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  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Auden, Wystan Hugh </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> W. H. Auden </br> </br> </br> Publisher </br> </br> Faber and Faber </br> </br> </br> Year of Publication </br> </br> 1927 </br> </br> </br> Pages </br> </br> 3</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> Who stands, the crux left of the watershed, </br>On the wet road between the chafing grass </br>Below him sees dismantled washing-floors, </br>Snatches of tramline running to the wood, </br>An industry already comatose, </br>Yet sparsely living. A ramshackle engine </br>At Cashwell raises water; for ten years </br>It lay in flooded workings until this, </br>Its latter office, grudgingly performed. </br>And further here and there, though many dead </br>Lie under the poor soil, some acts are chosen </br>Taken from recent winters; two there were </br>Cleaned out a damaged shaft by hand, clutching </br>The winch the gale would tear them from; one died </br>During a storm, the fells impassable, </br>Not at his village, but in wooden shape </br>Through long abandoned levels nosed his way </br>And in his final valley went to ground.</br> </br> </br> </br> road forest road condition engine personification risk safety death winter storm </br> </br> </br> </br> </br> </br> </br> Go home, now, stranger, proud of your young stock, </br>Stranger, turn back again, frustrate and vexed: </br>This land, cut off, will not communicate, </br>Be no accessory content to one </br>Aimless for faces rather there than here. </br>Beams from your car may cross a bedroom wall, </br>They wake no sleeper; you may hear the wind </br>Arriving driven from the ignorant sea </br>To hurt itself on pane, on bark of elm </br>Where sap unbaffled rises, being Spring; </br>But seldom this. Near you, taller than grass, </br>Ears poise before decision, scenting danger.</br> </br> </br> </br> affect risk car metaphor wind ocean tree spring sound safety wind ocean tree spring sound safety  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Auden, Wystan Hugh </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> -</br> </br> </br> Publisher </br> </br> -</br> </br> </br> Year of Publication </br> </br> 1928 </br> </br> </br> Pages </br> </br> 39</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> From the very first coming down </br>Into a new valley with a frown </br>Because of the sun and a lost way, </br>You certainly remain: to-day </br>I, crouching behind a sheep-pen, heard </br>Travel across a sudden bird, </br>Cry out against the storm, and found </br>The year’s arc a completed round </br>And love’s worn circuit re-begun, </br>Endless with no dissenting turn. </br>Shall see, shall pass, as we have seen </br>The swallow on the tile, spring’s green </br>Preliminary shiver, passed </br>A solitary truck, the last </br>Of shunting in the Autumn. But now </br>To interrupt the homely brow, </br>Thought warmed to evening through and through </br>Your letter comes, speaking as you, </br>Speaking of much but not to come.</br> </br> </br> </br> road animal storm season other mobilities car affect metaphor </br> </br> </br> </br> </br> </br> </br> Nor speech is close nor fingers numb, </br>If love not seldom has received </br>An unjust answer, was deceived. </br>I, decent with the seasons, move </br>Different or with a different love, </br>Nor question overmuch the nod, </br>The stone smile of this country god </br>That never was more reticent, </br>Always afraid to say more than it meant. say more than it meant.  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Bary, D. B. </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> -</br> </br> </br> Publisher </br> </br> -</br> </br> </br> Year of Publication </br> </br> 1912 </br> </br> </br> Pages </br> </br> 721-722</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> The open road’s a pleasure to the heart, </br>When underneath the hood is sixty horse; </br>I wait the moment when I may depart, </br>To roll along the smooth and level course.</br> </br> </br> </br> road road condition affect pleasure animal engine metaphor </br> </br> </br> </br> </br> </br> </br> When underneath the hood is sixty horse, </br>Singing and spinning with the joy of power, </br>To roll along the smooth and level course, </br>Is surely to be happy for an hour.</br> </br> </br> </br> engine speed agency driving affect pleasure engine metaphor personification sound </br> </br> </br> </br> </br> </br> </br> Singing and spinning with joy of power, </br>Roaring up hills and winding through ravines </br>Is surely to be happy for an hour; </br>How else can one grasp half so many scenes?</br> </br> </br> </br> affect pleasure agency road rural wind sound scenery sublime </br> </br> </br> </br> </br> </br> </br> Roaring up hills and winding through ravines, </br>Gliding past meadows where the grass grows lush, </br>How else can one grasp half so many scenes? </br>So let us dawdle though we well might rush.</br> </br> </br> </br> rural driving haptic sound anthropomorphism road side scenery </br> </br> </br> </br> </br> </br> </br> Gliding past meadows where the grass grows lush, </br>By hamlets where the low-roofed houses stand, </br>So let us dawdle tho’ we well might rush. </br>‘Tis pleasant thus to idle through the land.</br> </br> </br> </br> scenery plains affect pleasure nostalgia </br> </br> </br> </br> </br> </br> </br> By hamlets where the low-roofed houses stand, </br>Over the downs where feed the scattered sheep, </br>‘Tis pleasant thus idle through the land, </br>Through woodlands where the western shades lie deep.</br> </br> </br> </br> infrastructure forest West metaphor </br> </br> </br> </br> </br> </br> </br> Over the downs where feed the scattered sheep, </br>Across the barren uplands, sere and brown, </br>Through woodlands where the western shades lie deep, </br>And so at last we turn again toward town.</br> </br> </br> </br> rural animal forest driving urban </br> </br> </br> </br> </br> </br> </br> Across the barren uplands, sere and brown, </br>We drive until the evening wind blows drear, </br>And so at last we turn again toward town; </br>The roar of traffic beats upon the ear.</br> </br> </br> </br> anthropomorphism driving wind town traffic sound </br> </br> </br> </br> </br> </br> </br> We drive until the evening wind blows drear; </br>I long for such a day to come once more. </br>The roar of traffic beats upon the ear, </br>I part with romance at the city’s door.</br> </br> </br> </br> driving night affect nostalgia sound engine traffic metaphor </br> </br> </br> </br> </br> </br> </br> I long for such a day to come once more, </br>I wait the moment when I may depart; </br>I part with romance at the city’s door. </br>The open road’s a pleasure to the heart.</br> </br> </br> </br> car metaphor affective pleasure town nostalgia  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Birney, Earle </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> The Collected Poems of Earle Birney </br> </br> </br> Publisher </br> </br> McClelland Steward </br> </br> </br> Year of Publication </br> </br> 1928 </br> </br> </br> Pages </br> </br> 38-39</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> & you as remote now as that range </br>radiating heat not holding it </br>the buttes rainstormed but instant dryers </br>i remember you like opera</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> ive a hitchhiker but he wont talk </br>i keep radioing words to you </br>but what to say you’d really like? </br>o luvalee the peach & almond petals? sure </br>but it’s too late in the spring now dear tease </br>ive left ploughed earth & the green ricefields behind </br>revved thru towns with dusty palms </br>yes damn you im up thru spidery almonds </br>no more wine & oranges </br>into hot canyons between bare yellow </br>breasts of hill             something vulgar </br>about the landscape as well as me </br>or is it just this jalopy’s had it? </br>my conrods clank </br>the rad’s jerked off again </br>will i ever make vancouver?</br> </br> </br> </br> hitchiker sound affect car part metaphor Northwest passenger scenery season spring plant agriculture desert topography </br> </br> </br> </br> </br> </br> </br> my hitch decided no </br>got out at the last crossroad </br>& just passed </br>waving from a new studebaker </br>at me leaning against this robbers-roost garage </br>with time to telepath you something </br>while they screw in a new pump i dont need</br> </br> </br> </br> hitchhiker car model garage infrastructure car part maintenance passenger </br> </br> </br> </br> </br> </br> </br> well what’s to say?             the view looks edible </br>peppered with black oaks </br>white barns for salt             a saffron sunset </br>“there you go being physical again” </br>i can hear you             well why not? </br>this goddamn sky’s one big red cherry now </br>& the sacramento’s a hairy crack </br>between the white thighs of the liveoaks </br>& by geez if there aint a rock-prick </br>a-purplin up in all this stagey Eden</br> </br> </br> </br> northwest taste tree sky river religion plant scenery </br> </br> </br> </br> </br> </br> </br> but you’re not on my wavelength </br>& now the crate’s cooled </br>we'll sign off             head on north </br>you said you hoped to see more of me in the fall </br>but will we ever fall together? </br>              that would be really operatic.</br> </br> </br> </br> metaphor technology  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Crane, Hart </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> The Collected Poems of Hart Crane </br> </br> </br> Publisher </br> </br> Liveright Publishing Corporation </br> </br> </br> Year of Publication </br> </br> 1933 </br> </br> </br> Pages </br> </br> 31-39</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> animal East </br> </br> </br> </br> </br> </br> </br> The seas all crossed, </br> weathered the capes, the voyage done... </br> —WALT WHITMAN </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Imponderable the dinosaur </br> sinks slow, </br> the mammoth saurian </br> ghoul, the eastern </br> Cape.. </br> </br> </br> </br> animal East </br> </br> </br> </br> </br> </br> </br> While rises in the west the coastwise range, </br> slowly the hushed land— </br>Combustion at the astral core—the dorsal change </br>Of energy—convulsive shift of sand... </br>But we, who round the capes, the promontories </br>Where strange tongues vary messages of surf </br>Below grey citadels, repeating to the stars </br>The ancient names—return home to our own </br>Hearths, there to eat an apple and recall </br>The songs that gypsies dealt us at Marseille </br>Or how the priests walked—slowly through Bombay— </br>Or to read you, Walt,—knowing us in thrall</br> </br> </br> </br> West engine metaphor coast intertext </br> </br> </br> </br> </br> </br> </br> To that deep wonderment, our native clay </br>Whose depth of red, eternal flesh of Pocahontus— </br>Those continental folded aeons, surcharged </br>With sweetness below derricks, chimneys, tunnels— </br>Is veined by all that time has really pledged us... </br>And from above, thin squeaks of radio static, </br>The captured fume of space foams in our ears— </br>What whisperings of far watches on the main </br>Relapsing into silence, while time clears </br>Our lenses, lifts a focus, resurrects </br>A periscope to glimpse what joys or pain </br>Our eyes can share or answer—then deflects </br>Us, shunting to a labyrinth submersed </br>Where each sees only his dim past reversed...</br> </br> </br> </br> Native American infrastructure oil technology sound </br> </br> </br> </br> </br> </br> </br> But that star-glistered salver of infinity, </br>The circle, blind crucible of endless space, </br>Is sliced by motion,—subjugated never. </br>Adam and Adam's answer in the forest </br>Left Hesperus mirrored in the lucid pool. </br>Now the eagle dominates our days, is jurist </br>Of the ambiguous cloud. We know the strident rule </br>Of wings imperious... Space, instantaneous, </br>Flickers a moment, consumes us in its smile: </br>A flash over the horizon—shifting gears— </br>And we have laughter, or more sudden tears. </br>Dream cancels dream in this new realm of fact </br>From which we wake into the dream of act; </br>Seeing himself an atom in a shroud— </br>Man hears himself an engine in a cloud!</br> </br> </br> </br> night animal car part stars engine metaphor driving </br> </br> </br> </br> </br> </br> </br> "—Recorders ages hence"—ah, syllables of faith! </br>Walt, tell me, Walt Whitman, if infinity </br>Be still the same as when you walked the beach </br>Near Paumanok—your lone patrol—and heard the wraith </br>Through surf, its bird note there a long time falling... </br>For you, the panoramas and this breed of towers, </br>Of you—the theme that's statured in the cliff, </br>O Saunterer on free ways still ahead! </br>Not this our empire yet, but labyrinth </br>Wherein your eyes, like the Great Navigator's without ship, </br>Gleam from the great stones of each prison crypt </br>Of canyoned traffic... Confronting the Exchange, </br>Surviving in a world of stocks,—they also range </br>Across the hills where second timber strays </br>Back over Connecticut farms, abandoned pastures,— </br>Sea eyes and tidal, undenying, bright with myth!</br> </br> </br> </br> intertext traffic metaphor agriculture animal </br> </br> </br> </br> </br> </br> </br> The nasal whine of power whips a new universe... </br>Where spouting pillars spoor the evening sky, </br>Under the looming stacks of the gigantic power house </br>Stars prick the eyes with sharp ammoniac proverbs, </br>New verities, new inklings in the velvet hummed </br>Of dynamos, where hearing's leash is strummed... </br>Power's script,—wound, bobbin-bound, refined— </br>Is stropped to the slap of belts on booming spools, spurred </br>Into the bulging bouillon, harnessed jelly of the stars. </br>Towards what? The forked crash of split thunder parts </br>Our hearing momentwise; but fast in whirling armatures, </br>As bright as frogs' eyes, giggling in the girth </br>Of steely gizzards—axle-bound, confined </br>In coiled precision, bunched in mutual glee </br>The bearings glint,—O murmurless and shined </br>In oilrinsed circles of blind ecstasy!</br> </br> </br> </br> sound pollution infrastructure oil car part thunder animal </br> </br> </br> </br> </br> </br> </br> Stars scribble on our eyes the frosty sagas, </br>The gleaming cantos of unvanquished space... </br>O sinewy silver biplane, nudging the wind's withers! </br>There, from Kill Devils Hill at Kitty Hawk </br>Two brothers in their twinship left the dune; </br>Warping the gale, the Wright windwrestlers veered </br>Capeward, then blading the wind's flank, banked and spun </br>What ciphers risen from prophetic script, </br>What marathons new-set between the stars! </br>The soul, by naphtha fledged into new reaches </br>Already knows the closer clasp of Mars,— </br>New latitudes, unknotting, soon give place </br>To what fierce schedules, rife of doom apace!</br> </br> </br> </br> night stars wind speed plane </br> </br> </br> </br> </br> </br> </br> Behold the dragon's covey—amphibian, ubiquitous </br>To hedge the seaboard, wrap the headland, ride </br>The blue's cloud-templed districts unto ether... </br>While Iliads glimmer through eyes raised in pride </br>Hell's belt springs wider into heaven's plumed side. </br>O bright circumferences, heights employed to fly </br>War's fiery kennel masked in downy offings,— </br>This tournament of space, the threshed and chiselled height, </br>Is baited by marauding circles, bludgeon flail </br>Of rancorous grenades whose screaming petals carve us </br>Wounds that we wrap with theorems sharp as hail!</br> </br> </br> </br> intertext </br> </br> </br> </br> </br> </br> </br> Wheeled swiftly, wings emerge from larval-silver hangars. </br>Taut motors surge, space-gnawing, into flight; </br>Through sparkling visibility, outspread, unsleeping, </br>Wings clip the last peripheries of light... </br>Tellurian wind-sleuths on dawn patrol, </br>Each plane a hurtling javelin of winged ordnance, </br>Bristle the heights above a screeching gale to hover; </br>Surely no eye that Sunward Escadrille can cover! </br>There, meaningful, fledged as the Pleiades </br>With razor sheen they zoom each rapid helix! </br>Up-chartered choristers of their own speeding </br>They, cavalcade on escapade, shear Cumulus— </br>Lay siege and hurdle Cirrus down the skies! </br>While Cetus-like, O thou Dirigible, enormous Lounger </br>Of pendulous auroral beaches,—satellited wide </br>By convoy planes, moonferrets that rejoin thee </br>On fleeing balconies as thou dost glide, </br>—Hast splintered space!</br> </br> </br> </br> metaphor car speed visibility driving wind car part weapon intertext technology </br> </br> </br> </br> </br> </br> </br> Low, shadowed of the Cape, </br>Regard the moving turrets! From grey decks </br>See scouting griffons rise through gaseous crepe </br>Hung low... until a conch of thunder answers </br>Cloud-belfries, banging, while searchlights, like fencers, </br>Slit the sky's pancreas of foaming anthracite </br>Toward thee, O Corsair of the typhoon,—pilot, hear! </br>Thine eyes bicarbonated white by speed, O Skygak, see </br>How from thy path above the levin's lance </br>Thou sowest doom thou hast nor time nor chance </br>To reckon—as thy stilly eyes partake </br>What alcohol of space...! Remember, Falcon-Ace, </br>Thou hast there in thy wrist a Sanskrit charge </br>To conjugate infinity's dim marge— </br>Anew...!</br> </br> </br> </br> plane </br> </br> </br> </br> </br> </br> </br> But first, here at this height receive </br>The benediction of the shell's deep, sure reprieve! </br>Lead-perforated fuselage, escutcheoned wings </br>Lift agonized quittance, tilting from the invisible brink </br>Now eagle-bright, now </br> quarry-hid, twist- </br> -ing, sink with </br>Enormous repercussive list- </br> -ings down </br>Giddily spiralled </br> gauntlets, upturned, unlooping </br>In guerrilla sleights, trapped in combustion gyr- </br>Ing, dance the curdled depth </br> down whizzing </br>Zodiacs, dashed </br> (now nearing fast the Cape!) </br> down gravitation's </br> vortex into crashed </br>...dispersion...into mashed and shapeless débris.... </br>By Hatteras bunched the beached heap of high bravery!</br> </br> </br> </br> plane </br> </br> </br> </br> </br> </br> </br> * </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> The stars have grooved our eyes with old persuasions </br>Of love and hatred, birth,—surcease of nations... </br>But who has held the heights more sure than thou, </br>O Walt!—Ascensions of thee hover in me now </br>As thou at junctions elegiac, there, of speed </br>With vast eternity, dost wield the rebound seed! </br>The competent loam, the probable grass,—travail </br>Of tides awash the pedestal of Everest, fail </br>Not less than thou in pure impulse inbred </br>To answer deepest soundings! O, upward from the dead </br>Thou bringest tally, and a pact, new bound, </br>Of living brotherhood!</br> </br> </br> </br> intertext </br> </br> </br> </br> </br> </br> </br> Thou, there beyond— </br>Glacial sierras and the flight of ravens, </br>Hermetically past condor zones, through zenith havens </br>Past where the albatross has offered up </br>His last wing-pulse, and downcast as a cup </br>That's drained, is shivered back to earth—thy wand </br>Has beat a song, O Walt,—there and beyond! </br>And this, thine other hand, upon my heart </br>Is plummet ushered of those tears that start </br>What memories of vigils, bloody, by that Cape,— </br>Ghoul-mound of man's perversity at balk </br>And fraternal massacre! Thou, pallid there as chalk, </br>Hast kept of wounds, O Mourner, all that sum </br>That then from Appomattox stretched to Somme!</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Cowslip and shad-blow, flaked like tethered foam </br>Around bared teeth of stallions, bloomed that spring </br>When first I read thy lines, rife as the loam </br>Of prairies, yet like breakers cliffward leaping! </br>O, early following thee, I searched the hill </br>Blue-writ and odor-firm with violets, 'til </br>With June the mountain laurel broke through green </br>And filled the forest with what clustrous sheen! </br>Potomac lilies, — then the Pontiac rose, </br>And Klondike edelweiss of occult snows! </br>White banks of moonlight came descending valleys— </br>How speechful on oak-vizored palisades, </br>As vibrantly I following down Sequoia alleys </br>Heard thunder's eloquence through green arcades </br>Set trumpets breathing in each clump and grass tuft—'til </br>Gold autumn, captured, crowned the trembling hill!</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Panis Angelicus! Eyes tranquil with the blaze </br>Of love's own diametric gaze, of love's amaze! </br>Not greatest, thou,—not first, nor last,—but near </br>And onward yielding past my utmost year. </br>Familiar, thou, as mendicants in public places; </br>Evasive—too—as dayspring's spreading arc to trace is:— </br>Our Meistersinger, thou set breath in steel; </br>And it was thou who on the boldest heel </br>Stood up and flung the span on even wing </br>Of that great Bridge, our Myth, whereof I sing!</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Years of the Modern! Propulsions toward what capes? </br>But thou, Panis Angelicus, hast thou not seen </br>And passed that Barrier that none escapes— </br>But knows it leastwise as death-strife?—O, something green, </br>Beyond all sesames of science was thy choice </br>Wherewith to bind us throbbing with one voice, </br>New integers of Roman, Viking, Celt— </br>Thou, Vedic Caesar, to the greensward knelt!</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> And now, as launched in abysmal cupolas of space, </br>Toward endless terminals, Easters of speeding light— </br>Vast engines outward veering with seraphic grace </br>On clarion cylinders pass out of sight </br>To course that span of consciousness thou'st named </br>The Open Road—thy vision is reclaimed! </br>What heritage thou'st signalled to our hands!</br> </br> </br> </br> infrastructure road engine car part vision </br> </br> </br> </br> </br> </br> </br> And see! the rainbow's arch—how shimmeringly stands </br>Above the Cape's ghoul-mound, O joyous seer! </br>Recorders ages hence, yes, they shall hear </br>In their own veins uncancelled thy sure tread </br>And read thee by the aureole 'round thy head </br>Of pasture-shine, Panis Angelicus! </br> Yes, Walt, </br>Afoot again, and onward without halt,— </br>Not soon, nor suddenly,—No, never to let go </br> My hand </br> in yours, </br> Walt Whitman— </br> so— </br> </br> </br> </br> road rainbow intertext  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Crane, Hart </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> The Collected Poems of Hart Crane </br> </br> </br> Publisher </br> </br> -</br> </br> </br> Year of Publication </br> </br> 1926 </br> </br> </br> Pages </br> </br> 73-74</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> We make our meek adjustments, </br>Contented with such random consolations </br>As the wind deposits </br>In slithered and too ample pockets.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> For we can still love the world, who find </br>A famished kitten on the step, and know </br>Recesses for it from the fury of the street, </br>Or warm torn elbow coverts.</br> </br> </br> </br> town urban animal street traffic risk anthropomorphism </br> </br> </br> </br> </br> </br> </br> We will sidestep, and to the final smirk </br>Dally the doom of that inevitable thumb </br>That slowly chafes its puckered index toward us, </br>Facing the dull squint with what innocence </br>And what surprise!</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> And yet these fine collapses are not lies </br>More than the pirouettes of any pliant cane; </br>Our obsequies are, in a way, no enterprise. </br>We can evade you, and all else but the heart: </br>What blame to us if the heart live on.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> The game enforces smirks; but we have seen </br>The moon in lonely alleys make </br>A grail of laughter of an empty ash can, </br>And through all sound of gaiety and quest </br>Have heard a kitten in the wilderness.st Have heard a kitten in the wilderness.  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Frost, Robert </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> New Hampshire </br> </br> </br> Publisher </br> </br> Henry Holt </br> </br> </br> Year of Publication </br> </br> 1923 </br> </br> </br> Pages </br> </br> 110-111</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> IT snowed in spring on earth so dry and warm </br>The flakes could find no landing place to form. </br>Hordes spent themselves to make it wet and cold, </br>And still they failed of any lasting hold. </br>They made no white impression on the black. </br>They disappeared as if earth sent them back. </br>Not till from separate flakes they changed at night </br>To almost strips and tapes of ragged white </br>Did grass and garden ground confess it snowed, </br>And all go back to winter but the road. </br>Next day the scene was piled and puffed and dead. </br>The grass lay flattened under one great tread. </br>Borne down until the end almost took root, </br>The rangey bough anticipated fruit </br>With snowballs cupped in every opening bud. </br>The road alone maintained itself in mud, </br>Whatever its secret was of greater heat </br>From inward fires or brush of passing feet.</br> </br> </br> </br> infrastructure plant snow temperature mud personification road scenery spring weather winter </br> </br> </br> </br> </br> </br> </br> In spring more mortal singers than belong </br>To any one place cover us with song. </br>Thrush, bluebird, blackbird, sparrow, and robin throng; </br>Some to go further north to Hudson's Bay, </br>Some that have come too far north back away, </br>Really a very few to build and stay. </br>Now was seen how these liked belated snow. </br>The fields had nowhere left for them to go; </br>They'd soon exhausted all there was in flying; </br>The trees they'd had enough of with once trying </br>And setting off their heavy powder load. </br>They could find nothing open but the road. </br>So there they let their lives be narrowed in </br>By thousands the bad weather made akin. </br>The road became a channel running flocks </br>Of glossy birds like ripples over rocks. </br>I drove them under foot in bits of flight </br>That kept the ground, almost disputing right </br>Of way with me from apathy of wing, </br>A talking twitter all they had to sing. </br>A few I must have driven to despair </br>Made quick asides, but having done in air </br>A whir among white branches great and small </br>As in some too much carven marble hall </br>Where one false wing beat would have brought down all, </br>Came tamely back in front of me, the Drover, </br>To suffer the same driven nightmare over. </br>One such storm in a lifetime couldn't teach them </br>That back behind pursuit it couldn't reach them; </br>None flew behind me to be left alone.</br> </br> </br> </br> air animal affect risk road safety driver driving skill metaphor spring tree weather </br> </br> </br> </br> </br> </br> </br> Well, something for a snowstorm to have shown </br>The country's singing strength thus brought together, </br>That though repressed and moody with the weather </br>Was none the less there ready to be freed </br>And sing the wildflowers up from root and seed.</br> </br> </br> </br> weathert and seed. weather  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Frost, Robert </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> Selected Poems </br> </br> </br> Publisher </br> </br> Henry Holt and Company </br> </br> </br> Year of Publication </br> </br> 1920 </br> </br> </br> Pages </br> </br> 132-135</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Brown lived at such a lofty farm </br>That everyone for miles could see </br>His lantern when he did his chores </br>In winter after half-past three.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> And many must have seen him make </br>His wild descent from there one night, </br>’Cross lots, ’cross walls, ’cross everything, </br>Describing rings of lantern light.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Between the house and barn the gale </br>Got him by something he had on </br>And blew him out on the icy crust </br>That cased the world, and he was gone!</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Walls were all buried, trees were few: </br>He saw no stay unless he stove </br>A hole in somewhere with his heel. </br>But though repeatedly he strove</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> And stamped and said things to himself, </br>And sometimes something seemed to yield, </br>He gained no foothold, but pursued </br>His journey down from field to field.