not be afraid of ourselves, but face ourselves and confess what we are: </br>Let us go backward a while that we may go forward: </br>This is an excellent age for insurrection, revolt, and the reddest of revolutions...t, and the reddest of revolutions...)
  • From an Automobile  + (Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> MacKaye, Percy </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> Scribner’s Magazine </br> </br> </br> Publisher </br> </br> -</br> </br> </br> Year of Publication </br> </br> 1910 </br> </br> </br> Pages </br> </br> 114</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> Fluid the world flowed under us: the hills, </br> Billow on billow of umbrageous green, </br> Heaved us, aghast, to fresh horizons, seen </br>One rapturous instant, blind with dash of rills </br>And silver rising storms and dewy stills </br> Of dripping boulders, then the dim ravine </br> Drowned us again in leafage, whose serene </br>Coverts grew loud with our tumultuous wills.</br> </br> </br> </br> pleasure topography sound metaphor </br> </br> </br> </br> </br> </br> </br> Then all of nature’s old amazement </br> Sudden to ask us: "Is this also Man? </br> This plunging, volant land-amphibian— </br>What Plato mused and Paracelsus dreamed? </br> Reply!" And piercing us with ancient scan, </br>The shrill primeval hawk gazed and screamed.</br> </br> </br> </br> intertext sound animalintertext sound animal)
  • Abide the Adventure  + (Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Oppenheim, James </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> Songs for the New Age </br> </br> </br> Publisher </br> </br> The Century Co. </br> </br> </br> Year of Publication </br> </br> 1914 </br> </br> </br> Pages </br> </br> 39-40</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> Neither from the woe, </br>Nor from the war, </br>Think ye to escape... </br>It helps nothing that ye shut your eyes, oh, cloistered </br> cowards and gilded idlers! </br>For neither shall cushion nor buffet ease the sharp </br> shock of life, </br>Neither shall delicate music in hushed hotels drown out </br> the roar of the battling streets . . . </br>Neither shall wingéd wheels carry you away to the </br> place of peace . . . </br>How can ye go from yourselves, deluded ones?</br> </br> </br> </br> affect car part road sound metaphor </br> </br> </br> </br> </br> </br> </br> Make but a world of rest: </br>Swifter than striking lightning </br>The Aladdin of the soul builds in the heart </br>A world of unresting hell... </br>And, oh ye shunners of war, ye are gruelled in a war </br> of the spirit, </br>In a battle of nerves and blood-vessels and the ghost- </br> haunted brain, </br>And the death of delight... </br>Hence, whip ye to battle: </br>Live ye to the uttermost: </br>Abide the adventure.he uttermost: Abide the adventure.)
  • Washington Square  + (Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Oppenheim, James </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> Songs for the New Age </br> </br> </br> Publisher </br> </br> The Century Co. </br> </br> </br> Year of Publication </br> </br> 1914 </br> </br> </br> Pages </br> </br> 115-116</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> Starless and still... </br>Who stopped this heart? </br>Who bound this city in a trance?</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> With open eyes the sleeping houses stare at the Park: </br>And among nude boughs the slumbering hanging moons are gazing: </br>And somnambulant drops of melting snow glide from the roofs and patter on the pave... </br>I in a dream draw the echoes of my footfall silvery sharp...</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Sleep-walking city! </br>Who are the wide-eyed prowlers in the night? </br>What nightmare-ridden cars move through their own far thunder? </br>What living death of the wind rises, crackling the drowsy twigs?</br> </br> </br> </br> urban car personification sound </br> </br> </br> </br> </br> </br> </br> In the enchantment of the ebb of life, </br>In the miracle of millions stretched in their rooms unconscious and breathing, </br>In the sleep of the broadcast people, </br>In the multitude of dreams rising from the houses, </br>I pause, frozen in a spell.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> We sleep in the eternal arms of night: </br>We give ourselves, in the heart of peril, </br>To sheer unconsciousness: </br>Silently sliding through space, the huge globe turns.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> I cannot go: </br>I dream that behind a window one wakes, a woman: </br>She is thinking of me.ne wakes, a woman: She is thinking of me.)