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Sometimes he came with arms outspread </br>Like wings, revolving in the scene </br>Upon his longer axis, and </br>With no small dignity of mien.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Faster or slower as he chanced, </br>Sitting or standing as he chose, </br>According as he feared to risk </br>His neck, or thought to spare his clothes,</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> He never let the lantern drop. </br>And some exclaimed who saw afar </br>The figures he described with it, </br>“I wonder what those signals are</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Brown makes at such an hour of night! </br>He’s celebrating something strange. </br>I wonder if he’s sold his farm, </br>Or been made Master of the Grange.”</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> He reeled, he lurched, he bobbed, he checked; </br>He fell and made the lantern rattle </br>(But saved the light from going out.) </br>So half-way down he fought the battle</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Incredulous of his own bad luck. </br>And then becoming reconciled </br>To everything, he gave it up </br>And came down like a coasting child.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> “Well—I—be——” that was all he said, </br>As standing in the river road, </br>He looked back up the slippery slope </br>(Two miles it was) to his abode.</br> </br> </br> </br> road roadside river road condition risk safety </br> </br> </br> </br> </br> </br> </br> Sometimes as an authority </br>On motor-cars, I’m asked if I </br>Should say our stock was petered out, </br>And this is my sincere reply:</br> </br> </br> </br> car </br> </br> </br> </br> </br> </br> </br> Yankees are what they always were. </br>Don’t think Brown ever gave up hope </br>Of getting home again because </br>He couldn’t climb that slippery slope;</br> </br> </br> </br> car metaphor </br> </br> </br> </br> </br> </br> </br> Or even thought of standing there </br>Until the January thaw </br>Should take the polish off the crust. </br>He bowed with grace to natural law,</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> And then went round it on his feet, </br>After the manner of our stock; </br>Not much concerned for those to whom, </br>At that particular time o’clock,</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> It must have looked as if the course </br>He steered was really straight away </br>From that which he was headed for— </br>Not much concerned for them, I say.</br> </br> </br> </br> road navigation car driving driving skill </br> </br> </br> </br> </br> </br> </br> But now he snapped his eyes three times; </br>Then shook his lantern, saying, “Ile’s </br>’Bout out!” and took the long way home </br>By road, a matter of several miles.</br> </br> </br> </br> road affect navigation  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Frost, Robert </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> -</br> </br> </br> Publisher </br> </br> -</br> </br> </br> Year of Publication </br> </br> 1914 </br> </br> </br> Pages </br> </br> -</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Lancaster bore him—such a little town, </br>Such a great man. It doesn’t see him often </br>Of late years, though he keeps the old homestead </br>And sends the children down there with their mother </br>To run wild in the summer—a little wild. </br>Sometimes he joins them for a day or two </br>And sees old friends he somehow can’t get near. </br>They meet him in the general store at night, </br>Preoccupied with formidable mail, </br>Rifling a printed letter as he talks. </br>They seem afraid. He wouldn’t have it so: </br>Though a great scholar, he’s a democrat, </br>If not at heart, at least on principle. </br>Lately when coming up to Lancaster </br>His train being late he missed another train </br>And had four hours to wait at Woodsville Junction </br>After eleven o’clock at night. Too tired </br>To think of sitting such an ordeal out, </br>He turned to the hotel to find a bed.</br> </br> </br> </br> town urban train night </br> </br> </br> </br> </br> </br> </br> “No room,” the night clerk said. “Unless——” </br>Woodsville’s a place of shrieks and wandering lamps </br>And cars that shock and rattle—and one hotel.</br> </br> </br> </br> car night sound </br> </br> </br> </br> </br> </br> </br> “You say ‘unless.’“</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> “Unless you wouldn’t mind </br>Sharing a room with someone else.”</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> “Who is it?”</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> “A man.”</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> “So I should hope. What kind of man?”</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> “I know him: he’s all right. A man’s a man. </br>Separate beds of course you understand.”</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> The night clerk blinked his eyes and dared him on. </br>“Who’s that man sleeping in the office chair? </br>Has he had the refusal of my chance?”</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> “He was afraid of being robbed or murdered. </br>What do you say?”</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> “I’ll have to have a bed.”</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> The night clerk led him up three flights of stairs </br>And down a narrow passage full of doors, </br>At the last one of which he knocked and entered. </br>“Lafe, here’s a fellow wants to share your room.”</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> “Show him this way. I’m not afraid of him, </br>I’m not so drunk I can’t take care of myself.” </br>The night clerk clapped a bedstead on the foot. </br>“This will be yours. Good-night,” he said, and went.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> “Lafe was the name, I think?”</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> “Yes, Layfayette. </br>You got it the first time. And yours?”</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> “Magoon. </br>Doctor Magoon.”</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> “A Doctor?”</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> “Well, a teacher.”</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> “Professor Square-the-circle-till-you’re-tired? </br>Hold on, there’s something I don’t think of now </br>That I had on my mind to ask the first </br>Man that knew anything I happened in with. </br>I’ll ask you later—don’t let me forget it.”</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> The Doctor looked at Lafe and looked away. </br>A man? A brute. Naked above the waist, </br>He sat there creased and shining in the light, </br>Fumbling the buttons in a well-starched shirt. </br>“I’m moving into a size-larger shirt. </br>I’ve felt mean lately; mean’s no name for it. </br>I just found what the matter was to-night: </br>I’ve been a-choking like a nursery tree </br>When it outgrows the wire band of its name tag. </br>I blamed it on the hot spell we’ve been having. </br>’Twas nothing but my foolish hanging back, </br>Not liking to own up I’d grown a size. </br>Number eighteen this is. What size do you wear?”</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> The Doctor caught his throat convulsively. </br>“Oh—ah—fourteen—fourteen.”</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br>                         “Fourteen! You say so! </br>I can remember when I wore fourteen. </br>And come to think I must have back at home </br>More than a hundred collars, size fourteen. </br>Too bad to waste them all. You ought to have them. </br>They’re yours and welcome; let me send them to you. </br>What makes you stand there on one leg like that? </br>You’re not much furtherer than where Kike left you, </br>You act as if you wished you hadn’t come. </br>Sit down or lie down, friend; you make me nervous.”</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> The Doctor made a subdued dash for it, </br>And propped himself at bay against a pillow.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> “Not that way, with your shoes on Kike’s white bed. </br>You can’t rest that way. Let me pull your shoes off.”</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> “Don’t touch me, please—I say, don’t touch me, please. </br>I’ll not be put to bed by you, my man.”</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> “Just as you say. Have it your own way then. </br>‘My man’ is it? You talk like a professor. </br>Speaking of who’s afraid of who, however, </br>I’m thinking I have more to lose than you </br>If anything should happen to be wrong. </br>Who wants to cut your number fourteen throat! </br>Let’s have a show down as an evidence </br>Of good faith. There is ninety dollars. </br>Come, if you’re not afraid.”</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> “I’m not afraid. </br>There’s five: that’s all I carry.”</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> “I can search you? </br>Where are you moving over to? Stay still. </br>You’d better tuck your money under you </br>And sleep on it the way I always do </br>When I’m with people I don’t trust at night.”</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> “Will you believe me if I put it there </br>Right on the counterpane—that I do trust you?”</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> “You’d say so, Mister Man.—I’m a collector. </br>My ninety isn’t mine—you won’t think that. </br>I pick it up a dollar at a time </br>All round the country for the Weekly News, </br>Published in Bow. You know the Weekly News?”</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> “Known it since I was young.”</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> “Then you know me. </br>Now we are getting on together—talking. </br>I’m sort of Something for it at the front. </br>My business is to find what people want: </br>They pay for it, and so they ought to have it. </br>Fairbanks, he says to me—he’s editor— </br>Feel out the public sentiment—he says. </br>A good deal comes on me when all is said. </br>The only trouble is we disagree </br>In politics: I’m Vermont Democrat— </br>You know what that is, sort of double-dyed; </br>The News has always been Republican. </br>Fairbanks, he says to me, ‘Help us this year,’ </br>Meaning by us their ticket. ‘No,’ I says, </br>‘I can’t and won’t. You’ve been in long enough: </br>It’s time you turned around and boosted us. </br>You’ll have to pay me more than ten a week </br>If I’m expected to elect Bill Taft. </br>I doubt if I could do it anyway.’“</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> “You seem to shape the paper’s policy.”</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> “You see I’m in with everybody, know ’em all. </br>I almost know their farms as well as they do.”</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> “You drive around? It must be pleasant work.”</br> </br> </br> </br> driving affect pleasure </br> </br> </br> </br> </br> </br> </br> “It’s business, but I can’t say it’s not fun. </br>What I like best’s the lay of different farms, </br>Coming out on them from a stretch of woods, </br>Or over a hill or round a sudden corner. </br>I like to find folks getting out in spring, </br>Raking the dooryard, working near the house. </br>Later they get out further in the fields. </br>Everything’s shut sometimes except the barn; </br>The family’s all away in some back meadow. </br>There’s a hay load a-coming—when it comes. </br>And later still they all get driven in: </br>The fields are stripped to lawn, the garden patches </br>Stripped to bare ground, the apple trees </br>To whips and poles. There’s nobody about. </br>The chimney, though, keeps up a good brisk smoking. </br>And I lie back and ride. I take the reins </br>Only when someone’s coming, and the mare </br>Stops when she likes: I tell her when to go. </br>I’ve spoiled Jemima in more ways than one. </br>She’s got so she turns in at every house </br>As if she had some sort of curvature, </br>No matter if I have no errand there. </br>She thinks I’m sociable. I maybe am. </br>It’s seldom I get down except for meals, though. </br>Folks entertain me from the kitchen doorstep, </br>All in a family row down to the youngest.”</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> “One would suppose they might not be as glad </br>To see you as you are to see them.”</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> “Oh, </br>Because I want their dollar. I don’t want </br>Anything they’ve not got. I never dun. </br>I’m there, and they can pay me if they like. </br>I go nowhere on purpose: I happen by. </br>Sorry there is no cup to give you a drink. </br>I drink out of the bottle—not your style. </br>Mayn’t I offer you——?”</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> “No, no, no, thank you.”</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> “Just as you say. Here’s looking at you then.— </br>And now I’m leaving you a little while. </br>You’ll rest easier when I’m gone, perhaps— </br>Lie down—let yourself go and get some sleep. </br>But first—let’s see—what was I going to ask you? </br>Those collars—who shall I address them to, </br>Suppose you aren’t awake when I come back?”</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> “Really, friend, I can’t let you. You—may need them.”</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> “Not till I shrink, when they’ll be out of style.”</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> “But really I—I have so many collars.”</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> “I don’t know who I rather would have have them. </br>They’re only turning yellow where they are. </br>But you’re the doctor as the saying is. </br>I’ll put the light out. Don’t you wait for me: </br>I’ve just begun the night. You get some sleep. </br>I’ll knock so-fashion and peep round the door </br>When I come back so you’ll know who it is. </br>There’s nothing I’m afraid of like scared people. </br>I don’t want you should shoot me in the head. </br>What am I doing carrying off this bottle? </br>There now, you get some sleep.”</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> He shut the door. </br>The Doctor slid a little down the pillow.  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Hughes, Langston </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> The Collected Poems of Langston Hughes </br> </br> </br> Publisher </br> </br> Vintage Classics </br> </br> </br> Year of Publication </br> </br> pre 1930 </br> </br> </br> Pages </br> </br> 120</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> Albert! </br>Hey, Albert! </br>Don't you play in dat road. </br> You see dem trucks </br> A-goin' by. </br> One run ovah you </br> An' you die. </br>Albert, don't you play in dat road.</br> </br> </br> </br> road car truck accident death risk trafficcar truck accident death risk traffic  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Huntington, Julia Weld </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> Poetry Magazine </br> </br> </br> Publisher </br> </br> -</br> </br> </br> Year of Publication </br> </br> 1921 </br> </br> </br> Pages </br> </br> 81</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> infrastructure roadside </br> </br> </br> </br> </br> </br> </br> Lilacs lift leaves of cool satin </br>And blossoms of mother-of-pearl </br>Against the tarnished silver of the deserted house. </br>Tall, exquisite grasses fill the door-yard with spray. </br>Through the sun-drenched fragrance drifts the hazy monotone of bees. </br>Tints of opal and jade; the hush of emerald shadows, </br>And a sense of the past as a living presence </br>Distil a haunting wistful peace.</br> </br> </br> </br> plant animal sunshine road side scenery smell metaphorshine road side scenery smell metaphor  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Jamison, Roscoe C. </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> Negro Soldiers (“These Truly are the Brave”) and other poems by Roscoe C. Jamison </br> </br> </br> Publisher </br> </br> Press of the Gray Printing Company </br> </br> </br> Year of Publication </br> </br> 1918 </br> </br> </br> Pages </br> </br> -</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> metaphor metaphysics death </br> </br> </br> </br> </br> </br> </br> Along the Road of Human Life, </br>So very near, on either side, </br>With winds and storms and billows rife, </br>There is a sea that's wide; </br>And woe to him who trips and falls </br>Into that darkening tide.</br> </br> </br> </br> road metaphor affect death </br> </br> </br> </br> </br> </br> </br> Oh! it is all that Hope can do </br>To keep lifted our eyes </br>And day by day our strength renew </br>With visions and dream-lies; </br>To lead us by that awful flood </br>From which no soul may rise.</br> </br> </br> </br> affect </br> </br> </br> </br> </br> </br> </br> Despair! Despair! That is the sea </br>Which ever is at our feet, </br>Seeks to envelop you and me, </br>In ruin full, complete, </br>Cause us to deem this life a curse </br>And make death's name sound sweet.</br> </br> </br> </br> affect coast death </br> </br> </br> </br> </br> </br> </br> Work, Laugh and Love! Thus only can </br>The trembling spirit hold, </br>Its journey true across the span </br>Of years that doth unfold, </br>Amid earth's barren scenery </br>Until life's tale is told!</br> </br> </br> </br> affect scenery! affect scenery  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Josephson, Matthew </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> Merz6 Imitatoren , watch step! / Arp1: Propaganda und Arp </br> </br> </br> Publisher </br> </br> Merz Verlag </br> </br> </br> Year of Publication </br> </br> 1923 </br> </br> </br> Pages </br> </br> 62</br> </br> </br> Additional information </br> </br> The poem was simultaneously published in a German and an American journal.</br> </br> </br> </br> </br> </br> With the brain at the wheel </br>The eye on the road </br>And the hand to the left </br>Pleasant be your progress </br>Explorer producer stoic after your fashion </br>Change </br>Change to </br>To what speed to what underwear </br>Here is a town here a mill </br>Nothing surprizes you old horseface </br>Guzzle guzzle goes the siren </br>And the world will learn to admire and applaud your concern </br>with the parts your firmness with employees and your justice to your friends. </br>Your pride will not be overridden </br>Your faith will go unmortified.</br> </br> </br> </br> car part vision haptic sound metaphor driving road affect pleasure speed urban ruraload affect pleasure speed urban rural  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Lewis, Sinclair </br> </br> </br> Genre </br> </br> Fiction </br> </br> </br> Journal or Book </br> </br> Free Air </br> </br> </br> Publisher </br> </br> -</br> </br> </br> Year of Publication </br> </br> 1919 </br> </br> </br> Pages </br> </br> 3-10</br> </br> </br> Additional information </br> </br> Currently, this page contains only the first chapter.</br> </br> Chapter I [ edit ] </br> </br> </br> </br> </br> driving risk road condition driving skill </br> </br> </br> </br> </br> </br> </br> MISS BOLTWOOD OF BROOKLYN IS LOST IN THE MUD</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> When the windshield was closed it became so filmed with rain that Claire fancied she was piloting a drowned car in dim spaces under the sea. When it was open, drops jabbed into her eyes and chilled her cheeks. She was excited and thoroughly miserable. She realized that these Minnesota country roads had no respect for her polite experience on Long Island parkways. She felt like a woman, not like a driver.</br> </br> </br> </br> car car metaphor affect car part driving driving skill road driver </br> </br> </br> </br> </br> </br> </br> But the Gomez-Dep roadster had seventy horsepower, and sang songs. Since she had left Minneapolis nothing had passed her. Back yonder a truck had tried to crowd her, and she had dropped into a ditch, climbed a bank, returned to the road, and after that the truck was not. Now she was regarding a view more splendid than mountains above a garden by the sea--a stretch of good road. To her passenger, her father, Claire chanted:</br> </br> </br> </br> car engine road road condition sound mountain </br> </br> </br> </br> </br> </br> </br> "Heavenly! There's some gravel. We can make time. We'll hustle on to the next town and get dry."</br> </br> </br> </br> gravel road condition </br> </br> </br> </br> </br> </br> </br> "Yes. But don't mind me. You're doing very well," her father sighed.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Instantly, the dismay of it rushing at her, she saw the end of the patch of gravel. The road ahead was a wet black smear, criss-crossed with ruts. The car shot into a morass of prairie gumbo--which is mud mixed with tar, fly-paper, fish glue, and well-chewed, chocolate-covered caramels. When cattle get into gumbo, the farmers send for the stump-dynamite and try blasting.</br> </br> </br> </br> gravel car mud road car animal </br> </br> </br> </br> </br> </br> </br> It was her first really bad stretch of road. She was frightened. Then she was too appallingly busy to be frightened, or to be Miss Claire Boltwood, or to comfort her uneasy father. She had to drive. Her frail graceful arms put into it a vicious vigor that was genius.</br> </br> </br> </br> driver road affect safety driving skill road condition </br> </br> </br> </br> </br> </br> </br> When the wheels struck the slime, they slid, they wallowed. The car skidded. It was terrifyingly out of control. It began majestically to turn toward the ditch. She fought the steering wheel as though she were shadow-boxing, but the car kept contemptuously staggering till it was sideways, straight across the road. Somehow, it was back again, eating into a rut, going ahead. She didn't know how she had done it, but she had got it back. She longed to take time to retrace her own cleverness in steering. She didn't. She kept going.</br> </br> </br> </br> car part driving driving skill personification risk </br> </br> </br> </br> </br> </br> </br> The car backfired, slowed. She yanked the gear from third into first. She sped up. The motor ran like a terrified pounding heart, while the car crept on by inches through filthy mud that stretched ahead of her without relief.</br> </br> </br> </br> car car part speed engine mud road surface driving </br> </br> </br> </br> </br> </br> </br> She was battling to hold the car in the principal rut. She snatched the windshield open, and concentrated on that left rut. She felt that she was keeping the wheel from climbing those high sides of the rut, those six-inch walls of mud, sparkling with tiny grits. Her mind snarled at her arms, "Let the ruts do the steering. You're just fighting against them." It worked. Once she let the wheels alone they comfortably followed the furrows, and for three seconds she had that delightful belief of every motorist after every mishap, "Now that this particular disagreeableness is over, I'll never, never have any trouble again!"</br> </br> </br> </br> car car metaphor car part road condition affect </br> </br> </br> </br> </br> </br> </br> But suppose the engine overheated, ran out of water? Anxiety twanged at her nerves. And the deep distinctive ruts were changing to a complex pattern, like the rails in a city switchyard. She picked out the track of the one motor car that had been through here recently. It was marked with the swastika tread of the rear tires. That track was her friend; she knew and loved the driver of a car she had never seen in her life.</br> </br> </br> </br> affect driver engine car part road driver </br> </br> </br> </br> </br> </br> </br> She was very tired. She wondered if she might not stop for a moment. Then she came to an upslope. The car faltered; felt indecisive beneath her. She jabbed down the accelerator. Her hands pushed at the steering wheel as though she were pushing the car. The engine picked up, sulkily kept going. To the eye, there was merely a rise in the rolling ground, but to her anxiety it was a mountain up which she--not the engine, but herself--pulled this bulky mass, till she had reached the top, and was safe again--for a second. Still there was no visible end of the mud.</br> </br> </br> </br> driving car car part engine road surface mud mountain </br> </br> </br> </br> </br> </br> </br> In alarm she thought, "How long does it last? I can't keep this up. I--Oh!"</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> The guiding tread of the previous car was suddenly lost in a mass of heaving, bubble-scattered mud, like a batter of black dough. She fairly picked up the car, and flung it into that welter, through it, and back into the reappearing swastika-marked trail.</br> </br> </br> </br> car driving mud road condition </br> </br> </br> </br> </br> </br> </br> Her father spoke: "You're biting your lips. They'll bleed, if you don't look out. Better stop and rest.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> "Can't! No bottom to this mud. Once stop and lose momentum--stuck for keeps!"</br> </br> </br> </br> driving mud </br> </br> </br> </br> </br> </br> </br> She had ten more minutes of it before she reached a combination of bridge and culvert, with a plank platform above a big tile drain. With this solid plank bottom, she could stop. Silence came roaring down as she turned the switch. The bubbling water in the radiator steamed about the cap. Claire was conscious of tautness of the cords of her neck in front; of a pain at the base of her brain. Her father glanced at her curiously. "I must be a wreck. I'm sure my hair is frightful," she thought, but forgot it as she looked at him. His face was unusually pale. In the tumult of activity he had been betrayed into letting the old despondent look blur his eyes and sag his mouth. "Must get on," she determined.</br> </br> </br> </br> car part infrastructure metaphor </br> </br> </br> </br> </br> </br> </br> Claire was dainty of habit. She detested untwisted hair, ripped gloves, muddy shoes. Hesitant as a cat by a puddle, she stepped down on the bridge. Even on these planks, the mud was three inches thick. It squidged about her low, spatted shoes. "Eeh!" she squeaked.</br> </br> </br> </br> infrastructure mud </br> </br> </br> </br> </br> </br> </br> She tiptoed to the tool-box and took out a folding canvas bucket. She edged down to the trickling stream below. She was miserably conscious of a pastoral scene all gone to mildew--cows beneath willows by the creek, milkweeds dripping, dried mullein weed stalks no longer dry. The bank of the stream was so slippery that she shot down two feet, and nearly went sprawling. Her knee did touch the bank, and the skirt of her gray sports-suit showed a smear of yellow earth.</br> </br> </br> </br> equipment river rural scenery </br> </br> </br> </br> </br> </br> </br> In less than two miles the racing motor had used up so much water that she had to make four trips to the creek before she had filled the radiator. When she had climbed back on the running-board she glared down at spats and shoes turned into gray lumps. She was not tearful. She was angry.</br> </br> </br> </br> car part engine affect </br> </br> </br> </br> </br> </br> </br> "Idiot! Ought to have put on my rubbers. Well--too late now," she observed, as she started the engine.</br> </br> </br> </br> engine </br> </br> </br> </br> </br> </br> </br> She again followed the swastika tread. To avoid a hole in the road ahead, the unknown driver had swung over to the side of the road, and taken to the intensely black earth of the edge of an unfenced cornfield. Flashing at Claire came the sight of a deep, water-filled hole, scattered straw and brush, débris of a battlefield, which made her gaspingly realize that her swastikaed leader had been stuck and--</br> </br> </br> </br> road condition agriculture driving road rural </br> </br> </br> </br> </br> </br> </br> And instantly her own car was stuck.</br> </br> </br> </br> car </br> </br> </br> </br> </br> </br> </br> She had had to put the car at that hole. It dropped, far down, and it stayed down. The engine stalled. She started it, but the back wheels spun merrily round and round, without traction. She did not make one inch. When she again killed the blatting motor, she let it stay dead. She peered at her father.</br> </br> </br> </br> accident car engine metaphor personification </br> </br> </br> </br> </br> </br> </br> He was not a father, just now, but a passenger trying not to irritate the driver. He smiled in a waxy way, and said, "Hard luck! Well, you did the best you could. The other hole, there in the road, would have been just as bad. You're a fine driver, dolly."</br> </br> </br> </br> driver passenger road condition driving skill </br> </br> </br> </br> </br> </br> </br> Her smile was warm and real. "No. I'm a fool. You told me to put on chains. I didn't. I deserve it."</br> </br> </br> </br> equipment </br> </br> </br> </br> </br> </br> </br> "Well, anyway, most men would be cussing. You acquire merit by not beating me. I believe that's done, in moments like this. If you'd like, I'll get out and crawl around in the mud, and play turtle for you."</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> "No. I'm quite all right. I did feel frightfully strong-minded as long as there was any use of it. It kept me going. But now I might just as well be cheerful, because we're stuck, and we're probably going to stay stuck for the rest of this care-free summer day."</br> </br> </br> </br> equipment </br> </br> </br> </br> </br> </br> </br> The weariness of the long strain caught her, all at once. She slipped forward, sat huddled, her knees crossed under the edge of the steering wheel, her hands falling beside her, one of them making a faint brushing sound as it slid down the upholstery. Her eyes closed; as her head drooped farther, she fancied she could hear the vertebrae click in her tense neck.</br> </br> </br> </br> car part sound </br> </br> </br> </br> </br> </br> </br> Her father was silent, a misty figure in a lap-robe. The rain streaked the mica lights in the side-curtains. A distant train whistled desolately across the sodden fields. The inside of the car smelled musty. The quiet was like a blanket over the ears. Claire was in a hazy drowse. She felt that she could never drive again.</br> </br> </br> </br> car smell affect drive train car smell affect drive train  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Lowell, Amy </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> A Dome of Many-Colored Glass </br> </br> </br> Publisher </br> </br> Houghton Mifflin Company </br> </br> </br> Year of Publication </br> </br> 1922 </br> </br> </br> Pages </br> </br> 53</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> ode </br> </br> </br> </br> </br> </br> </br> I know a country laced with roads, </br> They join the hills and they span the brooks, </br>They weave like a shuttle between broad fields, </br> And slide discreetly through hidden nooks. </br>They are canopied like a Persian dome </br> And carpeted with orient dyes. </br>They are myriad-voiced, and musical, </br> And scented with happiest memories. </br>O Winding roads that I know so well, </br> Every twist and turn, every hollow and hill! </br>They are set in my heart to a pulsing tune </br> Gay as a honey-bee humming in June. </br>‘T is the rhythmic beat of a horse's feet </br> And the pattering paws of a sheep-dog bitch; </br>‘T is the creaking trees, and the singing breeze, </br> And the rustle of leaves in the road-side ditch. </br> </br> </br> </br> road agency personification river hill scenery metaphor music sound smell sublime tree wind summer </br> </br> </br> </br> </br> </br> </br> A cow in a meadow shakes her bell </br> And the notes cut sharp through the autumn air, </br>Each chattering brook bears a fleet of leaves </br> Their cargo the rainbow, and just now where </br> The sun splashed bright on the road ahead </br>A startled rabbit quivered and fled. </br> O Uphill roads and roads that dip down! </br>You curl your sun-spattered length along, </br> And your march is beaten into a song </br>By the softly ringing hoofs of a horse </br> And the panting breath of the dogs I love. </br>The pageant of Autumn follows its course </br> And the blue sky of Autumn laughs above. </br> </br> </br> </br> animal sky sound music fall road sky sunshine topography </br> </br> </br> </br> </br> </br> </br> And the song and the country become as one, </br> I see it as music, I hear it as light; </br>Prismatic and shimmering, trembling to tone, </br> The land of desire, my soul's delight. </br>And always it beats in my listening ears </br> With the gentle thud of a horse's stride, </br>With the swift-falling steps of many dogs, </br> Following, following at my side. </br>O Roads that journey to fairyland! </br> Radiant highways whose vistas gleam, </br>Leading me on, under crimson leaves, </br> To the opaline gates of the Castles of Dream. </br> </br> </br> </br> music pleasure affect sound animal road highway sound animal road highway  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Lowell, Amy </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> Ballads for Sale </br> </br> </br> Publisher </br> </br> Houghton Mifflin Company </br> </br> </br> Year of Publication </br> </br> 1927 </br> </br> </br> Pages </br> </br> 199-200</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> Hush, hush, these woods are thick with shapes and voices, </br>They crowd behind, in front, </br>Scarcely can one’s wheels break through them. </br>For God’s sake, drive quickly! </br>There are butchered victims behind those trees, </br>And what you say is moss I know is the dead hair of hanged men. </br>Drive faster, faster. </br>The hair will catch in our wheels and clog them; </br>We are thrown from side to side by the dead bodies in the road, </br>Do you not smell the reek of them, </br>And see the jaundiced film that hides the stars? </br>Stand on the accelerator. I would rather be bumped to a jelly </br>Than caught by clutching hands I cannot see, </br>Than be stifled by the press of mouths I cannot feel. </br>Not in the light glare, you fool, but on either side of it. </br>Curse these swift, running trees, </br>Hurl them aside, leap them, crush them down, </br>Say prayers if you like, </br>Do anything to drown the screaming silence of this forest, </br>To hide the spinning shapes that jam the trees. </br>What mystic adventure is this </br>In which you have engulfed me? </br>What no-world have you shot us into? </br>What Dante dream without a farther edge? </br>Fright kills, they say, and I believe it. </br>If you would not have murder on your conscience, </br>For Heaven’s sake, get on!</br> </br> </br> </br> forest tree car car part driving speed risk road condition death smell vision haptic personification metaphor intertextion metaphor intertext  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> MacKaye, Percy </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> Scribner’s Magazine </br> </br> </br> Publisher </br> </br> -</br> </br> </br> Year of Publication </br> </br> 1910 </br> </br> </br> Pages </br> </br> 114</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> Fluid the world flowed under us: the hills, </br> Billow on billow of umbrageous green, </br> Heaved us, aghast, to fresh horizons, seen </br>One rapturous instant, blind with dash of rills </br>And silver rising storms and dewy stills </br> Of dripping boulders, then the dim ravine </br> Drowned us again in leafage, whose serene </br>Coverts grew loud with our tumultuous wills.</br> </br> </br> </br> pleasure topography sound metaphor </br> </br> </br> </br> </br> </br> </br> Then all of nature’s old amazement </br> Sudden to ask us: "Is this also Man? </br> This plunging, volant land-amphibian— </br>What Plato mused and Paracelsus dreamed? </br> Reply!" And piercing us with ancient scan, </br>The shrill primeval hawk gazed and screamed.</br> </br> </br> </br> intertext sound animalintertext sound animal  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> MacNeice, Louis </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> The Faber Book of Modern Verse </br> </br> </br> Publisher </br> </br> Faber and Faber </br> </br> </br> Year of Publication </br> </br> 1923 </br> </br> </br> Pages </br> </br> 304</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> Down the road someone is practising scales, </br>The notes like little fishes vanish with a wink of tails, </br>Man’s heart expands to tinker with his car </br>For this is Sunday morning, Fate’s great bazaar, </br>Regard these means as ends, concentrate on this Now, </br>And you may grow to music or drive beyond Hindhead anyhow, </br>Take corners on two wheels until you go so fast </br>That you can clutch a fringe or two of the windy past, </br>That you can abstract this day and make it to the week of time </br>A small eternity, a sonnet self-contained in rhyme.</br> </br> </br> </br> pleasure speed maintenance car part road </br> </br> </br> </br> </br> </br> </br> But listen, up the road, something gulps, the church spire </br>Opens its eight bells out, skulls’ mouths which will not tire </br>To tell how there is no music or movement which secures </br>Escape from the weekday time. Which deadens and endures.</br> </br> </br> </br> architecture music sound metaphor haptic death metaphor haptic death  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> McKay, Claude </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> Constab Ballads </br> </br> </br> Publisher </br> </br> London Watts & Co. </br> </br> </br> Year of Publication </br> </br> 1912 </br> </br> </br> Pages </br> </br> 40-42</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> When you want to meet a frien', </br> Ride up to Papine, </br>Where dere's people to no en', </br> Old, young, fat an' lean: </br>When you want nice gals fe court </br> An' to feel jus' booze', </br>Go'p to Papine as a sport </br> Dress' in ge'man clo'es. </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> When you want to be jus' broke, </br> Ride up wid your chum, </br>Buy de best cigars to smoke </br> An' Finzi old rum: </br>Stagger roun' de sort o' square </br> On to Fong Kin bar ; </br>Keep as much strengt' dat can bear </br> You do'n in de car. </br> </br> </br> </br> car </br> </br> </br> </br> </br> </br> </br> When you want know Sunday bright, </br> Tek a run up deh </br>When 'bout eight o'clock at night </br> Things are extra gay : </br>Ef you want to see it cram', </br> Wait tell night is dark, </br>An' beneat' your breat' you'll damn </br> Coney Island Park. </br> </br> </br> </br> night </br> </br> </br> </br> </br> </br> </br> When you want see gals look fine, </br> You mus' go up dere, </br>An' you'll see them drinkin' wine </br> An' all sorts o' beer : </br>There you'll see them walkin' out, </br> Each wid a young man, </br>Watch them strollin' all about, </br> Flirtin' all dem can. </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> When you want hear coarsest jokes </br> Passin' rude an' vile, </br>Want to see de Kingston blokes,— </br> Go up dere awhile: </br>When you want hear murderin' </br> On de piano, </br>An' all sorts o' drunken din, </br> Papine you mus' go. </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Ef you want lost póliceman, </br> Go dere Sunday night, </br>Where you'll see them, every one </br> Lookin' smart an' bright : </br>Policeman of every rank, </br> Rural ones an' all, </br>In de bar or on de bank, </br> Each one in them sall. </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Policeman dat's in his beat, </br> Policeman widout, </br>Policeman wid him gold teet' </br> Shinin' in him mout'; </br>Policeman in uniform </br> Made of English blue, </br>P'liceman gettin' rather warm, </br> Sleuth policeman too. </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Policeman on plain clo'es pass, </br> Also dismissed ones; </br>See them standin' in a mass, </br> Talkin' 'bout them plans: </br>Policeman "struck off de strengt' </br> Physical unfit," </br>Hear them chattin' dere at lengt' </br> 'Bout a diffran' kit. </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> When you want meet a surprise, </br> Tek de Papine track; </br>Dere some things will meet you' eyes </br> Mek you tu'n you' bac: </br>When you want to see mankind </br> Of "class "family </br>In a way degra' them mind, </br> Go 'p deh, you will see. </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> When you want a pleasant drive, </br> Tek Hope Gardens line; </br>I can tell you, man alive, </br> It is jolly fine: </br>Ef you want to feel de fun, </br> You mus' only wait </br>Until when you're comin' do'n </br> An' de tram is late. </br> </br> </br> </br> road condition affect trainaffect train  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> McKay, Claude </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> Harlem Shadows: The Poems of Claude McKay </br> </br> </br> Publisher </br> </br> Harcourt , Brace and Company </br> </br> </br> Year of Publication </br> </br> 1922 </br> </br> </br> Pages </br> </br> 43</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> The Dawn! The Dawn! The crimson-tinted, comes </br>Out of the low still skies, over the hills, </br>Manhattan's roofs and spires and cheerless domes! </br>The Dawn!   My spirit to its spirit thrills. </br>Almost the mighty city is asleep, </br>No pushing crowd, no tramping, tramping feet. </br>But here and there a few cars groaning creep </br>Along, above, and underneath the street, </br>Bearing their strangely-ghostly burdens by, </br>The women and the men of garish nights, </br>Their eyes wine-weakened and their clothes awry, </br>Grotesques beneath the strong electric lights. </br>The shadows wane. The Dawn comes to New York. </br>And I go darkly-rebel to my work.</br> </br> </br> </br> city urban car metaphor sound personificationcar metaphor sound personification  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> McKay, Claude </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> Harlem Shadows: The Poems of Claude McKay </br> </br> </br> Publisher </br> </br> Harcourt , Brace and Company </br> </br> </br> Year of Publication </br> </br> 1922 </br> </br> </br> Pages </br> </br> 55</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> No engines shrieking rescue storm the night, </br>And hose and hydrant cannot here avail; </br>The flames laugh high and fling their challenging light, </br>And clouds turn gray and black from silver-pale. </br>The fire leaps out and licks the ancient walls, </br>And the big building bends and twists and groans. </br>A bar drops from its place; a rafter falls </br>Burning the flowers. The wind in frenzy moans. </br>The watchers gaze, held wondering by the fire, </br>The dwellers cry their sorrow to the crowd, </br>The flames beyond themselves rise higher, higher, </br>To lose their glory in the frowning cloud, </br>Yielding at length the last reluctant breath. </br>And where life lay asleep broods darkly death.</br> </br> </br> </br> engine night deathy death. engine night death  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> McKay, Claude </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> Spring in New Hampshire and Other Poems </br> </br> </br> Publisher </br> </br> Grant Richards Ltd </br> </br> </br> Year of Publication </br> </br> 1920 </br> </br> </br> Pages </br> </br> 18</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> About me young and careless feet </br>Linger along the garish street; </br> Above, a hundred shouting signs </br>Shed down their bright fantastic glow </br> Upon the merry crowd and lines </br>Of moving carriages below: </br>O wonderful is Broadway—only </br>My heart, my heart is lonely.</br> </br> </br> </br> urban </br> </br> </br> </br> </br> </br> </br> Desire naked, linked with Passion, </br>Goes strutting by in brazen fashion; </br> From playhouse, cabaret and inn </br>The rainbow lights of Broadway blaze </br> All gay without, all glad within; </br>As in a dream I stand and gaze </br>At Broadway, shining Broadway—only </br>My heart, my heart is lonely.</br> </br> </br> </br> urban is lonely. urban  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> McKay, Claude </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> Spring in New Hampshire and Other Poems </br> </br> </br> Publisher </br> </br> London Grant Richards Ltd </br> </br> </br> Year of Publication </br> </br> 1920 </br> </br> </br> Pages </br> </br> 36-37</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> The tired cars go grumbling by, </br> The moaning, groaning cars, </br> And the old milk carts go rumbling by </br> Under the same dull stars. </br> Out of the tenements, cold as stone, </br> Dark figures start for work; </br> I watch them sadly shuffle on, </br> ‘Tis dawn, dawn in New York. </br> </br> </br> </br> car anthropomorphism personification sound sky urban </br> </br> </br> </br> </br> </br> </br> But I would be on the island of the sea, </br> In the heart of the island of the sea, </br> Where the cocks are crowing, crowing, crowing, </br> And the hens are cackling in the rose-apple tree, </br>Where the old draft-horse is neighing, neighing, neighing </br> Out on the brown dew-silvered lawn, </br> And the tethered cow is lowing, lowing, lowing, </br>And dear old Ned is braying, braying, braying, </br>And the shaggy Nannie goat is calling, calling, calling </br> From her little trampled corner of the long wide lea </br>That stretches to the waters of the hill-stream falling </br> Sheer upon the flat rocks joyously! </br> There, oh there! on the island of the sea </br> There I would be at dawn. </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> The tired cars go grumbling by, </br> The crazy, lazy cars, </br> And the same milk-carts go rumbling by </br> Under the dying stars. </br> A lonely newsboy hurries by, </br> Humming a recent ditty; </br> Red streaks strike through the gray of the sky, </br> The dawn comes to the city. </br> </br> </br> </br> personification sound car urban sky </br> </br> </br> </br> </br> </br> </br> But I would be on the island of the sea, </br> In the heart of the island of the sea, </br> Where the cocks are crowing, crowing, crowing, </br> And the hens are cackling in the rose-apple tree, </br>Where the old draft-horse is neighing, neighing, neighing </br> Out on the brown dew-silvered lawn, </br> And the tethered cow is lowing, lowing, lowing, </br>And dear old Ned is braying, braying, braying, </br>And the shaggy Nannie goat is calling, calling, calling </br> From her little trampled corner of the long wide lea </br>That stretches to the waters of the hill-stream falling </br> Sheer upon the flat rocks joyously! </br> There, oh there! on the island of the sea </br> There I would be at dawn.the sea There I would be at dawn.  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Moore, Marianne </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> Observations </br> </br> </br> Publisher </br> </br> -</br> </br> </br> Year of Publication </br> </br> 1924 </br> </br> </br> Pages </br> </br> -</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> They answer one’s questions, </br>a deal table compact with the wall; </br>in this dried bone of arrangement </br>one’s “natural promptness” is compressed, not crowded out; </br>one’s style is not lost in such simplicity.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> The palace furniture, so old-fashioned, so old-fashionable; </br>Sèvres china and the fireplace dogs— </br>bronze dromios with pointed ears, as obsolete as pugs; </br>one has one’s preferences in the matter of bad furniture, </br>and this is not one’s choice,</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> The vast indestructible necropolis </br>of composite Yawman-Erbe separable units; </br>the steel, the oak, the glass, the Poor Richard publications </br>containing the public secrets of efficiency </br>on paper so thin that “one thousand four hundred and twenty pages make one inch,” </br>exclaiming, so to speak, When you take my time, you take something I had meant to use;</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> the highway hid by fir trees in rhododendron twenty feet deep, </br>the peacocks, hand-forged gates, old Persian velvet, </br>roses outlined in pale black on an ivory ground, </br>the pierced iron shadows of the cedars, </br>Chinese carved glass, old Waterford, lettered ladies; </br>landscape gardening twisted into permanence;</br> </br> </br> </br> highway infrastructure plant tree garden </br> </br> </br> </br> </br> </br> </br> straight lines over such great distances as one finds in Utah or in Texas, </br>where people do not have to be told </br>that a good brake is as important as a good motor; </br>where by means of extra sense-cells in the skin </br>they can, like trout, smell what is coming— </br>those cool sirs with the explicit sensory apparatus of common sense, </br>who know the exact distance between two points as the crow flies; </br>there is something attractive about a mind that moves in a straight line— </br>the municipal bat roost of mosquito warfare; </br>the American string quartet; </br>these are questions more than answers,</br> </br> </br> </br> road car part car haptic smell sense </br> </br> </br> </br> </br> </br> </br> and Bluebeard’s Tower above the coral reefs, </br>the magic mousetrap closing on all points of the compass, </br>capping like petrified surf the furious azure of the bay, </br>where there is no dust, and life is like a lemon leaf, </br>a green piece of tough translucent parchment, </br>where the crimson, the copper, and the Chinese vermilion of the poincianas </br>set fire to the masonry and turquoise blues refute the clock; </br>this dungeon with odd notions of hospitality, </br>with its “chessmen carved out of moonstones,” </br>its mockingbirds, fringed lilies, and hibiscus, </br>its black butterflies with blue half circles on their wings, </br>tan goats with onyx ears, its lizards glittering and without thickness,</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> like splashes of fire and silver on the pierced turquoise of the lattices </br>and the acacia-like lady shivering at the touch of a hand, </br>lost in a small collision of the orchids— </br>dyed quicksilver let fall </br>to disappear like an obedient chameleon in fifty shades of mauve and amethyst. </br>Here where the mind of this establishment has come to the conclusion </br>that it would be impossible to revolve about oneself too much, </br>sophistication has, “like an escalator,” “cut the nerve of progress.”</br> </br> </br> </br> technology </br> </br> </br> </br> </br> </br> </br> In these noncommittal, personal-impersonal expressions of appearance, </br>the eye knows what to skip; </br>the physiognomy of conduct must not reveal the skeleton; </br>“a setting must not have the air of being one,” </br>yet with X-ray-like inquisitive intensity upon it, the surfaces go back; </br>the interfering fringes of expression are but a stain on what stands out, </br>there is neither up nor down to it; </br>we see the exterior and the fundamental structure— </br>captains of armies, cooks, carpenters, </br>cutlers, gamesters, surgeons and armorers, </br>lapidaries, silkmen, glovers, fiddlers and ballad singers, </br>sextons of churches, dyers of black cloth, hostlers and chimney-sweeps, </br>queens, countesses, ladies, emperors, travelers and mariners, </br>dukes, princes and gentlemen, </br>in their respective places— </br>camps, forges and battlefields, </br>conventions, oratories and wardrobes, </br>dens, deserts, railway stations, asylums and places where engines are made, </br>shops, prisons, brickyards and altars of churches— </br>in magnificent places clean and decent, </br>castles, palaces, dining halls, theaters and imperial audience chambers.</br> </br> </br> </br> technology factory infrastructure engine car part  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Murphy, Thomas D. </br> </br> </br> Genre </br> </br> Non-Fiction </br> </br> </br> Journal or Book </br> </br> On Sunset Highways </br> </br> </br> Publisher </br> </br> -</br> </br> </br> Year of Publication </br> </br> 1921 </br> </br> </br> Pages </br> </br> 1-18</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> construction infrastructure West </br> </br> </br> </br> </br> I. A Motor Paradise [ edit ] </br> </br> </br> California! The very name had a strange fascination for me ere I set foot on the soil of the Golden State. Its romantic story and the enthusiasm of those who had made the (to me) wonderful journey to the favored country by the great ocean of the West had interested and delighted me as a child, though I thought of it then as some dim, far-away El Dorado that lay on the borders of fairyland. My first visit was not under circumstances tending to dissolve the spell, for it was on my wedding trip that I first saw the land of palms and flowers, orange groves, snowy mountains, sunny beaches, and blue seas, and I found little to dispel the rosy dreams I had preconceived. This was long enough ago to bring a great proportion of the growth and progress of the state within the scope of my own experience. We saw Los Angeles, then an aspiring town of forty thousand, giving promise of the truly metropolitan city it has since become; Pasadena was a straggling village; and around the two towns were wide areas of open country now teeming with ambitious suburbs. We visited never-to-be-forgotten Del Monte and saw the old San Francisco ere fire and quake had swept away its most distinctive and romantic features—the Nob Hill palaces and old-time Chinatown.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Some years intervened between this and our second visit, when we found the City of the Angels a thriving metropolis with hundreds of palatial structures and the most perfect system of interurban transportation to be found anywhere, while its northern rival had risen from debris and ashes in serried ranks of concrete and steel. A tour of the Yosemite gave us new ideas of California's scenic grandeur; there began to dawn on us vistas of the endless possibilities that the Golden State offers to the tourist and we resolved on a longer sojourn at the first favorable opportunity.</br> </br> </br> </br> city infrastructure urban </br> </br> </br> </br> </br> </br> </br> A week's stay in Los Angeles and a free use of the Pacific Electric gave us a fair idea of the city and its lesser neighbors, but we found ourselves longing for the country roads and retired nooks of mountain and beach inaccessible by railway train and tram car. We felt we should never be satisfied until we had explored this wonderland by motor—which the experience of three long tours in Europe had proved to us the only way to really see much of a country in the limits of a summer vacation.</br> </br> </br> </br> affect car driving mountain nostalgia road </br> </br> </br> </br> </br> </br> </br> And so it chanced that a year or two later we found ourselves on the streets of Los Angeles with our trusty friend of the winged wheels, intent on exploring the nooks and corners of Sunset Land. We wondered why we had been so long in coming—why we had taken our car three times to Europe before we brought it to California; and the marvel grew on us as we passed out of the streets of the city on to the perfect boulevard that led through green fields to the western Venice by the sea. It is of the experience of the several succeeding weeks and of a like tour during the two following years that this unpretentious chronicle has to deal. And my excuse for inditing it must be that it is first of all a chronicle of a motor car; for while books galore have been written on California by railroad and horseback travelers as well as by those who pursued the leisurely and good old method of the Franciscan fathers, no one, so far as I know, has written of an extended experience at the steering wheel of our modern annihilator of distance.</br> </br> </br> </br> car city coast infrastructure road road condition scenery urban </br> </br> </br> </br> </br> </br> </br> It seems a little strange, too, for Southern California is easily the motorist’s paradise over all other places on this mundane sphere. It has more cars to the population—twice over—and they are in use a greater portion of the year than in any other section of similar size in the world and probably more outside cars are to be seen on its streets and highways than in any other locality in the United States. The matchless climate and the ever-increasing mileage of fine roads, with the endless array of places worth visiting, insure the maximum of service and pleasure to the fortunate owner of a car, regardless of its name-plate or pedigree. The climate needs no encomiums from me, for is it not heralded and descanted upon by all true Californians and by every wayfarer, be his sojourn ever so brief?—but a few words on the wonders already achieved in roadbuilding and the vast plans for the immediate future will surely be of interest. I am conscious that any data concerning the progress of California are liable to become obsolete overnight, as it were, but if I were to confine myself to the unchanging in this vast commonwealth, there would be little but the sea and the mountains to write about.</br> </br> </br> </br> car construction highway infrastructure road Southwest sublime traffic </br> </br> </br> </br> </br> </br> </br> Los Angeles County was the leader in good roads construction and at the time of which I write had completed about three hundred and fifty miles of modern highway at a cost of nearly five million dollars. I know of nothing in Europe superior—and very little equal—to the splendid system of macadam boulevards that radiate from the Queen City of the Southwest. The asphalted surface is smooth and dustless and the skill of the engineer is everywhere evident. There are no heavy grades; straight lines or long sweeping curves prevail throughout. Added to this is a considerable mileage of privately constructed road built by land improvement companies to promote various tracts about the city, one concern alone having spent more than half a million dollars in this work. Further additions are projected by the county and an excellent maintenance plan has been devised, for the authorities have wisely recognized that the upkeep of these splendid roads is a problem equal in importance with building them. This, however, is not so serious a matter as in the East, owing to the absence of frost, the great enemy of roads of this type.