  • Finis  + (Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Parker, Dorothy </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> Enough Rope </br> </br> </br> Publisher </br> </br> Horace Liveright </br> </br> </br> Year of Publication </br> </br> 1926 </br> </br> </br> Pages </br> </br> 82</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> Now it’s over, and now it’s done; </br>Why does everything look the same? </br>Just as bright, the unheeding sun,— </br> Can’t it see that the parting came? </br>People hurry and work and swear, </br> Laugh and grumble and die and wed, </br>Ponder what they will eat and wear,— </br> Don’t they know that our love is dead? </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Just as busy, the crowded street; </br> Cars and wagons go rolling on, </br>Children chuckle, and lovers meet,— </br> Don’t they know that our love is gone? </br>No one pauses to pay a tear; </br> None walks slow, for the love that’s through,— </br>I might mention, my recent dear, </br> I’ve reverted to normal, too. </br> </br> </br> </br> car street urban traffic)
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 (Bibliographic Information Author Reynolds, Elsbery Washington)
  • Newsome, Mary Effie Lee  + (Gender Female Ethnicity/Race African-American Nationality American Life span 1885-1979 Texts from Newsome, Mary Effie Lee The Baker's Boy)
  • Johnson, Helene  + (Gender Female Ethnicity/Race African-American Nationality American Life span 1906-1995 Texts from Johnson, Helene The Road)
  • Lowell, Amy  + (Gender Female Ethnicity/Race Caucasian Nationality American Life span 1874-1925 Texts from Lowell, Amy A South California Forest)
  • Wilson Baker, Karle  + (Gender Female Ethnicity/Race Caucasian Nationality American Life span 1878-1960 Texts from Wilson Baker, Karle The Small Town Celebrates)
  • Teasdale, Sara  + (Gender Female Ethnicity/Race Caucasian Nationality American Life span 1884-1933 Texts from Teasdale, Sara May Day)
  • H.D. (Hilda Doolittle)  + (Gender Female Ethnicity/Race Caucasian Nationality American Life span 1886-1961 Texts from H.D. (Hilda Doolittle) Cities)
  • Parker, Dorothy  + (Gender Female Ethnicity/Race Caucasian Nationality American Life span 1893-1967 Texts from Parker, Dorothy Finis)
  • Hersey, Marie Louise  + (Gender Female Ethnicity/Race - Nationality - Life span - Texts from Hersey, Marie Louise Provincetown)
  • Huntington, Julia Weld  + (Gender Female Ethnicity/Race - Nationality - Life span - Texts from Huntington, Julia Weld Off the Highway)
  • Weeks, Carrie Foote  + (Gender Female Ethnicity/Race - Nationality - Life span - Texts from Weeks, Carrie Foote The ABC of the Automobile)
  • Trinkle, Florence M.  + (Gender Female Ethnicity/Race - Nationality American Life span - Texts from Trinkle, Florence M. Coast to Coast in a Brush Runabout)
  • Wyatt, Edith  + (Gender Female Ethnicity/Race - Nationality American Life span 1873-1958 Texts from Wyatt, Edith On the Great Plateau)
  • Moore, Marianne  + (Gender Female Ethnicity/Race - Nationality American Life span 1887-1972 Texts from Moore, Marianne People's Surroundings)
  • Lavell, Edith  + (Gender Female Ethnicity/Race - Nationality American Life span 1892-? Texts from Lavell, Edith The Girl Scouts' Motor Trip)
  • Dunbar, Paul Laurence  + (Gender Male Ethnicity/Race African-American Nationality American Life span 1872-1906 Texts from Dunbar, Paul Laurence A Roadway)
  • Braithwaite, William S.  + (Gender Male Ethnicity/Race African-American Nationality American Life span 1878-1962 Texts from Braithwaite, William S. A White Road)
  • Jamison, Roscoe C.  + (Gender Male Ethnicity/Race African-American Nationality American Life span 1888-? Texts from Jamison, Roscoe C. The Road of Human Life)
  • Hughes, Langston  + (Gender Male Ethnicity/Race African-American Nationality American Life span 1901-1967 Texts from Hughes, Langston Baby Florida Road Workers)
  • Jones, Joshua Henry  + (Gender Male Ethnicity/Race African-American Nationality American Life span ?-1955 Texts from Jones, Joshua Henry The Roadway)
  • McKay, Claude  + (Gender Male Ethnicity/Race African-American Nationality Jamaican-American Life span 1890-1948 Texts from McKay, Claude Dawn in New York)
  • Naylor, James Ball  + (Gender Male Ethnicity/Race Caucasian Nationality American Life span - Texts from Naylor, James Ball The Song of the Motor Car)
  • Frost, Robert  + (Gender Male Ethnicity/Race Caucasian Nationality American Life span 1874 - 1963 Texts from Frost, Robert On a Tree Fallen Across The Road)
  • MacKaye, Percy  + (Gender Male Ethnicity/Race Caucasian Nationality American Life span 1875-1956 Texts from MacKaye, Percy From an Automobile)
  • Sandburg, Carl  + (Gender Male Ethnicity/Race Caucasian Nationality American Life span 1878-1967 Texts from Sandburg, Carl Clean Curtains)
  • Lindsay, Vachel  + (Gender Male Ethnicity/Race Caucasian Nationality American Life span 1879-1931 Texts from Lindsay, Vachel On The Road to Nowhere)