</br> </br> </br> </br> asphalt construction infrastructure road road condition risk Southwest urban </br> </br> </br> </br> </br> </br> </br> Since the foregoing paragraph was first published (1915) the good work has gone steadily on and despite the sharp check that the World War administered to public enterprises, Los Angeles County has materially added to and improved her already extensive mileage of modern roads. A new boulevard connects the beach towns between Redondo and Venice; a marvelous scenic road replaces the old-time trail in Topango Canyon and the new Hollywood Mountain Road is one of the most notable achievements of highway engineering in all California. Many new laterals have been completed in the level section about Downey and Artesia and numerous boulevards opened in the foothill region. Besides all this the main highways have been improved and in some cases—as of Long Beach Boulevard—entirely rebuilt. In the city itself there has been vast improvement and extension of the streets and boulevards so that more than ever this favored section deserves to be termed the paradise of the motorist.</br> </br> </br> </br> city construction highway infrastructure pleasure road road condition </br> </br> </br> </br> </br> </br> </br> San Diego County has set a like example in this good work, having expended a million and a half on her highways and authorized a bond issue of two and one-half millions more, none of which has been as yet expended. While the highways of this county do not equal the model excellence of those of Los Angeles County, the foundation of a splendid system has been laid. Here the engineering problem was a more serious one, for there is little but rugged hills within the boundaries of the county. Other counties are in various stages of highway building; still others have bond issues under consideration—and it is safe to say that when this book comes from the press there will not be a county in Southern California that has not begun permanent road improvement on its own account.</br> </br> </br> </br> highway infrastructure road condition </br> </br> </br> </br> </br> </br> </br> I say “on its own account” because whatever it may do of its own motion, nearly every county in the state is assured of considerable mileage of the new state highway system, now partially completed, while the remainder is under construction or located and surveyed. The first bond issue of eighteen million dollars was authorized by the state several years ago, a second issue of fifteen millions was voted in 1916, and another of forty millions a year later, making in all seventy-three millions, of which, at this writing, thirty-nine millions is unexpended. Counties have issued about forty-two millions more. It is estimated that to complete the full highway program the state must raise one hundred millions additional by bond issues.</br> </br> </br> </br> construction highway infrastructure law </br> </br> </br> </br> </br> </br> </br> The completed system contemplates two great trunk lines from San Diego to the Oregon border, one route roughly following the coast and the other well inland, while lateral branches are to connect all county seats not directly reached. Branches will also extend to the Imperial Valley and along the Eastern Sierras as far as Independence and in time across the Cajon Pass through the Mohave Desert to Needles on the Colorado River. California's wealth of materials (granite, sand, limestone, and asphaltum) and their accessibility should give the maximum mileage for money expended. This was estimated by a veteran Pittsburgh highway contractor whom I chanced to meet in the Yosemite, at fully twice as great as could be built in his locality for the same expenditure.</br> </br> </br> </br> desert law mountain reasources road </br> </br> </br> </br> </br> </br> </br> California was a pioneer in improved roads and it is not strange that mistakes were made in some of the earlier work, chiefly in building roadways too narrow and too light to stand the constantly increasing heavy traffic. The Automobile Club of Southern California, in conjunction with the State Automobile Association, recently made an exhaustive investigation and report of existing highway conditions which should do much to prevent repetition of mistakes in roads still to be built. The State Highway Commission, while admitting that some of the earlier highways might better have been built heavier and wider, points out that this would have cut the mileage at least half; and also that at the time these roads were contracted for, the extent that heavy trucking would assume was not fully realized. Work on new roads was generally suspended during the war and is still delayed by high costs and the difficulty of selling bonds.</br> </br> </br> </br> construction highway infrastructure road road condition traffic </br> </br> </br> </br> </br> </br> </br> At this writing (1921) the two trunk lines from San Diego to San Francisco are practically completed and the motorist between these points, whether on coast or inland route, may pursue the even tenor of his way over the smooth, dustless, asphalted surface at whatever speed he may consider prudent, though the limit of thirty-five miles now allowed in the open country under certain restrictions leaves little excuse for excessive speeding. It is not uncommon to make the trip over the inland route, about six hundred and fifty miles, in three days, while a day longer should be allowed for the coast run.</br> </br> </br> </br> asphalt driver driving highway law road condition speed </br> </br> </br> </br> </br> </br> </br> In parts where the following narrative covers our tours made before much of the new road was finished, I shall not alter my descriptions and they will afford the reader an opportunity of comparing the present improved highways with conditions that existed only yesterday, as it were.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Road improvement has been active in the northern counties for several years, especially around San Francisco. I have gone into the details concerning this section in my book on Oregon and Northern California, and will not repeat the matter here, since the scope of this work must be largely confined to the south. It is no exaggeration, however, to say that to-day California is unsurpassed by any other state in mileage and excellence of improved roads and when the projects under way are carried out she will easily take first rank in these important particulars unless more competition develops than is now apparent. Thus she supplies the first requisite for the motor enthusiast, though some may declare her matchless climate of equal advantage to the tourist.</br> </br> </br> </br> construction road condition </br> </br> </br> </br> </br> </br> </br> If the motor enthusiast of the Golden State can take no credit to himself for the climate, he is surely entitled to no end of credit for the advanced state of affairs in public highway improvement. In proportion to the population he is more numerous in Southern California than anywhere else in the world, and we might therefore expect to find a strong and effective organization of motorists in Los Angeles. In this we are not disappointed, for the Automobile Club of Southern California has a membership of more than fifty thousand; it was but seven thousand when the first edition of this book was printed in 1915—a growth which speaks volumes for its strides in public appreciation. Its territory comprises only half a single state, yet its membership surpasses that of its nearest rival by more than two to one. It makes no pretense at being a “‘social’’ club, all its energies being devoted to promoting the welfare and interests of the motorist in its field of action, and so important and far-reaching are its activities that the benefits it confers on the car owners of Southern California are by no means limited to the membership. Practically every owner and driver of a car is indebted to the club in more ways than I can enumerate and as this fact has gained recognition the membership has increased by leaps and bounds. I remember when the sense of obligation to become a member was forced upon me by the road signs which served me almost hourly when touring and this is perhaps the feature of the club’s work which first impresses the newcomer. Everywhere in the southern half of California and even on a transcontinental highway the familiar white diamond-shaped signboard greets one’s sight—often a friend in need, saving time and annoyance. The maps prepared and supplied by the club were even a greater necessity and this service has been amplified and extended until it not only covers every detail of the highways and byways of California, but also includes the main roads of adjacent states and one transcontinental route as well. These maps are frequently revised and up-to-the-minute road information may always be had by application to the Touring Department of the club.</br> </br> </br> </br> highway infrastructue map navigation road traffic sign </br> </br> </br> </br> </br> </br> </br> When we planned our first tour, at a time when road conditions were vastly different from what they are now, our first move was to seek the assistance of this club, which was readily given as a courtesy to a visiting motorist. The desired information was freely and cheerfully supplied, but I could not help feeling, after experiencing so many benefits from the work of the club, that I was under obligations to become a member. And I am sure that even the transient motorist, though he plans a tour of but a few weeks, will be well repaid—and have a clearer conscience—should his first move be to take membership in this live organization.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> We found the club an unerring source of information as to the most practicable route to take on a proposed tour, the best way out of the city, and the general condition of the roads to be covered. The club is also an authority on hotels, garages and “objects of interest’’ generally in the territory covered by its activities. Besides the main organization, which occupies its own building at Adams and Figueroa Streets, Los Angeles, there are numerous branch offices in the principal towns of the counties of Southern California, which in their localities can fulfill most of the functions of the club.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> The club maintains a department of free legal advice and its membership card is generally sufficient bail for members charged with violating the speed or traffic regulations. It is always willing to back its members to the limit when the presumption of being right is in their favor, but it has no sympathy with the reckless joy rider and lawbreaker and does all it can to discourage such practices. It has been a powerful influence in obtaining sane and practical motor car legislation, such as raising the speed limit in the open country to thirty-five miles per hour, and providing severer penalties against theft of motor cars. One of the most valuable services of the club has been its relentless pursuit and prosecution of motor car thieves and the recovery of a large percentage of stolen cars. In fact, Los Angeles stands at the head of the large cities of the country in a minimum of net losses of cars by theft and the club can justly claim credit for this. The club has also done much to abate the former scandalous practices of many towns in fixing a very low speed limit with a view of helping out local finances by collecting heavy fines. This is now regulated by state laws and the motorist who is willing to play fair with the public will not suffer much annoyance. The efforts of the club to eliminate what it considers double taxation of its members who must pay both a horse power fee and a heavy property tax were not successful, but the California motorist has the consolation of knowing that all taxes, fines and fees affecting the motor car go to the good cause of road maintenance.</br> </br> </br> </br> accident car driver law risk speed </br> </br> </br> </br> </br> </br> </br> Another important service rendered by the club is the insurance of its members against all the hazards connected with operation of an automobile. Fire, theft, liability, collision, etc., are written practically at cost. The club also maintains patrol and trouble cars which respond free of cost to members in difficulty.</br> </br> </br> </br> law risk </br> </br> </br> </br> </br> </br> </br> Besides all this, the club deserves much credit for the advanced position of California in highway improvement. It has done much to create the public sentiment which made the bond issues possible and it has rendered valuable assistance in surveying and building the new roads. It has kept in constant touch with the State Highway Commission and its superior knowledge of the best and shortest routes has been of great service in locating the new state roads.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> My story is to deal with several sojourns in the Sunset State during the months of April and May of consecutive years. We shipped our car by rail in care of a Los Angeles garage and so many follow this practice that the local agents are prepared to receive and properly care for the particular machines which they represent and several freight-for-warding companies also make a specialty of this service. On our arrival our car was ready for the road and it proved extremely serviceable in getting us located. Los Angeles is the logical center from which to explore the southern half of the state and we were fortunate in securing a furnished house in a good part of the city without much delay. We found a fair percentage of the Los Angeles population ready to move out on short notice and to turn over to us their homes and everything in them—for a consideration, of course.</br> </br> </br> </br> car garage train </br> </br> </br> </br> </br> </br> </br> On our second sojourn in the city we varied things by renting furnished apartments, of which there are an endless number and variety to choose from, and if this plan did not prove quite so satisfactory and comfortable as the house, it was less expensive. We also had experience on several later occasions with numerous hotels—Los Angeles, as might be expected, is well supplied with hotels of all degrees of merit—but our experience in pre-war days would hardly be representative of the present time, especially when rates are considered. The Alexandria and Angelus were—and doubtless are—up to the usual metropolitan standards of service and comfort, with charges to correspond. The Gates, where we stopped much longer, was a cleanly and comfortable hotel with lower rates and represents a large class of similar establishments such as the Clark, the Stillwell, the Trinity, the Hayward, the Roslyn, the Savoy, and many others. One year we tried the Leighton, which is beautifully located on Westlake Park and typical of several outlying hotels that afford more quiet and greater convenience for parking and handling one’s car than can be found in the business district. Others in this class are the Darby, the Hershey Arms, the Hollywood, and the Alvarado. Los Angeles, for all its preeminence as a tourist city, was long without a resort hotel of the first magnitude, leaving the famous Pasadena hostelries such as the Green, Raymond, Maryland and Huntington, to cater to the class of patrons who do not figure costs in their quest for the luxurious in hotel service. This shortage was supplied in 1920 by the erection of the Ambassador Hotel on Wilshire Boulevard—one of the largest resort hotels in the world. The building is surrounded by spacious grounds and the property is said to represent an investment of $5,000,000. It is one of the “objects of interest’’ in Los Angeles and will be visited by many tourists who may not care to pay the price to become regular guests. After our experience with hotels, apartments and rented houses, we finally acquired a home of our own in the “Queen City of the Southwest,” which, of course, is the most satisfactory plan of all, though not necessarily the cheapest.</br> </br> </br> </br> city construction infrastructure parking </br> </br> </br> </br> </br> </br> </br> Prior to the Great War Los Angeles had the reputation of being a place where one could live well at very moderate cost and hotels and restaurants gave the very best for little money. This was all sadly changed in the wave of profiteering during and following the war. The city acquired a rather unenviable reputation for charging the tourist all the traffic would bear—and sometimes a little more—until finally Government statistics ranked Los Angeles number one in the cost of living among cities of its class. The city council undertook to combat the tendency to “grab” by passing an ordinance limiting the percentage of rental an owner might charge on his property—a move naturally contested in the courts. At this writing, however, (1921), the tendency of prices is distinctly downward and this may reasonably be expected to continue until a fair basis is reached. It is not likely, however, that pre-war prices will ever return on many items, but it is certain that Los Angeles will again take rank as a city where one may live permanently or for a time at comparatively moderate cost.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Public utilities of the city never advanced their prices to compare with private interests. You can still ride miles on a street car for a nickel and telephone, gas and electric concerns get only slightly higher rates than before the war. Taxes have advanced by leaps and bounds, but are frequently excused by pointing out that nowhere do you get so much for your tax money as in California.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Naturally, the automobile and allied industries loom large in Los Angeles. Garages from the most palatial and perfectly equipped to the veriest hole-in-the-wall abound in all parts of the town. Prices for service and repairs vary greatly but the level is high—probably one hundred per cent above pre-war figures. Competition, however, is strong and the tendency is downward; but only a general wage lowering can bring back the old-time prices. Gasoline is generally cheaper than in the East, while other supplies cost about the same. The second-hand car business has reached vast proportions, many dealers occupying vacant lots where old cars of all models and degrees brave the sun—and sometimes the rain—while waiting for a purchaser. Cars are sold with agreement to buy back at the end of a tour and are rented without driver to responsible parties. You do not have to bring your own car to enjoy a motor tour in California; in fact this practice is not so common as it used to be except in case of the highest-grade cars.</br> </br> </br> </br> car garage gasoline infrastructure maintenance </br> </br> </br> </br> </br> </br> </br> Another plan is to drive your own car from your Eastern home to California and sell it when ready to go back. This was done very satisfactorily during the period of the car shortage and high prices for used cars following the war, but under normal conditions would likely involve considerable sacrifice. The ideal method for the motorist who has the time and patience is to make the round trip to California in his own car, coming, say, over the Lincoln Highway and returning over the Santa Fe Trail or vice versa, according to the time of the year. The latter averages by far the best of the transcontinental roads and is passable for a greater period of the year than any other. In fact, it is an all-year-round route except for the Raton Pass in New Mexico, and this may be avoided by a detour into Texas. This route has been surveyed and signed by the Automobile Club of Southern California and is being steadily improved, especially in the Western states.</br> </br> </br> </br> driving East highway train </br> </br> </br> </br> </br> </br> </br> Although California has perhaps the best all-the-year-round climate for motoring, it was our impression that the months of April and May are the most delightful for extensive touring. The winter rains will have ceased—though we found our first April and a recent May notable exceptions—and there is more freedom from the dust that becomes troublesome in some localities later in the summer. The country will be at its best—snow-caps will still linger on the higher mountains; the foothills will be green and often varied with great dashes of color—white, pale yellow, blue, or golden yellow, as some particular wild flower gains the mastery. The orange groves will be laden with golden globes and sweet with blossoms, and the roses and other cultivated flowers will still be in their prime. The air will be balmy and pleasant during the day, with a sharp drop towards evening that makes it advisable to keep a good supply of wraps in the car. An occasional shower will hardly interfere with one’s going, even on the unimproved country road.</br> </br> </br> </br> driving plant pleasure rain road road condition scenery sublime summer winter </br> </br> </br> </br> </br> </br> </br> For there is still unimproved country road, despite all I have said in praise of the new highways. A great deal of our touring was over roads seldom good at their best and often quite impassable during the heavy winter rains. There were stretches of “adobe” to remind us of “gumbo” at home; there were miles of heavy sand and there were rough, stone-strewn trails hardly deserving to be called roads at all! These defects are being mended with almost magical rapidity, but California is a vast state and with all her progress it will be years before all her counties attain the Los Angeles standard. We found many primitive bridges and oftener no bridges at all, since in the dry season there is no difficulty in fording the hard-bottom streams, and not infrequently the streams themselves had vanished. But in winter these same streams are often raging torrents that defy crossing for days at a time. During the summer and early autumn months the dust will be deep on unimproved roads and some of the mountain passes will be difficult on this account. So it is easy to see that even California climate does not afford ideal touring conditions the year round. Altogether, the months of April, May, and June afford the best average of roads and weather, despite the occasional showers that one may expect during the earlier part of this period. It is true that during these months a few of the mountain roads will be closed by snow, but one can not have everything his own way, and I believe the beauty of the country and climate at this time will more than offset any enforced omissions. The trip to Yosemite is not practical during this period over existing routes, though it is to be hoped the proposed all-the-year road will be a reality before long. The Lake Tahoe road is seldom open before the middle of June, and this delightful trip can not be taken during the early spring unless the tourist is content with the railway trains.</br> </br> </br> </br> adobe bridge construction infrastructure mountain rain risk road road condition snow spring summer weather winter </br> </br> </br> </br> </br> </br> </br> Our several tours in California aggregated more than thirty thousand miles and extended from Tia Juana to the Oregon border. The scope of this volume, however, is confined to the southern half of the state and the greater part of it deals with the section popularly known as Southern California—the eight counties lying south of Tehachapi Pass. Of course we traversed some roads several times, but we visited most of the interesting points of the section—with some pretty strenuous trips, as will appear in due course of my narrative. We climbed many mountains, visited the endless beaches, stopped at the famous hotels, and did not miss a single one of the twenty or more old Spanish missions. We saw the orange groves and palms of Riverside and Redlands, the great oaks of Paso Robles, the queer old cypresses of Monterey, the Torrey Pines of LaJolla, the lemon groves of San Diego, the vast wheatfields of the San Joaquin and Salinas Valleys, the cherry orchards of San Mateo, the great vineyards of the Napa and Santa Rosa Valleys, the lonely beauty of Clear Lake Valley, the giant trees of Santa Cruz, the Yosemite Valley, Tahoe, the gem of mountain lakes, the blossoming desert of Imperial, and a thousand other things that make California an enchanted land. And the upshot of it all was that we fell in love with the Golden State—so much in love with it that what I set down may be tinged with prejudice; but what story of California is free from this amiable defect?</br> </br> </br> </br> agriculture architecture lake plains mountain road road side scenery Southwest topography tree  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Newsome, Mary Effie Lee </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> Golden Slippers: An Anthology of Negro Poetry for Young Readers </br> </br> </br> Publisher </br> </br> Harper & Row </br> </br> </br> Year of Publication </br> </br> 1927 </br> </br> </br> Pages </br> </br> 26</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> The baker's boy delivers loaves </br>All up and down our street. </br>His car is white, his clothes are white, </br>White to his very feet. </br>I wonder if he stays that way. </br>I don't see how he does all day. </br>I’d like to watch him going home </br>When all the loaves are out. </br>His clothes must look quite different then, </br>At least I have no doubt.</br> </br> </br> </br> car road whitenessdoubt. car road whiteness  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Oppenheim, James </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> Songs for the New Age </br> </br> </br> Publisher </br> </br> The Century Co. </br> </br> </br> Year of Publication </br> </br> 1914 </br> </br> </br> Pages </br> </br> 115-116</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> Starless and still... </br>Who stopped this heart? </br>Who bound this city in a trance?</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> With open eyes the sleeping houses stare at the Park: </br>And among nude boughs the slumbering hanging moons are gazing: </br>And somnambulant drops of melting snow glide from the roofs and patter on the pave... </br>I in a dream draw the echoes of my footfall silvery sharp...</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Sleep-walking city! </br>Who are the wide-eyed prowlers in the night? </br>What nightmare-ridden cars move through their own far thunder? </br>What living death of the wind rises, crackling the drowsy twigs?</br> </br> </br> </br> urban car personification sound </br> </br> </br> </br> </br> </br> </br> In the enchantment of the ebb of life, </br>In the miracle of millions stretched in their rooms unconscious and breathing, </br>In the sleep of the broadcast people, </br>In the multitude of dreams rising from the houses, </br>I pause, frozen in a spell.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> We sleep in the eternal arms of night: </br>We give ourselves, in the heart of peril, </br>To sheer unconsciousness: </br>Silently sliding through space, the huge globe turns.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> I cannot go: </br>I dream that behind a window one wakes, a woman: </br>She is thinking of me.ne wakes, a woman: She is thinking of me.  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Oppenheim, James </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> Songs for the New Age </br> </br> </br> Publisher </br> </br> The Century Co. </br> </br> </br> Year of Publication </br> </br> 1914 </br> </br> </br> Pages </br> </br> 39-40</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> Neither from the woe, </br>Nor from the war, </br>Think ye to escape... </br>It helps nothing that ye shut your eyes, oh, cloistered </br> cowards and gilded idlers! </br>For neither shall cushion nor buffet ease the sharp </br> shock of life, </br>Neither shall delicate music in hushed hotels drown out </br> the roar of the battling streets . . . </br>Neither shall wingéd wheels carry you away to the </br> place of peace . . . </br>How can ye go from yourselves, deluded ones?</br> </br> </br> </br> affect car part road sound metaphor </br> </br> </br> </br> </br> </br> </br> Make but a world of rest: </br>Swifter than striking lightning </br>The Aladdin of the soul builds in the heart </br>A world of unresting hell... </br>And, oh ye shunners of war, ye are gruelled in a war </br> of the spirit, </br>In a battle of nerves and blood-vessels and the ghost- </br> haunted brain, </br>And the death of delight... </br>Hence, whip ye to battle: </br>Live ye to the uttermost: </br>Abide the adventure.he uttermost: Abide the adventure.  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Oppenheim, James </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> Songs for the New Age </br> </br> </br> Publisher </br> </br> The Century Co. </br> </br> </br> Year of Publication </br> </br> 1914 </br> </br> </br> Pages </br> </br> 7-8</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> Why did you hate to be by yourself, </br>And why were you sick of your own company?</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Such the question, and this the answer:</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> I feared sublimity: </br>I was a little afraid of God: </br>Silence and space terrified me, bringing the thought of </br> what an irritable clod I was and how soon death </br> would gulp me down... </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> This fear has reared cities: </br>The cowards flock together by the millions lest they </br> should be left alone for a half hour... </br>With church, theater and school, </br>With office, mill and motor, </br>With a thousand cunning devices, and clever calls to </br> each other, </br>They escape from themselves to the crowd...</br> </br> </br> </br> urban car engine technology </br> </br> </br> </br> </br> </br> </br> Oh, I have loved it all: </br>Snug rooms, the talk, the pleasant feast, the pictures: </br>The warm bath of humanity in which I relaxed and </br> soaked myself: </br>And never, I hope, shall I be without it—at times...</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> But now myself calls me... </br>The skies demand me, though it is but ten in the </br> morning: </br>The earth has an appointment with me, not to be </br> broken... </br>I must accustom myself to the gaunt face of the Sub- </br> time... </br>I must see what I really am, and what I am for, </br>And what this city is for, and the Earth and the stars </br> in their hurry... </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> To turn out typewriters, </br>To invent a new breakfast food, </br>To devise a dance that was never danced until now, </br>To urge a new sanitation, and a swifter automobile— </br>Have the life-surging heavens no business but this?</br> </br> </br> </br> car technology? car technology  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Oppenheim, James </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> Songs for the New Age </br> </br> </br> Publisher </br> </br> The Century Co. </br> </br> </br> Year of Publication </br> </br> 1914 </br> </br> </br> Pages </br> </br> 83-84</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> You and I in the night, spied on by stars... </br>You and I in the belovéd night... </br>You and I within these walls.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> A breath from the sea is kissing the housetops of the city, </br>Kissing the roofs, </br>And dying into silence.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Earth and stars are in a trance, </br>They dream of passion, but cannot break their sleep. </br>They pass into us, and we are their passion, we are their madness, </br>So shaped that we can kiss and clasp... </br>One kiss, then death, the miracle being spent.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Watchman, what of the night? </br>Sleep and birth! Toil and death! </br>Now the light of the topmost tower winks red and ceases: </br>Now the lonely car echoes afar off... </br>Helen looked over the wine-dark seas of Greece, and she was young. </br>But not younger than we, touching each other, while dawn delays...</br> </br> </br> </br> car sound night intertext </br> </br> </br> </br> </br> </br> </br> Dare we betray this moment? </br>Dare we die, missing this fire? </br>Whither goes massive Earth tonight, flying with the stars down eternity? </br>We are alive: we are for each other.e are alive: we are for each other.  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Oppenheim, James </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> Songs for the New Age </br> </br> </br> Publisher </br> </br> The Century Co. </br> </br> </br> Year of Publication </br> </br> 1914 </br> </br> </br> Pages </br> </br> 90-91</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> city urban </br> </br> </br> </br> </br> </br> </br> Where may she of the hall bedroom hold the love-hour? </br>In what sweet privacy find her soul before the face of the belovéd? </br>And the kiss that lifts her from the noise of the shop, </br>And the bitter carelessness of the streets? </br>Neither is there garden nor secret parlor for her: </br>And cruel winter has spoiled the shores of the sea; </br>The benches in the park are laden with melting snow, </br>And the bedroom forbidden...</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> But ah, the love of a woman! She will not be cheated! </br>Up the stoop she went to the vestibule of the house, </br>And beckoned to me to come to that darkness of doors: </br>Here in a crevice of the public city the love-hour was spent...</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Outside rumbled the cars between drifts of the gas-lit snow, </br>And the footsteps fell of the wanderers in the night... </br>Within, the dark house slept... </br>But we, in our little cave, stood, and saw in the gleaming dark </br>Shine of each other’s eyes, and the flutter of wisps of hair, </br>And our words were breathlessly sweet, and our kisses silent...</br> </br> </br> </br> car sound night snow </br> </br> </br> </br> </br> </br> </br> Where is there rose-garden, </br>Where is there balcony among the cedars and pines, </br>Where is there moonlit clearing in the dumb wilderness, </br>Enchanted as this doorway, dark in the glare of the city?ark in the glare of the city?  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Reynolds, Elsbery Washington </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> AutoLine o'Type </br> </br> </br> Publisher </br> </br> The Book Supply Company </br> </br> </br> Year of Publication </br> </br> 1924 </br> </br> </br> Pages </br> </br> 104</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> Every man from day to day </br>Should save a portion of his pay. </br>If what you save is only small, </br>Still it’s more than none at all.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> There’s not a man who doesn’t know, </br>To pay is better as you go. </br>You'll find if you do not keep up, </br>You'll be forever on the jump.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> It’s not the savings that you make </br>That turn into a rich man’s stake. </br>It’s lessons soundly learned of thrift, </br>That are to you a priceless gift.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Do not discouraged ever be </br>Because the end you cannot see. </br>Many possessing the lion’s part, </br>Had to make the poor man’s start.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> If some investments have not paid, </br>From the savings you have made, </br>The gift for thrift to you He gave, </br>You cannot lose if still you save.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> The man who says no use at all, </br>Because his pay is only small, </br>Will say the same when multiplied, </br>For saving he has never tried.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Just save a five and then a ten, </br>And when you add some more again, </br>You’re bound to make your saving score, </br>Each little makes a little more.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> A motor car is like a man, </br>Some cannot save and others can, </br>The one of all that saves the most, </br>It’s Studebaker’s right to boast.</br> </br> </br> </br> car car model metaphor pleasure safety </br> </br> </br> </br> </br> </br> </br> —The Car with Character.  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Reynolds, Elsbery Washington </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> AutoLine o'Type </br> </br> </br> Publisher </br> </br> The Book Supply Company </br> </br> </br> Year of Publication </br> </br> 1924 </br> </br> </br> Pages </br> </br> 131-132</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> In years of yore it made us sore, </br> When teacher called our name, </br>And said next Friday afternoon, </br> You’re one that must declaim. </br>Now we were always timid quite, </br> To stand before the school, </br>But declamations once a week, </br> Was teacher’s golden rule. </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> There’s nothing to declaim about, </br> We then did fairly shout. </br>Then teacher said with nasty flout, </br> Keep still or you go out. </br>But teacher loaned us many books, </br> And all she did indorse, </br>And that is how we came to tell </br> The school about the horse. </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> One book had pictures and a tale </br> That sounded very fine, </br>But we could never memorize </br> No more than just a Iine, </br>We then proceeded right away </br> To join a horses’ band, </br>And study horses in their play, </br> And learn them out of hand. </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> We then declaimed to all the school, </br> Don’t take us for a fool, </br>We find the horse is good to work, </br> And bigger than a mule. </br>He has two eyes so very keen, </br> They see when you are coming, </br>In front two feet and two behind, </br> That move when he is running. </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> He has two ears with which he hears, </br> And tail to scare the flies, </br>Sometimes he balks but never talks, </br> By eating he survives. </br>Some are bay and some are gray, </br> And some of color muggy, </br>The big and tall look best of all, </br> In a Studebaker buggy. </br> </br> </br> </br> equipment car model </br> </br> </br> </br> </br> </br> </br> If we again had to declaim </br> And take a teacher’s jars, </br>We'd tell you all about mistakes </br> Of certain motor cars. </br>We’d tell it true in words a few, </br> The car of any maker, </br>Is one we sell, the best for you, </br> And made by Studebaker. </br> </br> </br> </br> car car model </br> </br> </br> </br> </br> </br> </br> —The Car with Character.  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Reynolds, Elsbery Washington </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> AutoLine o'Type </br> </br> </br> Publisher </br> </br> The Book Supply Company </br> </br> </br> Year of Publication </br> </br> 1924 </br> </br> </br> Pages </br> </br> 24</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> Somebody said it can't be done, </br>Salaries to all and commissions none. </br>We smiled till tears were in our eyes, </br>For can't is a word we do despise. </br>We have done the thing that couldn't be done.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Somebody scoffed it can't be done, </br>Seven per cent to every last one. </br>No compound rate or broker's fee, </br>Will send you sure into bankruptcy. </br>We have done the thing that couldn't be done.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Somebody sneered it can't be done, </br>Carry your paper for each mother's son. </br>You can't collect, your loss run high, </br>Let broker and banker cut the pie. </br>We have done the thing that couldn't be done.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Somebody croaked it can't be done, </br>Service by night without the sun. </br>Expenses great will bring you ruin, </br>We heard them not with all their wooin'. </br>We have done the thing that couldn't be done.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Somebody mocked it can't be done, </br>Back with you name the cars that 'ave run. </br>Your profits will in them surely go, </br>The public be d—d so take them low. </br>We have done the thing that couldn't be done.</br> </br> </br> </br> car </br> </br> </br> </br> </br> </br> </br> Somebody gibed it can't be done, </br>This thing and that and the other one. </br>So we took off our coat and defied the whole ring, </br>And we started to sing as we tackled the thing. </br>We have done the thing that couldn't be done.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Some people live neath clouds of dread </br> And never see a single star. </br> Happier, they would be, if dead </br> And riding in a Studebaker Car. </br> </br> </br> </br> car model </br> </br> </br> </br> </br> </br> </br> —The Car with Character. —The Car with Character.  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Reynolds, Elsbery Washington </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> AutoLine o'Type </br> </br> </br> Publisher </br> </br> The Book Supply Company </br> </br> </br> Year of Publication </br> </br> 1924 </br> </br> </br> Pages </br> </br> 240</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> sublime technology </br> </br> </br> </br> </br> </br> </br> You may have your blooded speeding horse, </br>We have given him up without remorse. </br>The glory that all the nerves can feel, </br>Is in a Six Studebaker wheel.</br> </br> </br> </br> car car model car part </br> </br> </br> </br> </br> </br> </br> The swift and silent pedal machine, </br>We once considered no wise mean. </br>O’er us its magic has ceased to steal, </br>Since turning a Six Studebaker wheel.</br> </br> </br> </br> car part sound speed </br> </br> </br> </br> </br> </br> </br> The rushing of racing motor boats, </br>Our mind no longer on them dotes. </br>Flying through water has not the appeal, </br>Of a Six Studebaker steering wheel.</br> </br> </br> </br> car part metaphor </br> </br> </br> </br> </br> </br> </br> There is joy in a limited fast express, </br>If a first class ticket you possess. </br>But you'll better enjoy an evening meal, </br>From holding a Six Studebaker wheel.</br> </br> </br> </br> car part </br> </br> </br> </br> </br> </br> </br> Give us the still California night, </br>When the moon is full and shining bright. </br>Then life to us is never so real, </br>If turning a Six Studebaker wheel.</br> </br> </br> </br> car part sky time West </br> </br> </br> </br> </br> </br> </br> With miles of road like polished floor, </br>At sixty per and sometimes more, </br>We glide with ease mid laughters peal, </br>Safe at a Six Studebaker wheel.</br> </br> </br> </br> car part infrastructure pleasure road safety speed </br> </br> </br> </br> </br> </br> </br> Like a panther leaping through the air, </br>With plenty of power and some to spare, </br>For a Six Studebaker more of zeal, </br>You'll have when once you turn the wheel.</br> </br> </br> </br> car model car part metaphor </br> </br> </br> </br> </br> </br> </br> We'll warrant your mind will quickly fill </br>With thoughts for a Six so full of thrill. </br>To drive the ideal Six Automobile, </br>Get back of a Six Studebaker wheel.</br> </br> </br> </br> affect car car model car part metaphor </br> </br> </br> </br> </br> </br> </br> —The Car with Character. —The Car with Character.  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Reynolds, Elsbery Washington </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> AutoLine o'Type </br> </br> </br> Publisher </br> </br> The Book Supply Company </br> </br> </br> Year of Publication </br> </br> 1924 </br> </br> </br> Pages </br> </br> 25</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> nostalgia </br> </br> </br> </br> </br> </br> </br> Nothing can make our heart so warm, </br>As visions of where we first were born, </br>As the memory of that first Christmas tree, </br>Where the old homestead used to be.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> The smile and song and the merry laughter, </br>That rang from the cellar clear to the rafter, </br>Each loved one's face we yet can see, </br>Where the old homestead used to be.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> The fires were burning the coals were glowing, </br>From all of our hearts affection was flowing, </br>In honor of Him was our Christmas tree, </br>Where the old homestead used to be.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Pictures of those long passed away, </br>Hung on the walls and watched our play, </br>They shared with us in all our glee, </br>Where the old homestead used to be.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Those hearts of the long ago we treasure, </br>In the memory with unstinted measure, </br>All gathered around that Christmas tree, </br>Where the old homestead used to be.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> The beauty that gathered in that dominion, </br>Was though it had dropped from angel pinion, </br>For the birth of Him who made us free, </br>Where the old homestead used to be.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> The place to us was one of splendor, </br>And cherished yet in our memory tender, </br>And the glory of that first Christmas tree, </br>Where the old homestead used to be.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Some day again we will see the place, </br>And, too, in our memory each one's face, </br>In a Six Studebaker so easy and free, </br>Where the old homestead used to be.</br> </br> </br> </br> car model </br> </br> </br> </br> </br> </br> </br> —The Car with Character. —The Car with Character.  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Reynolds, Elsbery Washington </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> AutoLine o'Type </br> </br> </br> Publisher </br> </br> The Book Supply Company </br> </br> </br> Year of Publication </br> </br> 1924 </br> </br> </br> Pages </br> </br> 38</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> religion </br> </br> </br> </br> </br> </br> </br> We know a good old Missouri town, </br>Where "niggers" a-plenty live all around. </br>On a little hill down near the mill, </br>The "nigger" church is standing still.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> When we were there some years ago, </br>This church each night gave quite a show. </br>To enter the house we had to strive, </br>For the building was packed to all revive.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> The snow outside the church was deep, </br>Inside were shouts while some did weep. </br>The preacher's voice above the din, </br>Proclaimed to all their awful sin.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> He said, "I's read de Good Book thro', </br>I's fahmiliar with all de ol' an' new. </br>Now you's all bette' believe in dis story, </br>If you's a gonna get yo' a home in glory."</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Just then a gal, big, black and tall, </br>Shouted, "Fo' de story I sho' does fall. </br>With de dev'l I's fightin' both day an' night, </br>But with yo' story I's winnin' de fight."</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> The preacher replied, "My siste' host, </br>You's get on de side o' de Holy Ghost. </br>He'll look down deep in yo' po' ol' heart, </br>You'll sho' beat de dev'l if yo' do yo' part."</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> "lf yo' read de Book fo' to get yo' light, </br>Yo' can dodge de ol' dev'l an' keep out o' sight. </br>Jus' read fo' to keep from makin' colleesions, </br>'Bout Paul with his 'pistle after the 'Phesians."</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> "If yo' faith go to shakin' an' yo' go to slippin', </br>Jus' read de Good Book without no skippin', </br>De dev'l am swif', but yo' stick to yo' Maker, </br>Yo' can beat him to glory in de Six Studebaker."</br> </br> </br> </br> car model </br> </br> </br> </br> </br> </br> </br> —The Car with Character. —The Car with Character.  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Reynolds, Elsbery Washington </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> AutoLine o'Type </br> </br> </br> Publisher </br> </br> The Book Supply Company </br> </br> </br> Year of Publication </br> </br> 1924 </br> </br> </br> Pages </br> </br> 40</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> If you are inclined to lament and say, </br>There are no opportunities found today, </br>With the rest of the world you're out of step, </br>Your body and mind are short on pep.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Opportunities once flew thick and fast, </br>In years far in the distant past, </br>You'll know they are here today, instead, </br>If you read the lives of men that are dead.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Read Abraham Lincoln, American, </br>Enshrined in the heart of every man. </br>He was born honest in humble obscurity, </br>He made for himself his opportunity.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> To the White House and the President's chair, </br>No American boy need have despair, </br>There is nothing a boy can't overcome, </br>With talent and energy making the run.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Read Horace Greeley, in poverty born, </br>His name does history's page adorn, </br>Benjamin Franklin's life and deeds, </br>Give inspiration for youthful needs.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> John Jacob Astor started poor, </br>He peddled goods from door to door, </br>Thomas Edison of our present day, </br>Has traveled far along the way.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> These men did not lament and say, </br>No opportunities are there today, </br>By grit and ambition, pluck and skill, </br>They made opportunity through, "I Will."</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Today is the golden day of days, </br>Opportunity all around you plays, </br>Much depends that you keep on a-trying, </br>If you climb like Studebakers people are buying.</br> </br> </br> </br> car model </br> </br> </br> </br> </br> </br> </br> —The Car with Character. —The Car with Character.  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Reynolds, Elsbery Washington </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> AutoLine o'Type </br> </br> </br> Publisher </br> </br> The Book Supply Company </br> </br> </br> Year of Publication </br> </br> 1924 </br> </br> </br> Pages </br> </br> 52</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> At a certain round-table a good-natured bunch </br>Of finest of fellows met daily for lunch. </br>An hour’s interchange of thoughts and ideas, </br>All would depart each feeling at ease.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> They talked of the weather careless and free, </br>A topic on which they did all agree. </br>When one would mention the income tax, </br>It was an occasion to give it some whacks.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Golf came in for a share of discussion, </br>There’s nothing in golf to cause any fussin’, </br>If business was good or if it was bad, </br>They tackled the matter and never got mad.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> When they discussed our time parking limit, </br>All were agreed on keeping within it. </br>But when they brought up our boulevard stop, </br>Not one but said it was all tommy-rot.</br> </br> </br> </br> parking slowness </br> </br> </br> </br> </br> </br> </br> Around this table without any jars </br>They freely debated on all motor cars. </br>They praised or condemned without any heat, </br>Each claiming his car did all others beat.</br> </br> </br> </br> car model </br> </br> </br> </br> </br> </br> </br> Things they discussed to no one was vital, </br>Subjects were chosen for safety of title </br>Till they took up a question a million years old </br>Of vital concern to every one’s soul.</br> </br> </br> </br> time </br> </br> </br> </br> </br> </br> </br> Of God each took a different stand, </br>Divided on Nature, Spirit and Man, </br>While one did declare God didn’t exist, </br>The good-natured bunch has since been missed.</br> </br> </br> </br> religion </br> </br> </br> </br> </br> </br> </br> On most every subject when men don’t agree, </br>They smile, shake hands and part cheerfully. </br>There’s danger in topics of soul and heart, </br>Talk Six Studebaker and friends you will part.</br> </br> </br> </br> car model </br> </br> </br> </br> </br> </br> </br> —The Car with Character.  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Reynolds, Elsbery Washington </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> AutoLine o'Type </br> </br> </br> Publisher </br> </br> The Book Supply Company </br> </br> </br> Year of Publication </br> </br> 1924 </br> </br> </br> Pages </br> </br> 55</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> It’s known to all to be the law, </br>That interest should you wish to draw, </br>On something that you have within, </br>You first must put that something in.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> For you, your business does not pay, </br>And you lament from day to day, </br>You have not to your business given, </br>That from which pay is deriven.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Your goose it lays a golden egg, </br>Marks up your interest just a peg, </br>But feed, you must, your goose of old, </br>If you would get your egg of gold.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> If interest in your church has died, </br>It doesn’t revive although you’ve tried, </br>Just ask yourself and look within </br>To see what you are putting in.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> If your home is not going right, </br>You stay out late most every night, </br>You have no longer interest there, </br>You’ve no investment worth the care.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> If you have brothers in your lodge, </br>You now quite often try to dodge, </br>Then your interest’s growing slim, </br>You must put in if you would win.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> All through life as taught by Him, </br>If you take out you must put in, </br>It’s things you do for all about, </br>You take your biggest interest out.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> With motor cars it’s just the same, </br>What’s been put in comes out again. </br>Now you can make your own deduction, </br>From the Studebakers’ big production.</br> </br> </br> </br> car car model metaphor technology </br> </br> </br> </br> </br> </br> </br> —The Car wih Character.  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Reynolds, Elsbery Washington </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> AutoLine o'Type </br> </br> </br> Publisher </br> </br> The Book Supply Company </br> </br> </br> Year of Publication </br> </br> 1924 </br> </br> </br> Pages </br> </br> 75</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> efficiency </br> </br> </br> </br> </br> </br> </br> Fortune comes through diligence and skill, </br>There is always a way where there is a will, </br>Industry of hand as well as of brain, </br>Makes everything easy that’s worthy of gain.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Our labor should always be well directed, </br>No slighting for cause to be rejected. </br>Genius may all great works begin, </br>Labor’s the thing that makes them win.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> This rule is good for most every man, </br>The more we do, the more we can. </br>More busy we are, more leisure we have, </br>For play to serve as our safety valve.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> The mind of man has been so made, </br>That happiness in him will quickly fade, </br>If slothful habits he does acquire, </br>And industry is not his chief desire.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Industry will our talents improve, </br>Deficiencies from our abilities remove. </br>With energies noble it is in accord, </br>It brings to all its highest reward.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Industry travels the road with joy, </br>Duty is also along to convoy. </br>There is no possible way to progress, </br>If we no love for labor possess.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> The bread we earn by sweat of the brow, </br>Is bread most blessed we must allow. </br>It is far sweeter may all confess </br>Than the tasteless loaf of idleness.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> As long as one lives and stirs all around, </br>There’s food and dress for him to be found. </br>Industry is said to be a health maker, </br>We find it in selling the Six Studebaker.</br> </br> </br> </br> car model </br> </br> </br> </br> </br> </br> </br> —The Car with Character.ar with Character.  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Sandburg, Carl </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> Chicago Poems </br> </br> </br> Publisher </br> </br> Henry Holt and Company </br> </br> </br> Year of Publication </br> </br> 1916 </br> </br> </br> Pages </br> </br> 52</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> Riding against the east, </br>A veering, steady shadow </br>Purrs the motor-call </br>Of the man-bird </br>Ready with the death-laughter </br>In his throat </br>And in his heart always </br>The love of the big blue beyond.</br> </br> </br> </br> driving personification zoomorphism sound </br> </br> </br> </br> </br> </br> </br> Only a man, </br>A far fleck of shadow on the east </br>Sitting at ease </br>With his hands on a wheel </br>And around him the large gray wings. </br>Hold him, great soft wings, </br>Keep and deal kindly, O wings, </br>With the cool, calm shadow at the wheel.</br> </br> </br> </br> car part drivert the wheel. car part driver  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Sandburg, Carl </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> Chicago Poems </br> </br> </br> Publisher </br> </br> Henry Holt and Company </br> </br> </br> Year of Publication </br> </br> 1916 </br> </br> </br> Pages </br> </br> 96</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> In the old wars drum of hoofs and the beat of shod feet. </br>In the new wars hum of motors and the tread of rubber tires. </br>In the wars to come silent wheels and whirr of rods not yet dreamed out in the heads of men.</br> </br> </br> </br> car car part engine risk sound technology </br> </br> </br> </br> </br> </br> </br> In the old wars clutches of short swords and jabs into faces with spears. </br>In the new wars long range guns and smashed walls, guns running a spit of metal and men falling in tens and twenties. </br>In the wars to come new silent deaths, new silent hurlers not yet dreamed out in the heads of men.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> In the old wars kings quarreling and thousands of men following. </br>In the new wars kings quarreling and millions of men following. </br>In the wars to come kings kicked under the dust and millions of men following great causes not yet dreamed out in the heads of men.s not yet dreamed out in the heads of men.  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Sandburg, Carl </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> Chicago Poems </br> </br> </br> Publisher </br> </br> Henry Holt and Company </br> </br> </br> Year of Publication </br> </br> 1916 </br> </br> </br> Pages </br> </br> 99</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> I shall foot it </br>Down the roadway in the dusk, </br>Where shapes of hunger wander </br>And the fugitives of pain go by. </br>I shall foot it </br>In the silence of the morning, </br>See the night slur into dawn, </br>Hear the slow great winds arise </br>Where tall trees flank the way </br>And shoulder toward the sky.</br> </br> </br> </br> metaphor pedestrian road sound sky tree wind </br> </br> </br> </br> </br> </br> </br> The broken boulders by the road </br>Shall not commemorate my ruin. </br>Regret shall be the gravel under foot. </br>I shall watch for </br>Slim birds swift of wing </br>That go where wind and ranks of thunder </br>Drive the wild processionals of rain.</br> </br> </br> </br> metaphor roadside scenery animal wind rain </br> </br> </br> </br> </br> </br> </br> The dust of the traveled road </br>Shall touch my hands and face.</br> </br> </br> </br> road road condition duste. road road condition dust  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Sandburg, Carl </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> Smoke and Steel </br> </br> </br> Publisher </br> </br> Harcourt , Brace and Howe </br> </br> </br> Year of Publication </br> </br> 1920 </br> </br> </br> Pages </br> </br> 41</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> New neighbors came to the corner house at Congress and Green streets.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> The look of their clean white curtains was the same as the rim of a nun's bonnet.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> One way was an oyster pail factory, one way they made candy, one way paper boxes, strawboard cartons.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> The warehouse trucks shook the dust of the ways loose and the wheels whirled dust—there was dust of hoof and wagon wheel and rubber tire— dust of police and fire wagons—dust of the winds that circled at midnights and noon listening to no prayers.</br> </br> </br> </br> car truck car part pollution dust </br> </br> </br> </br> </br> </br> </br> "O mother, I know the heart of you," I sang passing the rim of a nun's bonnet—O white curtains—and people clean as the prayers of Jesus here in the faded ramshackle at Congress and Green.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Dust and the thundering trucks won—the barrages of the street wheels and the lawless wind took their way—was it five weeks or six the little mother, the new neighbors, battled and then took away the white prayers in the windows?</br> </br> </br> </br> car truck car part dust pollution wind sound  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Stoner, Dayton </br> </br> </br> Genre </br> </br> Non-Fiction </br> </br> </br> Journal or Book </br> </br> Science </br> </br> </br> Publisher </br> </br> -</br> </br> </br> Year of Publication </br> </br> 1925 </br> </br> </br> Pages </br> </br> 56-57</br> </br> </br> Additional information </br> </br> Here you can find Sam Kean's 2022 article on Dayton Stoner's work.</br> </br> </br> </br> </br> </br> animal death risk </br> </br> </br> </br> </br> </br> </br> We hear and read a good deal of the enormous annual toll of human life due to the mania for speed so generally prevalent among automobile drivers. On this account our city streets and country high­ways are dangerous places for pedestrians as well as for other and more discreet motorists. Even the widely heralded "dirt roads" of Iowa are tainted with human blood. "As a killer of men, the automo­bile is more deadly than typhoid fever and runs a close second to influenza. ... Up to August of this year (1924) 9,500 lives were sacrificed, chiefly in preventable accidents." Thus reads a recent account in one of our popular magazines.</br> </br> </br> </br> accident car death driving highway infrastructure risk road speed </br> </br> </br> </br> </br> </br> </br> Not only is the mortality among human beings high, but the death-dealing qualities of the motor car are making serious inroads on our native mam­mals, birds and other forms of animal life.</br> </br> </br> </br> animal death risk </br> </br> </br> </br> </br> </br> </br> This matter was most forcefully brought to my attention during June and July, 1924, when my wife and I made the journey overland from Iowa City, Iowa, to the Iowa Lakeside Laboratory, on West Lake Okoboji, Iowa, a distance of 316 miles. Parts of two days were occupied in the going journey on June 13 and 14, while approximately the same time was required for the return trip on July 15 and 16.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Within a few minutes after we had started from Iowa City and a considerable number of dead animals, apparently casualties from passing motor cars, had been encountered in the road, it occurred to us that an enumeration and actual count of those that we might yet come upon during the remainder of the tour would be of interest. Accordingly, we under­took to do this on both the going and return trip which, although not over the same routes in their entirety, were of exactly the same length.</br> </br> </br> </br> animal car death risk road </br> </br> </br> </br> </br> </br> </br> In this count only freshly killed carcasses of vertebrate animals lying in or immediately at the side of the highway were taken into consideration, and only those forms of whose identity we were certain as we passed along were included. Since we seldom ex­ceeded 25 miles per hour we had ample time to iden­tify the more familiar things. Stops were made for a few of the less common and unusual finds.</br> </br> </br> </br> animal car death driving highway infrastructure risk road road side rural slowness </br> </br> </br> </br> </br> </br> </br> Our route took us through typical Iowa farming communities, for the most part moderately thickly populated and supplied with the usual farm build­ings. Prairie, marsh and woodland were also repre­sented as were various types of soil and vegetation supported by them. All these conditions make for a diversity of animal life, and we found it well represented on the highways.</br> </br> </br> </br> animal car infrastructure topography rural </br> </br> </br> </br> </br> </br> </br> About 200 miles of the road were graveled; the remainder was just "plain dirt," most of which had been brought to grade. Of course the surfaced roads permit of greater speed, together with more comfort to the speeder and correspondingly greater danger to human and other lives.</br> </br> </br> </br> gravel risk road speed road surface </br> </br> </br> </br> </br> </br> </br> In general, the greatest number of casualties were encountered on the good stretches of road. By way of illustrating this point it may be noted that on the return journey between the Laboratory and Marshall­ town, Iowa, a distance of 211 miles, all well graveled, 105 dead animals representing 15 species were counted; of these, 39 were red-headed woodpeckers ( Melanerpes erythrocephalus ). Several other forms that could not be identified in passing were met with.</br> </br> </br> </br> animal death gravel infrastructure Midwest risk rural </br> </br> </br> </br> </br> </br> </br> As will be seen from the appended table the mortality among red-headed woodpeckers is higher than that of any other form observed, and I believe that a combination of circumstances will account for this situation. In the first place, these birds have a pro­pensity for feeding upon insects and waste grain in and along the roads; second, they remain as long as possible before the approaching car, in all probability not being keen discriminators of its speed; and third, they have a slow "get-away," that is, they can not quickly acquire a sufficient velocity to escape the on­coming car and so meet their death. However, I feel certain that a speed of from 35 to 40 miles an hour is necessary in order to catch these birds. Of course this is not true for some other forms such as turtles and snakes which depend upon terrestrial progres­sion and are comparatively slow movers. In most cases all animals, if given a reasonable time to escape, will cause the hurried motorist little if any delay.</br> </br> </br> </br> animal car death infrastructure road speed risk weapon </br> </br> </br> </br> </br> </br> </br> Further comment need not be made upon the various factors entering into the situation here discussed. It will be sufficient to point out that on a summer motor trip of 632 miles over Iowa roads, 29 species of our native and introduced vertebrate animals, repre­senting a total of 225 individuals, were found dead as a result of being crushed by passing automobiles, and that this agency demands recognition as one of the important checks upon the natural increase of many forms of life. Assuming that these conditions prevail over the thousands of miles of improved high­ ways in this state and throughout the United States the death toll of the motor car becomes still more appalling.</br> </br> </br> </br> animal car death highway infrastructure Midwest road speed risk  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Trinkle, Florence M. </br> </br> </br> Genre </br> </br> Non-Fiction </br> </br> </br> Journal or Book </br> </br> Motoring West: Automobile Pioneers </br> </br> </br> Publisher </br> </br> -</br> </br> </br> Year of Publication </br> </br> 1952 </br> </br> </br> Pages </br> </br> 298-339</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> driving navigation affect </br> </br> </br> </br> </br> </br> </br> PIKES PEAK OR BUST . . . IN A BRUSH</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> I don't suppose my husband and I could possibly make clear to modern motorists the intense affection we developed for a piece of machinery—our little Brush Runabout. But at the end of our ordeal (it was 1908) we parted with the car as if it had been a favorite child.</br> </br> </br> </br> car personification </br> </br> </br> </br> </br> </br> </br> It would be difficult for the drivers of today's luxurious cars on our modern highways to visualize the adverse conditions that faced the horseless carriage when it was first coming into use after the turn of the century. Naturally, these early automobiles were primitive affairs and few drivers knew much about their mechanical parts. Repair and service stations were few and far between—especially where we went—and mechanics still were groping in the darkness, for the most part. There were no highway signs anywhere; in many states, particularly in the West, roads were almost impassable for a low-built vehicle, and it was taken for granted that on a trip of any length there would be many streams to ford.</br> </br> </br> </br> car road condition technology West </br> </br> </br> </br> </br> </br> </br> In 1908 there was no transcontinental automobile highway. The Lincoln Highway was not started until 1913 and wasn't finished for more than a decade. It filled a great want, linking the East with the West and making it possible for travelers to locate towns and cities by calculating exact distances. This was especially valuable in sparsely populated areas. Previously, only the hardiest motorists ventured any distance from home base, and a cross-country pleasure trip was out of the question. A few factories sent cars on long trips for advertising purposes, but the danger and trouble they encountered made the ventures questionable.</br> </br> </br> </br> highway infrastructure navigation risk </br> </br> </br> </br> </br> </br> </br> In rural districts the populace usually was antagonistic to the automobile because it frightened horses and accidents resulted. Often, upon the approach of a horse, the motorist would stop his car and stand in front of it until the animal could be maneuvered past the evil-smelling contraption.</br> </br> </br> </br> rural animal driver smell </br> </br> </br> </br> </br> </br> </br> Once a motorist approached a Michigan farmer driving a spirited team, and seeing the fright of the horses and the women passengers in the buggy, he stopped his car, alighted and gallantly offered to lead the prancing horses past the machine. The farmer said: "Never mind the horses, young man, I can take care of them. You just hold the women."</br> </br> </br> </br> affect animal road side car </br> </br> </br> </br> </br> </br> </br> If the unwary motorist stopped at a farmhouse to ask directions, the farmer invariably would direct him through some mud hole or over some steep hill to be sure the car got stuck. Then in the evening at the corner store the farmer would brag to his cronies how he had sent that "buzz wagon" down the wrong road, and all would be merriment.</br> </br> </br> </br> car mud navigation risk road </br> </br> </br> </br> </br> </br> </br> After the first world war this nation became road-conscious, spending immense sums on new highways until improved roads with numerous signs and signals extended in every direction. Eventually the motorist was catered to in every state with such innovations as service stations, hot dog stands and motor clubs.</br> </br> </br> </br> road infrastructure gas station </br> </br> </br> </br> </br> </br> </br> My husband, Fred A. Trinkle, began driving and repairing automobiles in Denver, Colorado, as early as 1900, and in 1907 he became agent for the Brush automobile for the state of Colorado. The car was designed by Alonzo P. Brush and built in Detroit by the Briscoe Manufacturing Co. The Brush Runabout was a two-seated, one-cylinder, double side chain-driven car with a coil-type spring under each corner, acetylene headlights and Prest-O-Lite tank, with no top, windshield, or doors. It was a very sturdy car and could go anywhere there was a road. The chain-drive on each side gave it great climbing power although it was not fast. But that was not a serious deficiency because there weren't many good roads on which to speed in those days, and drivers were not speed-crazy.</br> </br> </br> </br> driver car maintenance road road condition </br> </br> </br> </br> </br> </br> </br> To advertise the Brush in 1908, Frank Briscoe decided to send five factory models to different destinations, and asked Fred to come to Detroit and drive one to Kansas City, as he was the only Brush salesman familiar with the West.</br> </br> </br> </br> car driving </br> </br> </br> </br> </br> </br> </br> At a banquet the evening before the start, each of the drivers was called on for a speech. When Fred's turn came, he told the crowd he could not make speeches, but he could drive a Brush Runabout and that, when he reached Kansas City, he would ask permission to drive on to Denver, climbing Pike's Peak on the way. After the applause had subsided, all forgot about the boast except Fred and Briscoe.</br> </br> </br> </br> car driving mountain </br> </br> </br> </br> </br> </br> </br> The five cars started the next morning, each driver accompanied by an observer who kept track of the credentials on the trip. Arrangements already had been made by the factory in cities along the routes for pictures to be taken when the cars arrived, and newspaper stories along the way were to provide more advertisement for the cars. Fred's itinerary took him through Michigan and Ohio to Cincinnati, west through Indiana and Illinois to St. Louis. Towns in these states were close enough together so he and his companion always could find accommodations, but finally the observer objected to not getting a bath every night and returned to Detroit. The factory sent another observer for the trip from St. Louis to Kansas City.</br> </br> </br> </br> driver driving navigation East Midwest passenger </br> </br> </br> </br> </br> </br> </br> Throughout Missouri, Fred could get little information about roads or directions. For instance, people living ten miles from Bowling Green had no idea where it was. The roads were so bad he drove much of the time in low gear with the wheels in a solid mass of mud. It was a hard grind across the state, but luckily time and speed had no bearing on the final summing-up of the trip.</br> </br> </br> </br> driving Midwest mud car part road condition slowness </br> </br> </br> </br> </br> </br> </br> The factory required a telegram every night giving the car's location, also a daily written account signed both by driver and observer, to be mailed each night to the factory. Fred won first place among the five cars at the end of the run, later receiving a silver cup and ebony pedestal. The points which won him the decision were prompt and full reports, high gasoline and oil mileage and fewest repairs. His only replacement was a 10-cent commutator spring which he installed himself.</br> </br> </br> </br> car part gasoline oil </br> </br> </br> </br> </br> </br> </br> In Kansas City he received instructions from Briscoe to continue to Denver with the Brush, look over the possibilities of a Pike's Peak climb and report if it would be feasible. Fred soon found bad roads all through Kansas, and driving was strenuous work. Beyond Dodge City, he stopped to speed up his engine in the heavy mud and in starting, the chain jumped off the sprocket teeth. This had happened before, as the chains and corresponding teeth had become worn in the steady drag through the mud. He tried to flip the chain on while the engine was running, his usual custom, but in a moment of carelessness he caught his hand between the chain and the teeth of the sprocket, stalling the engine and trapping him as completely as though he were in a bear trap. He couldn't move to reach the gear-shift lever.</br> </br> </br> </br> driving accident car part mud engine maintenance risk road road condition </br> </br> </br> </br> </br> </br> </br> There was little travel on the road and he was forced to remain in a crouched position for some time. Finally he hailed a tramp walking on the railroad and, after much persuasion, got him to leave the tracks and come to the car. He directed him how to turn off the ignition, put the car in reverse gear, then crank the engine, thus turning the sprocket and chain backward and releasing his hand. He reflected later that he might have been caught for hours; as it was, the flesh on his hand was cut through to the bone. Fortunately he had a box of salve in the car, and the tramp helped dress and wrap his injured hand.</br> </br> </br> </br> road car car part equipment engine risk </br> </br> </br> </br> </br> </br> </br> Fred carried the tramp with him to the next town and took him to a restaurant for a meal, but as soon as they had finished eating the tramp made a bee-line for a freight train—and oblivion, as far as Fred was concerned.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> At Lakin, Kansas, he stopped with cousins for a few days, meanwhile selling two cars to be delivered later.</br> </br> </br> </br> car </br> </br> </br> </br> </br> </br> </br> When he reached Colorado Springs, he found good weather and no snow on Pike's Peak, so he telephoned a photographer friend in Denver and told him to meet him at the Springs next morning with his large camera, and ride up with him. Then he removed the running boards and fenders and had a sprag made to drag behind the car so as to hold it on steep grades if necessary when he stopped to speed up the engine.</br> </br> </br> </br> car car part engine maintenance mountain </br> </br> </br> </br> </br> </br> </br> The old road had been abandoned for years, a cog road and burro trail having taken its place, and the present boulevard was not built until eight or nine years later.</br> </br> </br> </br> road road condition </br> </br> </br> </br> </br> </br> </br> From Colorado Springs, at an altitude of about 7,000 feet, Fred and his photographer drove to Manitou where they bought a hand ax, a shovel, and about 100 feet of rope. Then they drove to Cascade, where they had an early lunch. Here they were directed to follow the canyon road a mile and a half, where they could see a dim road turning to the left, and a small wooden bridge across a creek; there they turned immediately and started a stiff climb on a shelf road dug on the side of the mountain and ending directly over Cascade.</br> </br> </br> </br> driving equipment infrastructure mountain navigation road </br> </br> </br> </br> </br> </br> </br> When this route was pointed out to them, they looked up a thousand feet or more to a line on the mountain side which was their road. This seemed to be the crucial part of the climb as it was so steep most cars could not get gasoline to their carburetors and so became stalled. Up to this time no one had heard of vacuum tanks or fuel pumps, and automobiles obtained their gasoline supply by gravity only. This did not bother the Brush Runabout because it was equipped with the only known diaphragm fuel pump which brought the fuel from the tank under the floor boards to a fuel cup on top of the engine. With that arrangement, the motor could be kept running even if the car were standing on end, which accounted for the Brush's ability to get over steep places.</br> </br> </br> </br> road car car part gasoline equipment risk technology </br> </br> </br> </br> </br> </br> </br> At the top, before getting out of sight of Cascade, Fred backed the car into the bank and the two got out to stretch their muscles. Looking below, they saw a large crowd gathered in the street, each person seemingly only an inch tall, watching them climb the steep shelf on the mountain side. They took off their hats and waved and the crowd answered by waving hats, handkerchiefs, aprons, or anything that was handy.</br> </br> </br> </br> affect car mountain parking </br> </br> </br> </br> </br> </br> </br> Starting the car, they went down grade before resuming the climb. Rocks, boulders, fallen trees, and other debris blocked the road and had to be cleared away, while washouts were numerous. At the Halfway House, there was a mountain stream with very steep sides. It had once been bridged just below timberline. The two men carried poles from a nearby corral, lashed them together in pairs with their rope, buried the ends in the earth to make them firm, and drove over them as if they were a bridge.</br> </br> </br> </br> driving road mountain river tree </br> </br> </br> </br> </br> </br> </br> Nearing the top, they came to the famous "W" where the road travels left for half a mile, then doubles back on a hairpin curve to the point where it started but about 200 feet higher, then back on another hairpin curve, completing the "W." The camera man, tall and heavy, climbed from road to road taking pictures of the car on the "W." They climbed completely around the mountain, coming to the top from the opposite side of the "W." It was a 23-mile climb and had taken all day. Often during the trip both men sat with one foot outside the car so as to be ready to jump to safety if they saw the little car tottering on the edge of the narrow, crumbling road.</br> </br> </br> </br> road driving car mountain road condition risk safety </br> </br> </br> </br> </br> </br> </br> That night I received a wire from the Pike's Peak telegraph station, highest in the world, that Fred was safe at the top and would come down next day. To Briscoe in Detroit he wired,</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> PIKE'S PEAK CLIMB POSSIBLE FOR WE ARE AT THE SUMMIT.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> The two men stayed all night on the top at the Summit House, 14,147 feet above sea level. Next day they found the descent much more difficult and dangerous than the climb, for it meant holding back around boulders and other obstructions on narrow, rough, curving trails. On the way down, the bottom of the gasoline tank hit a rock and broke off the drain plug, but they grabbed a gallon can they had in the car for carrying water and saved enough of the gasoline so that by using a squirt gun, they were able to feed enough fuel into the gas line to keep the engine running until they reached Cascade, where they bought a gallon more and this took them to Colorado Springs.</br> </br> </br> </br> road accident equipment car part gasoline risk engine </br> </br> </br> </br> </br> </br> </br> The gas tank had to be soldered, besides replacing the fenders and running boards, before they could start for Denver that night. While working in the garage, another car backed up in front of Fred and began shooting the exhaust in his face. He quit work, went over to the owner, and asked him to move the car, as the fumes were very annoying. The man answered that if he didn't like it, he could move his own car. There was no room to move back, so after a few words—tired from his climb and anxious to get home that night—Fred lost his temper and hit the man on the chin with his fist. The other shook his head and said, "Did you mean that?" Fred replied, "Yes, I did," and soon the two were a rolling heap on the floor. The cameraman had to separate them. The man then moved his car and before Fred left, he came back and apologized to him.</br> </br> </br> </br> car part maintenance parking </br> </br> </br> </br> </br> </br> </br> As soon as the Runabout was in commission that night, they started for Denver, two very tired men anxious to get home. I was wakened by a noise to see a man standing in the bedroom door about four o'clock in the morning. I thought it was a burglar with a brown mask over his face, with eyes looking like two burned holes in it, but Fred's grin relieved me of my fears and a bath brought out the original man.</br> </br> </br> </br> car </br> </br> </br> </br> </br> </br> </br> Sometime later a nicely dressed man came into Fred's sales room, introduced himself and said, "You remember me, don't you?" It was the man he had clipped on the chin in the Colorado Springs garage. After a chat, he gave Fred a ticket to the Denver Athletic Club for a certain night, making him promise to go to the fights there. When Fred did, he found that the man was a prize-fighter in the principal bout of the evening. I thought this was a very clever way to let Fred discover his occupation; then and there, Fred decided to be more careful about starting a fight with any other athletic stranger who might not be the gentleman this man was.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Many cars had tried to climb Pike's Peak, but a Locomobile Steamer was the first. The second was a 70-horsepower Stearns. The Brush Runabout was the third and went every foot of the way under its own power.</br> </br> </br> </br> car </br> </br> </br> </br> </br> </br> </br> WESTWARD PIONEERS-A BRUSH AND THE TRINKLES</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Everyone at the Detroit factory was jubilant over the climb, and we thought the trip was completed when Fred settled down to his garage work and selling cars.</br> </br> </br> </br> car </br> </br> </br> </br> </br> </br> </br> However, in a few days Briscoe wrote to Fred, asking if he would outfit the car in Denver, drive it to the Pacific Coast, then meet it in Detroit and drive it to New York City in time for the winter motor show. He said he would send a man from the factory to go as observer if he had no one in Denver to go with him. It appalled us at first to think of driving such a little car over the long, uninhabited distances we knew existed throughout some of the western states. We never would have entertained the idea if Fred hadn't been such a good automobile mechanic. We had been to California by train several times over different roads and knew something of what to expect, traveling over the mountain ranges and passes so late in the season.</br> </br> </br> </br> car driving road condition mountain West </br> </br> </br> </br> </br> </br> </br> My parents came from New York State to Michigan as early settlers before I was born, and Fred and his mother came West in a covered wagon to Colorado when he was a small boy, so I guess there must be pioneer blood in our veins; the "call of the road" won.</br> </br> </br> </br> pioneer road West metaphor </br> </br> </br> </br> </br> </br> </br> So Fred accepted Briscoe's proposition and persuaded me to go along as observer, wiring Briscoe to that effect. The answer was,</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> PERFECTLY ACCEPTABLE. COMPLIMENTS TO PLUCKY MRS. TRINKLE.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> The factory wired us $500 to outfit and start, with more to be sent when and where we ordered. We were told to spare no expense and to send tires, gasoline, and spare parts ahead for use wherever we thought best. Briscoe never had been West, but he knew that few cars ever had crossed the continent and that we would not have a pleasure trip, to say the least. Since I had previously lived in Nevada and California, it seemed like a homecoming for me, or I might have taken the trip more seriously.</br> </br> </br> </br> car car part gasoline equipment West </br> </br> </br> </br> </br> </br> </br> Our first thought was about equipping our car, because as long as we could keep it moving, we would be safe. The next thing was to make sure we would keep warm and comfortable ourselves so we could endure the hardships we were bound to encounter for several weeks along the way. We had to use our own judgment in selecting what to take, as no one we knew ever had made this sort of trip.</br> </br> </br> </br> car equipment safety temperature </br> </br> </br> </br> </br> </br> </br> The little car already had done strenuous work, so Fred went over it carefully to see that every part was sound, meanwhile selecting the necessary extra parts. The Brush's most serious fault was that it didn't hold enough gasoline for long distances in places where gas stations were few and far between. Fred had an extra gas tank built under the seat and in all we could carry 16 gallons. As the trip progressed, we took on extra gas every time we had the chance, so as to never run short of the precious fuel.</br> </br> </br> </br> car sound car part gasoline </br> </br> </br> </br> </br> </br> </br> He built a box on the back of the car which would carry oil, ax, tools, tires, rope, block and tackle, suitcases, spare parts, and the like. Then he put endless interliners in each tire so we could wear the tire through to them, then take them out and put them into new tires. Once we cut one tire badly on a rock, exposing the interliner and making a tire change necessary, but the other three went all the way to San Francisco with Denver air in them.</br> </br> </br> </br> car car part equipment </br> </br> </br> </br> </br> </br> </br> There was no room for a camping outfit, and we were forced to run the risk of finding accommodations along the way as best we could, though we carried an emergency hamper containing bacon, skillet, canned meat, crackers, coffee, chocolate, raisins, matches, medicines, and other items.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> We had been told by an Alaskan miner that chocolate and raisins make a substantial diet and will sustain life for days. We added chewing gum, which quenches thirst if water is unfit or absent, and we thought we could keep from starving for quite a time if the car broke down far from help or we got lost. We knew there were no road signs of any kind along the way, so we carried a compass and railroad maps.</br> </br> </br> </br> infrastructure car navigation map risk road </br> </br> </br> </br> </br> </br> </br> Back of our feet in the car were a shovel and an umbrella, ready for quick use. We dressed in serviceable, warm clothing, gauntlet gloves, and high, waterproof boots. At the very last, I added a silk face mask and goggles to my wardrobe. We each had a rubber coat that slipped over the head to protect us from rain, snow, and cold. We each carried a suitcase with one full change of clothes, knowing we could buy more on the way. We divided our money in case of emergency, and both of us had a revolver.</br> </br> </br> </br> car equipment safety </br> </br> </br> </br> </br> </br> </br> What directions we could get were very vague but we expected to get information on the way from old stage drivers, teamsters, and livery stable men. We knew that at this time of year we must avoid the Sierra Nevada mountains through Reno and Truckee, Nevada, and Donner Lake, California, where the whole Donner party had perished in the early days in snow so deep that the tops of trees showed in the spring where the party had peeled off bark to eat in a desperate endeavor to keep alive.</br> </br> </br> </br> navigation risk mountain tree </br> </br> </br> </br> </br> </br> </br> Friends told us later that they never expected to see us alive again, but they were wise enough not to fill us with forebodings. Fortunately, both of us had optimistic dispositions and did not anticipate trouble before we came to it.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> To send his nightly telegram to the factory, Fred carried an identification card ordering all Western Union offices to accept messages, to be sent collect. I took shorthand notes each day and sent letters to the factory when I could find time to use a writing pad and pencil. Maps were hung in a window at the factory and at all dealers' stores and little cardboard cars were moved along our route each time they heard from us. People passing the showroom windows would stop each day to see how far we had gone.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> We did not try to make fast time, because safety was our first thought. Fred went over the car carefully each morning before starting.</br> </br> </br> </br> safety maintenance </br> </br> </br> </br> </br> </br> </br> We left Denver September 28, 1908, stopping at the office of the Denver Post for a picture, then passed through Fort Collins on the way to Tie Siding, Wyoming; where we came to the Union Pacific Railroad. We followed it for days, near or far, according to the way the wagon road ran. At Tie Siding we got a late dinner and after much shifting about of sleeping children, we were given a bed.</br> </br> </br> </br> navigation road road side </br> </br> </br> </br> </br> </br> </br> We passed through Laramie before noon the next day and about 2 P.M. we stopped at a section house on the railroad and asked the only visible occupant, a woman, if she would serve us lunch. She prepared a meal and seemed glad to talk to us, being especially eloquent about her children, saying among other things that they had not been tardy or absent at school in the past year. I had seen no other building for miles so I asked where the schoolhouse was located and she naively replied, "Upstairs. We hire the teacher and the three children are the whole school." I gasped in astonishment at the wonderful record she thought they had made.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> As night approached and we had ridden many miles without seeing any sign of habitation, black clouds were gathering. We decided to try another section house on the railroad for food and lodging for the night, as we had no idea how far it was to the next town, Medicine Bow, but we knew there was a river which we did not care to ford after dark in such a small car. We found a Japanese man who looked at us in such a surly way, only grunting at our questions, that Fred said, "Let's get out of here," and we hurried out over the railroad track, feeling safer in the dark and storm. To cross the railroad we had to open and shut a wire gate on each side of the tracks. We couldn't see far beyond our dim headlights in the darkness and rain, and the feeling of loneliness was great. Finally we saw a tiny light to our right in the distance and Fred told me not to lose sight of it.</br> </br> </br> </br> car car part infrastructure train vision </br> </br> </br> </br> </br> </br> </br> We ran into a high road center and embedded the flywheel in the earth, but we managed to back out and soon were headed toward the light which shown from a rancher's window. It was about nine at night. A barbed wire fence halted us before we could reach the house. As I sat under the dripping umbrella, Fred walked along the fence until he came to an entrance near the house. A man opened the door, and very definitely refused to let us spend the night there, but after some urgent pleading on Fred's part he relented and told him how to drive the car into the yard.</br> </br> </br> </br> accident car car part road condition </br> </br> </br> </br> </br> </br> </br> I went into the house and sat down behind a warm stove, very meek, cold, and hungry while the men were putting the car under shelter. The rancher's wife was there, and when Fred came inside, he asked me, "Did you tell this lady we haven't had any supper?" I smiled and said, "No, I didn't." She got busy at once and soon we were enjoying an excellent meal.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> We never hurried the next morning after we had driven late the night before, so after breakfast we chatted about our trip and I enthused over the distant views, pure air, and delicious odor of the sagebrush after the rain. Then our hostess said, "I'll tell you now why we didn't want to keep you overnight. We have had so many easterners coming here late at night who were rude and disagreeable, cussing the roads, the climate, the people and everything in the state that we said we would never take in another traveler, but you are different and like it here." I had, unknowingly, won them over by my appreciation of some of the beauties of their locality. The couple ended by wanting us to stay a few days and go antelope hunting with them. It was with real regret that we could not accept their invitation, for they were fine people and we never have forgotten their hospitality during the storm in the first stages of our trip.</br> </br> </br> </br> affect rain East animal road condition </br> </br> </br> </br> </br> </br> </br> Within a mile after starting again, we forded the river where we might have had trouble after dark, and came to Medicine Bow. We had trouble through this section with the high road centers. The roads were sixty inches wide while our car was fifty-six inches, the regulation width, and the ruts were worn deep by wagon wheels so our flywheel did not always clear the ground beneath.</br> </br> </br> </br> car part river road condition </br> </br> </br> </br> </br> </br> </br> We were constantly worried that we would be stranded if our flywheel broke; we had no other with us. This was a desolate country and somehow very depressing, with clouds presaging a storm. This feeling was intensified as we passed the deserted town of Carbon, where open doors swung in the wind and paneless windows stared at us. In one window we saw the head of a horse, and in another we caught the partially hidden face of a man. We were glad to leave the desolate ruins and climb to higher hills, although we still sensed trouble around us.</br> </br> </br> </br> desert risk road side rural </br> </br> </br> </br> </br> </br> </br> The eeriness of the day was climaxed at Hanna, where we ate lunch, by the pervading gloom of the villagers. Upon inquiring what was wrong, we were told that a second mine disaster had occurred within the last few days and bodies still were being brought up out of the shaft. We were glad to move on, even if it might be to trouble of our own ahead.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> In mid-afternoon, the snow came down so thick and fast that I was kept busy clearing it from the top of the umbrella, which was being bogged down by the snow's weight. The roads, such as they were, were beginning to disappear under the blanket of snow and we had to crawl along, fearful of damaging the car on some hidden rock. Then we saw a section house, about dusk.</br> </br> </br> </br> road road condition weather </br> </br> </br> </br> </br> </br> </br> We stopped, determined to go no farther in the storm. We covered the car, took our suitcases and robes, and walked a half mile through the snow, ditches and sagebrush to Edison, as it was marked on the railroad map. A light flashed in a window—a beacon in the stormy night, reassuring evidence of habitation. At our knock, a smiling Japanese section boss opened the door and ushered us in.</br> </br> </br> </br> map car navigation </br> </br> </br> </br> </br> </br> </br> Although he was alone, everything was spic and span. His wife was coming from Kansas City the following week, and he had everything shining. He served us a meal, even making hot biscuits, which we enjoyed greatly after our cold day. He built an extra fire in the front room of the good-sized house so we could dry our clothes, but he had no bed for us. We had to sleep on the floor in our clothes, but our host brought out some new wool blankets to soften the floor. In the morning, Fred remarked that there were a lot of wrinkles in the Trinkles.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> But the storm was over, the sun was shining, and we were happy although a little sore from the effects of our hard bed. We ate breakfast, took pictures, bid the friendly Japanese goodbye after settling our bill, and waded back with our belongings to the car. It was shrouded in snow and canvas, just as we had left it. We uncovered it and started off.</br> </br> </br> </br> car sun weather </br> </br> </br> </br> </br> </br> </br> The sun had melted the snow, making the road so slippery we slid off several times, stalling often in the six miles to Walcott. We had to dig out the flywheel each time, shoveling earth and packing it under the wheels to raise the car and free the flywheel. We finally reached the town for lunch, wondering how far we could go that day over such roads. We were often in mud so thick that it clung to our boots so we could hardly walk.</br> </br> </br> </br> car part equipment mud road road condition </br> </br> </br> </br> </br> </br> </br> We had plenty of money, but what good did it do under these circumstances? If our car had been larger and heavier we never would have got through without a tow car, something which was unknown in those days anyway. But we never quite despaired as our sturdy little car kept chugging along.</br> </br> </br> </br> personification affect </br> </br> </br> </br> </br> </br> </br> That afternoon's journey was slow and monotonous. After dark we crossed the North Platte River on a bridge that careened so much I was afraid we might slide off into the stream; then we progressed along a muddy road on the sloping bank of the river to Fort Steele, a big, barren building. It was a relic of the old Indian fighting days, but we found that food and shelter were the most important things after a hard day's work.</br> </br> </br> </br> mud river road road condition road side </br> </br> </br> </br> </br> </br> </br> We reached Rawlins at noon the next day and had lunch in a quite pretentious hotel. Sandy roads slowed us up in the afternoon and we had to stop at Daley's, a big sheep ranch, for the night. We were made welcome by six young men who showed every possible courtesy. One young man was very anxious about a bad ditch we would have to cross the next morning. He offered to take a team of horses and pull us through, but Fred said the car was going every foot of the way under its own power. I believe they felt sorry for us because our car was so small, not realizing the Brush could get through places impossible for a larger automobile.</br> </br> </br> </br> car slowness risk rural road condition </br> </br> </br> </br> </br> </br> </br> We got stuck, just as the young man feared, and our shovel work could not extricate us, so out came the block and tackle. Hitched to the root of a big sagebrush, it slowly inched us up and over the bank of a deep, slippery ditch. This delay cost us an hour or more.</br> </br> </br> </br> equipment </br> </br> </br> </br> </br> </br> </br> After four or five miles Fred turned to me and asked if I had put the shovel back in the car and my heart sank when we found we had laid it down behind a sage brush and forgotten it in the confusion of starting. Every mile was gained with so much effort that we couldn't possibly think of going back for the shovel, because we could buy one at the next town if we were lucky enough not to need one before we got there; but here, again, we were to find that money did not avail us.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> It was always my duty, while Fred attended to the car, to scout around and gather up all our tools after we had stopped to work on the side of the road in Wyoming—and that was very often—so I felt the loss of the shovel was all my fault.</br> </br> </br> </br> car </br> </br> </br> </br> </br> </br> </br> We reached Wamsutter that night without needing a shovel, and we were confident we could buy a new one there. But we couldn't, for love or money. The Union Pacific Railroad owned everything in sight, and no one dared sell any of the road's equipment. We were pretty blue, because a shovel was an absolute necessity to us every day along the road. Nothing which had happened to us so far balked us so much as the loss of the shovel. Now we had nothing with which to dig ourselves out of high road centers and fill in bad places.</br> </br> </br> </br> equipment safety road condition </br> </br> </br> </br> </br> </br> </br> Just before we started the next morning, a man among the crowd around the car quietly told Fred that about a mile down the road he would see a railroad switch with a broom and shovel standing by it. Then he winked. We drove slowly with our eyes glued on that track, found the switch with its broom and shovel, quickly added the shovel to our outfit and were ready for any emergency once more. Now it was my concern that the handle, stamped U. P. R. R., was kept hidden back of my feet when we came to a town on this railroad, where keen eyes might see it and know it did not belong to us. This shovel saved us later in many places.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> We fought bad roads all day through the Bitter Creek country where we were warned not to drink the water or put it in the radiator because it contained so much alkali. The good water was brought in on tank cars, from which we filled our radiator. At night we found the road impassable because of mud and water, and I thought we were stuck there for the night. Fred and "Road Louse 2," as a facetious friend had dubbed our car, left the road and went bouncing on its coil springs over sagebrush and around rocks, while I held my breath and gripped the side of the seat in my endeavor to stay with them. We went over a hill and down, landing at a section house occupied by Austrians who spoke or understood very little English. We surprised them as much as if we had come down in an airplane.</br> </br> </br> </br> car car part mud risk road road condition </br> </br> </br> </br> </br> </br> </br> The woman asked how we got through the mud and where were our children, but my explanations seemed unsatisfactory to her. They gave us the best food they had, but we could scarcely eat it and I sat with my head in my hand, very tired and nauseated by the smell of the food.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Fred brought in our two canvases and put them on the bed for sheets—the woman had given up her bed to us, sleeping in the bunkhouse with the workmen. In the morning we left her well paid, but as soon as possible we threw away the thick coffee and hunk of bread she was determined we were to take for lunch.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> After leaving this place we had to use the shovel three times in the first mile, and put in a strenuous time over lonely country roads, reaching Rock Springs for the night. There we found a new hotel with steam heat, but we shocked the proprietor by asking him for a room with bath, and found there was no such thing in the building.</br> </br> </br> </br> road condition slowness </br> </br> </br> </br> </br> </br> </br> After leaving this place we had to use the shovel three times in the first mile, and put in a strenuous time over lonely country roads, reaching Rock Springs for the night. There we found a new hotel with steam heat, but we shocked the proprietor by asking him for a room with bath, and found there was no such thing in the building.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> After good food and a restful night at Rock Springs, we were quite ourselves again as we started another day's work. We ate lunch at Green River and continued, slowly covering ground in this barren land. About sundown we came to a river which high-wheeled wagons and long-legged horses could ford, and Fred was sure he could drive the car through it, but it was pretty wide with rapids and I walked over the railroad bridge, while he and the little car plunged into the water. The motor stopped in midstream.</br> </br> </br> </br> accident car infrastructure drive river rural bridge engine </br> </br> </br> </br> </br> </br> </br> Fred got out in water above his knees and cranked the car over and over but it would not start, so he called to me that he would walk back a half mile to a construction camp we had passed, and get a man and team to pull the car out of the river.</br> </br> </br> </br> car engine river </br> </br> </br> </br> </br> </br> </br> I sat on the further bank, cold, discouraged and hungry, looking at the river and hearing it gurgling around our few belongings in the car. It was nearly dark when a team appeared with a man riding one of the horses, and Fred waded into the water again, fastened the team to the car and it was soon on dry ground. Fortunately the water had not reached our luggage. It was a frosty night, so Fred had to open his suitcase and get into dry clothes before we could proceed.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> The engine started at the first turn of the crank and we wound our way in the dark over a road hemmed in by sagebrush, and after three miles came to a camp at Marston. The chug-chug of our motor brought out the whole section gang to see what was coming, and they gave us a noisy welcome. A double track was being laid and the block signal system was being installed on this division of the railroad, which accounted for the construction camps which were such a help to us.</br> </br> </br> </br> engine night pleasure road sound </br> </br> </br> </br> </br> </br> </br> The camp cook took us into his box-car kitchen and served us a most appetizing meal, including parker house rolls. The signal maintainer, a Scotchman, took us to his house, made a fire to dry Fred's clothes, and gave us his bed for the night. He was the only person on our whole trip who would not take any money. All he wanted was a postcard from us when we reached San Francisco, probably thinking we would never reach such a place. We always carried plenty of fruit to supplement our scanty meals, and we gave him some. He said it was a great treat. Later, when we reached San Francisco, we sent him a picture of the St. Francis Hotel, where we stayed.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Next morning, after a few miles we ran into that same river to ford again, but good fortune was still with us; there was another construction camp and gang. Fred went over to where they were working and bargained for a man and team which towed the car through the water, the man sitting in the car as proud as a king while he drove the horses. I walked over the railroad bridge again.</br> </br> </br> </br> car infrastructure river bridge </br> </br> </br> </br> </br> </br> </br> After the man was paid and given a cigar, he beamed all over and said, "I'll go back and tell the boys I've had an automobile ride." It was an eventful day for him, making extra money, getting a good cigar and having his first automobile ride even if the car didn't run under its own power. Being on the right side of the stream to suit us, we enjoyed a good laugh as he and his team waded back through the water.</br> </br> </br> </br> affect car pleasure </br> </br> </br> </br> </br> </br> </br> Fred put in the batteries he had taken off the running boards to keep them dry, and at the first turn of the crank the motor was chugging, ready to go. We neared Granger, Wyoming, at noon, but could not go into the village because there was no bridge across the river. We were told we would find one eight miles up the river if we followed the Oregon Short Line Railroad. This we did, stopping on the rustic bridge for lunch from our hamper, as no one was at home at a ranch where we had hoped to get a meal. There was hardly a sign of a road on the other side so we decided not to go back to Granger for our main road, but to go across the prairie toward train smoke we could see at times in the distance, keeping on the high ridges where it was smoother for the car. There was more or less uncertainty in this, but it was necessary at times that we should decide many problems by ourselves, so we took the risk. After an hour or so we came to a road; we followed it and it turned out to be the right one.</br> </br> </br> </br> car car part engine rural infrastructure navigation river road train scenery </br> </br> </br> </br> </br> </br> </br> We saw no building or person all afternoon. Late in the day, when everything was going nicely, we came to a small, innocent-looking brook but the track had been cut down so deep by high-wheeled wagons that we dared not try to ford it. We walked up and down the stream, searching for a place we could cross safely. Finally we selected a spot with a sandy landing on the opposite side, though the steep bank must be cut down before we could drive into the road.</br> </br> </br> </br> river road road condition </br> </br> </br> </br> </br> </br> </br> Feeling quite confident, we forded the stream and stopped the car on the sand while Fred leveled the high bank in front of us with the shovel, as I sat near and watched. When we went back to the car we found that the rear wheels and axle had sunk in quicksand and the car was resting on the body, perfectly helpless, and no help near for miles.</br> </br> </br> </br> accident car equipment river </br> </br> </br> </br> </br> </br> </br> We were utterly dismayed at the sight. When we fully comprehended the plight in which we found ourselves, we got busy. Fred unpacked the jack while I brought a flat stone from the stream on which to place the jack after he had dug out sand to make a place for it. I brought more stones and he packed them and dry earth he had dug from the bank under the wheels, rocking the car back and forth to pack the base solidly. We worked frantically more than two hours. Finally we started the engine and both of us pushed the car to solid ground and into the road.</br> </br> </br> </br> car maintenance engine road </br> </br> </br> </br> </br> </br> </br> We were wet with perspiration, so we put on warm wraps, never stopping for a morsel of food, and started on our way without knowing how far it was to a place we could stay overnight. What it would have meant to us to see just one road sign pointing some place!</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> There was a fair road with a telegraph line to follow, and a full moon overhead. Many times we thought we saw a light but it faded away before our eyes, leaving us bewildered and uncertain. About eleven o'clock, Fred stopped the car and asked me if I saw anything or if there was an optical illusion. It looked like an iron bridge a little to one side of the road, but it appeared so fairy-like in the moonlight that we doubted our eyes, so we stopped the car and walked over to see if it was a real bridge or a mirage. It was real.</br> </br> </br> </br> infrastructure car night bridge road road condition </br> </br> </br> </br> </br> </br> </br> We left the road and drove over the magic bridge, eventually coming to the little town of Carter, where we got a room at what seemed like a hotel. It was so late we didn't dare ask for a meal, so we lunched from our hamper and dropped into bed worn out.</br> </br> </br> </br> driving metaphor infrastructure </br> </br> </br> </br> </br> </br> </br> DIFFICULTY GOING IN THE MOUNTAINS OF UTAH</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Next day, on our way to Evanston, we stopped to choose between two roads. Fred thought we should take the one that went down into a gulch or river bottom, while I urged that we keep to higher ground, because if we made the descent, sometime we would have to come back to a higher level. We sat there pondering for a while, for we could not afford to take the wrong road, when, looking behind us, we saw a man on horseback coming up the gulch. We ran back and hailed him before he could get out of sight. He saw us, stopped, waited for us to reach him, and told us to keep to the higher road. All day long it seemed that a miracle had happened just when we were in our worst straits.</br> </br> </br> </br> navigation road river vision </br> </br> </br> </br> </br> </br> </br> We had an easy trip to Evanston that day, near the edge of Wyoming. We had been ten days crossing this state that motorists now cross in a day. We found good accommodations at Evanston, but when we asked for a room with bath, we were told the bathroom was packed full of stored goods and could not be used. We got a good laugh out of that.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Next morning, as we climbed a long grade to the top of the Wasatch Mountains, a dozen or more cowboys on their ponies surrounded us, lighting cigarettes, laughing, fixing saddles, in front and then behind us until we began to get nervous, wondering what they were trying to do. Just before we reached the top of the hill, one of them reined in his pony, faced us and said, "I guess you won't need us to pull you up this hill."</br> </br> </br> </br> driving mountain affect </br> </br> </br> </br> </br> </br> </br> "We never would have gotten this far if we did," Fred answered.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> We decided they thought our car would get stuck in the deep sand on the steep grade and they would have some fun pulling us out, but the car had crawled along slowly and steadily, spoiling their fun.</br> </br> </br> </br> car driving mountain road surface slowness </br> </br> </br> </br> </br> </br> </br> As we started down Weber Canyon, Utah, we saw a tiny stream of water which, by the time we left the canyon that night, had become a roaring stream of water, rushing out to the valley between towering cliffs. Weber Canyon was beautiful in its immensity and autumn coloring, but a sucking, sighing wind made us fearful, and we hurried down the narrow roads past Mormon towns in the valleys, and out by the side of the noisy river, reaching Ogden late that night.</br> </br> </br> </br> fall river road rural scenery wind </br> </br> </br> </br> </br> </br> </br> We carried signs on the Brush—"This car climbed Pike's Peak"—"From Detroit to San Francisco," and the like. Before we could remove our wraps at the hotel, reporters besieged us for information concerning our trip. We also received a call from a couple in the city who owned a Brush Runabout, and they used all kinds of persuasion to get us to stay a few days and visit a beautiful canyon with them, but Weber Canyon had quenched our desire for more canyons at that time and we were bent on moving as fast as possible. However, we did appreciate this courtesy in a strange city.</br> </br> </br> </br> affect car personification </br> </br> </br> </br> </br> </br> </br> We found a bathroom in this hotel at Ogden, but could use it only by paying extra. We stayed in Ogden half a day, sending and receiving mail. Then we were on our way to Promontory in the afternoon through a fitful wind and under threatening skies. A single Mormon family lived there, but they kept travelers. We stayed with them two days during a rain, meanwhile hearing much about the bad roads ahead of us around the edge of Salt Lake. We were told we would have to drive on the railroad tracks to get through, but we thought this was a bit exaggerated. We were glad for the chance of a rest at Promontory, which gave us a chance to catch up on our correspondence.</br> </br> </br> </br> navigation road condition wind weather </br> </br> </br> </br> </br> </br> </br> We heard there were three feet of snow in Weber Canyon, which we had just come through, and were most thankful we had wasted no time on the way.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> A golden spike was driven in the railroad at Promontory May 10, 1869, to celebrate the connecting of the Union Pacific and the Central Pacific railroads, thus completing the first transcontinental railroad in the United States. The spike had been removed, but a large signpost gave the date of the event and we were shown where the spike had been.</br> </br> </br> </br> traffic sign train </br> </br> </br> </br> </br> </br> </br> Soon after leaving Promontory, we got into such bad gumbo mud we were glad to back out, after much trouble, and drive on the railroad track as we had been told we would have to do. There were three trains a week on this road to hold the right of way (the main line had been built across Salt Lake). Since this was not a train day, we drove over the road bed and ties, stopping often, as the bumping from tie to tie set our car bouncing on the coil springs, endangering the flywheel. Once two wheels slipped off the tie-ends into the mud and the car hung on the inside of the rail by the other two wheels, at an angle of thirty degrees. We worked with old ties and sticks to raise the wheels from the mud, finally getting them on the ties again. We drove all day in a fog, never stopping for lunch, and made all of 17 miles.</br> </br> </br> </br> accident risk driving train mud road condition </br> </br> </br> </br> </br> </br> </br> Toward evening a section boss met us and ordered us off the track, under penalty of arrest. We were tired, wet, and discouraged. I looked down at him from my side of the car and said, "I guess being arrested wouldn't stop us any longer than that mud would." He smiled and said he guessed it wouldn't, but for us to get off as soon as possible, for the dirt road was better now. Fred told him we would be only too glad to get off, because the bouncing over the ties was getting the best of us. In a short time we found a crossing and drove onto a road which was none too good. When we came to a box car, a woman greeted us and, realizing this was a last desperate chance for a night's lodging, I asked her if she would keep us overnight and she agreed.</br> </br> </br> </br> road road condition car </br> </br> </br> </br> </br> </br> </br> We never thought of those three cars on the siding as the home of the section boss, so when he came home from work there, we were, warming and drying ourselves at the stove. They were a charming couple and we all had an enjoyable evening. We were a little crowded for sleeping quarters but the next morning they urged us to stay over and go duck hunting on Salt Lake, which was in full view of their box-car home. However, we could not tarry for amusement.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Luck had favored us here, for a train had left the three cars the night before, and the cars would be moved the next day. These people refused to take any money for entertaining us, as others had done, but Fred always left some money on the table. They were wonderful to us and to find food and shelter, far from any habitation, on a cold night was a blessing, and we were only too glad to pay for it.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> My face mask came into good use around Salt Lake, for the air was filled with gnats in the mornings, but Fred thought it was ugly, so I removed it whenever we passed through towns.</br> </br> </br> </br> air lake scenery </br> </br> </br> </br> </br> </br> </br> Our next stop was Kelton, 17 miles away, but we found low ground with mud and water all the way. Travel was slow, with the car very erratic in starting and stopping. Fred couldn't find the reason although he fussed over the car, hunting for the trouble in every conceivable part until he was worn out tramping around the car in the mud.</br> </br> </br> </br> car mud road condition slowness </br> </br> </br> </br> </br> </br> </br> We never had had any mechanical trouble with the Brush, and its actions were a puzzle. Late in the afternoon the car took another rest. Fred dutifully alighted and began another search. Suddenly he announced he had found the trouble. My spirits rose at once; all I had been able to do all day was sit and worry when the car stopped and enthuse when it mysteriously started again. The trouble was a simple thing, but it had made the day tragic for us. The insulation was worn through on a wire under the machine, short circuiting the engine when the bare wire happened to touch the metal frame. Locating it was the difficult part, but a little tape remedied it and the car was itself again, fairly spurning the worst mud of the day with its wheels and bringing us to Kelton and a railroad for a Sunday night cold lunch, though we persuaded the waitress to augment it with some hot soup. There was a smug crowd of clerks, teachers, and the like at one table, with not a thought beyond food. They sat there in their Sunday best as we entered dressed in our soiled traveling clothes. They looked at us as though we were something the cat had dragged in. That didn't bother us in the least because we had completed another lap on our journey, with food and shelter for the night, and our trusty car waiting to go at the turn of the crank.</br> </br> </br> </br> car car part maintenance mud </br> </br> </br> </br> </br> </br> </br> We had hoped to make Lucin the next day, but heavy sand held us back through a barren land—the only human being we saw that day was a man driving a flock of sheep. We camped by the roadside for lunch from our hamper, frying bacon and making coffee. That night we stopped at a sheep ranch, the owner coming in late at night with the flock of sheep we had seen on the road. We spent a good night there, little thinking what was to be ahead of us before we slept again.</br> </br> </br> </br> agriculture road condition rural slowness </br> </br> </br> </br> </br> </br> </br> From here we found many dry ditches, one so deep that we considered building it up from the bottom but that would mean we would have to go through soft earth, so we decided to try it as it was. I walked ahead, afraid to watch the car go down into the ditch, but as I heard the continuous chugging of the motor, I looked around in time to see it slowly crawling up and over the edge after an attempt no big car ever could have made successfully. Can you wonder we came near to loving that loyal car?</br> </br> </br> </br> car engine sound </br> </br> </br> </br> </br> </br> </br> We reached Lucin, at the west end of the railroad across Salt Lake, for a late lunch. In a small restaurant with uninviting food, the waitress warned me several times, in a very low voice, about a high, pointed rock in the middle of the road and hidden by weeds, that had proved most disastrous to a local automobile party the week before. I thanked her silently many times afterward for her warning, though I paid little attention to it at the moment.</br> </br> </br> </br> road risk road condition </br> </br> </br> </br> </br> </br> </br> After lunch a well-dressed man gave us directions, pointing up a hill. It was long and steep and we climbed it slowly. I noticed a crowd watched us from below near the restaurant, but I thought nothing of it at the time because so many people were surprised to see the car climb steep grades.</br> </br> </br> </br> navigation slowness </br> </br> </br> </br> </br> </br> </br> After driving for a couple of hours, Fred stopped the car, got out his compass and map, consulted them and said, "We should leave Salt Lake at Lucin, but here it is on our left, with a mountain range on our right. We must turn around and go back to Lucin."</br> </br> </br> </br> car driving mountain map navigation </br> </br> </br> </br> </br> </br> </br> We couldn't understand where we had gone wrong, although we had commented on an increasing steepness and roughness of the track. We had come down hills so steep that when we went back I walked behind the car carrying a rock to block a rear wheel when Fred stopped to speed up the engine on these hills, so that if the brake didn't hold, the car wouldn't start rolling backward. When the car started, I would pick up the rock and follow to be ready when he stopped again, and so on, to the top of the hill, when I would drop the rock and get into the car.</br> </br> </br> </br> car part road condition engine navigation driving skill safety </br> </br> </br> </br> </br> </br> </br> When we got back to a sheep herder's wagon that we had seen in the foothills earlier in the afternoon, Fred walked through the flock of sheep to the wagon where the herder had just lit a candle. He said we should have stayed in the valley and must go back to Lucin to get on the right road. We were pretty discouraged, and to add to our troubles, the car came to a stop a few miles further on. Upon investigation, we found that a pin was lost out of the propeller shaft and, since we had no other and could not find this one in the dark, we were obliged to camp there for the night, though it was cold and snowing. There was dry wood all around us, so we built a fire for light as well as warmth, pushed the car up into a tall juniper tree after cutting off some branches, spaded up the sand and put some canvas on it for a bed, using the car cushions for pillows, and hung up some more canvas on the side of the car and tree to keep off the wind. We ate a little lunch from our hamper and our chewing gum came into good use, as we had no water except that which we drained from the radiator for fear of freezing. That was not fit to drink, so we carefully conserved it for the next day.</br> </br> </br> </br> road accident car part navigation rural scenery equipment temperature weather </br> </br> </br> </br> </br> </br> </br> We were carrying a five-gallon milk can to use in Nevada, but had no need to fill it yet, as water was not scarce along the railroad. Fred put me to bed first, clothed in all my warm things including cap, gloves, and boots. He covered me with robes and shoveled sand on the canvas over my feet to keep out the cold wind, and put the umbrella over my head to keep off the snow. I fell asleep almost at once and when I awoke, Fred was sitting by the fire. It was four o'clock and he said he dared not go to sleep because the wind blew the sparks everywhere, and he had been busy all night extinguishing sparks around me and the car, some sparks even catching in the resinous twigs above us.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> I made him take my place for a few hours and I sat down to watch the fire. When it got light enough to see, I went back to search for our lost propeller shaft key, a piece of steel a quarter inch square and four inches long. I found it some way back where the car had come to a stop, and it was imbedded in the sand where we had stepped on it while searching in the dark.</br> </br> </br> </br> car car part </br> </br> </br> </br> </br> </br> </br> So I had good news for Fred when he awoke. After breakfast he put the car into commission and made the only tire change on the trip. We were just ready to start when a covered wagon appeared carrying three young men going prospecting. They stopped to find out what we were doing there and after hearing our story, one of them said that evidently the man at Lucin didn't believe our car could climb the hill and we would have to come back, when he would have the laugh on us and then put us on the right road in the valley. The young man said there was nothing, not even water, for more than a hundred miles the way we were going, and that probably we would have lost our lives.</br> </br> </br> </br> car car part maintenance navigation risk </br> </br> </br> </br> </br> </br> </br> One of the men knew of an old road around the foot of the mountain and took Fred to show him where he could get on to it. Our car pushed its way between shrubs and overhanging trees until we came in view of the valley and down to the road. We were thankful for help in time of need.</br> </br> </br> </br> car mountain rural navigation tree safety </br> </br> </br> </br> </br> </br> </br> Then I remembered the warning the waitress had given me the day before about the rock in the middle of the road, so we saw it in time although it was nearly hidden in the weeds, and gave it a wide leeway, saving ourselves a bad crack-up that probably would have ended our trip right there.</br> </br> </br> </br> risk road condition </br> </br> </br> </br> </br> </br> </br> We were sorry we didn't again meet the man who had given us the wrong directions. I often have wondered what he and his friends thought as they saw us climb the hill and go out of sight down that barren, uninhabited, waterless valley in a little car with no camping outfit, no sign of any food, and probably not any quantity of gasoline. He had put our lives in jeopardy just to be funny, had missed his laugh, and might have let us ride to our deaths. It was only Fred's careful study of maps and the lay of the land, with his keen sense of direction, that saved us in time.</br> </br> </br> </br> rural risk gasoline map </br> </br> </br> </br> </br> </br> </br> Reaching Tacoma, Nevada, for lunch, we found a family hotel and had a chance to wash away the traces of our night's camping and enjoy a real meal. We left the town, never thinking we were to return there two more times, the last visit taking several days.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> A man pointed down a road but it took us through a marshy field and we could find no way through, so we came back to Tacoma late in the afternoon for further directions, and the man said we should have turned but he had not told us, and there were no signs of any kind. It was late, but Montello was only seven miles away and we decided to continue that evening because we had lost so much time the day before, so we left Tacoma the second time.</br> </br> </br> </br> road navigation road condition traffic sign </br> </br> </br> </br> </br> </br> </br> About halfway to Montello the car came to a stop. One look under the hood was all that was needed. Three teeth were broken out of the timing gear. That meant three things: First, to get a team to tow the car into Montello, for we were determined to keep advancing; second, to get a new gear from the factory; and third, a long wait, perhaps making us get to the Coast too late, although we still were on the main railroad and that was in our favor in getting the gear from the factory. So much had happened in the last twenty-four hours, and now to have our cheerful little car silent and still was tough luck.</br> </br> </br> </br> accident car part risk </br> </br> </br> </br> </br> </br> </br> I had to stay alone with the car while Fred walked to Montello for a team, if such a thing existed there. It was almost dusk, but I preferred no light on the car to call attention to me as I curled up on the seat with my revolver tucked under the robes. He started down the road for help. Evidently the little car was not going every foot of the way on its own power, even if we had good roads now. Indian campfires gleamed in the distance, coyotes yelped and answered each other from all sides, and the railroad might produce a tramp.</br> </br> </br> </br> animal car part Native American road road condition </br> </br> </br> </br> </br> </br> </br> These were not happy surroundings after dark. The hours passed slowly and the night was dark, and it seemed the car and I were deserted out there on the prairie among the sagebrush, when about ten o'clock I heard a harness chain rattle in the distance and knew help was on the way. A great relief came over me, although I don't think I had been in any danger. There was only one team in the town. When Fred located the driver, he was eating dinner and refused to stir until the horses were fed too. Fred could only sit and wait patiently until the man was in the mood to start, then he walked the horses all the way to the car.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> HOSPITALITY SHORTENS A LONG WAIT</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Montello was a small place, the end of a division on the Union Pacific. Its hotel had recently burned down and the crude rooming house which took its place was so open and cold the water froze in the water pitcher every night. The Japanese restaurant proved so unsatisfactory we could not eat there. Fred spent the forenoon sending to the factory for a new gear and trying to get the car under shelter, but there was no place for it and we had to leave it outside, trusting to the honor of the inhabitants.</br> </br> </br> </br> car part road side </br> </br> </br> </br> </br> </br> </br> While scouting around, Fred found that the railroad company had a dining car there to serve meals to the train crews as they came in from their division runs, so he made arrangements for us to have our meals there.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Among his discoveries, he found that there was one piano in the town, and the owner and his daughter invited us to their home for the evening for some music. We went, but the piano was so out of tune it could not be used. A tuner from Ogden, across Salt Lake, would cost forty dollars, and since the girl did not play anyway, they had done nothing about it. The middle C was down a tone, and others nearly as bad. The owner loved music, and we sat there rather dejected when Fred, a resourceful chap, suggested we tune the piano with his monkey wrench. I was used to tuning a violin. I objected at first to what seemed like a ridiculous idea, but the man was delighted and urged so insistently that I finally relented. The front of the piano was off in no time, and I warned Fred to turn the pegs that held the wires very carefully as I plucked the strings. I was fearful of a wire breaking, but after the third tuning the pegs held and the instrument sounded fine. The man was delighted, and brought in a box of candy from his store, and we played and sang what could be remembered, there being no sheet music.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Not enjoying our cold room and remembering the comfortable family hotel in Tacoma, we decided to go back there and keep warm while we were waiting for the gear. The express agent promised to send us word as soon as the gear arrived, so we packed our suitcases, took the noon train, and arrived at Tacoma the third time. There we had regular meals, a room with a stove, and plenty of fuel.</br> </br> </br> </br> car part temperature train </br> </br> </br> </br> </br> </br> </br> There was a copper mine in the mountains back of the hotel which gave this place considerable patronage and kept it in existence. We enjoyed the quiet and rest we had there, and were better fitted when we left to continue our trip. One day an Indian woman who was cleaning windows got up the courage to ask, "Where you come? Where you go?" I could not make her understand, and after a long look from her beady eyes she merely snorted, "humph!" The Chinese cook was very happy this same day, laughing when he saw me, saying, "We have chicken on the fence tonight."</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> I had no idea what he meant, so I just smiled. In the evening people began arriving and putting children to bed until I began wondering if each mother ever would find her own child. No one introduced me as I sat and watched the crowd until a white-haired old man with a violin under his arm appeared in the doorway, peered about the crowd, and asked if the lady who had played the piano in the afternoon was there. I asked if he meant me, and his face lit up as he asked if I would try and accompany him on the piano. Here was another piano no one knew how to play!</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> My father had played the violin and for years I had accompanied him on the piano, so it was a real pleasure for me. The old man's face was serenely happy as I followed him in some of the same pieces I had played with my father, but this man put in his own improvisations and kept perfect time. Presently some men rolled the piano into the empty dining room, and I discovered a crowd had gathered there for a dance, and from then on the old violinist and I were busy while feet kept time to our music, the piano having taken the place of the usual mouth harp. Between dances the old man told me had been a prospector for years, and that someday he would find a gold mine and become rich. His daughter and grand-daughter were dancing on the floor, but the miner's hope of gold still lived in his heart and anticipation showed in his eyes.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> I found out what the Chinese cook meant in his remarks about chicken; it was served, not on the fence, but on the table, and was accompanied by other good things to eat. Everyone made us feel at home. After the grown-ups had eaten, the table was reset and every child was awakened and brought out to eat, then put back to bed. After the meal, the tables were removed and the dancing began again. Later a stranger offered to take my place. I gladly relinquished it and went to bed. I do not know how long the party lasted, but some of the people were there for breakfast when we came down in the morning.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> On the ninth day of our wait, word came from the express man that the gear had arrived, so we went back to Montello after lunch. In two hours Fred had the gear in, the engine timed, baggage packed, and we waved good-bye to our friends. We stayed that night in Cobre, Nevada.</br> </br> </br> </br> car part maintenance engine equipment </br> </br> </br> </br> </br> </br> </br> We left the main railroad there to avoid possible snow at the California border, spending an uneventful day through a sparsely settled section of Nevada. On our way we saw steam coming from the earth in a circle, perhaps a mile in circumference, which caused much speculation on our part. We reached Cherry Creek that night and Ely about two o'clock the next day. There we went directly to the post office where we expected mail, and while Fred was inside a well-dressed man wearing a wide rimmed, black hat examined the car and its signs, then came up to me and asked if we were going on that day and if we knew the route. I told him we were going to the restaurant first, then get our directions and go some distance, if possible. He introduced himself as the guide for the famous Thomas Flyer car which had gone through that section a few months previously, while competing in the New York-to-Paris road race. He said he would be glad to go with us to the restaurant and give us full directions while we were having our meal. I thanked him and said we would be pleased if he would do so.</br> </br> </br> </br> navigation weather car </br> </br> </br> </br> </br> </br> </br> When he joined us at our table, we felt acquainted at once, since he knew drivers and automotive friends of ours. He gave us much valuable information besides drawing a crude sketch of our roads and the ones we must avoid on the way to Tonopah, a distance of 250 miles with no place to get gasoline on the way.</br> </br> </br> </br> driver gasoline road map navigation </br> </br> </br> </br> </br> </br> </br> There were two ranch houses where we could stay overnight, and he advised us to carry all the gasoline possible when we left Ely. We greatly appreciated his help and in consequence we took extra precautions, laying in food and fruit, looking over the car to see that everything was in good condition, filling the tanks with gas and carrying on each running board a five-gallon tin can of gasoline for use when needed. In all, we carried 26 gallons.</br> </br> </br> </br> car gasoline navigation safety equipment </br> </br> </br> </br> </br> </br> </br> We left Ely about three in the afternoon, expecting to reach Barnes's ranch that night or have to camp out, as there was no habitation along the way. We could reach out and touch snow in many places along the eight miles to the top of Murry's Canyon. The truss rod on one side broke as we were climbing, allowing the rear axle to move forward, thus loosening the chain, which came off the sprocket teeth.</br> </br> </br> </br> accident car part weather </br> </br> </br> </br> </br> </br> </br> Fred cut a small tree the right length and size with his hatchet, notched it to fit where the truss rod should go, drove it into place to hold the axle firmly, and we were on our way again. He had to repeat this procedure several times, finally carrying several pieces with him as they kept splitting. We reached the Barnes ranch long after dark.</br> </br> </br> </br> car part maintenance rural </br> </br> </br> </br> </br> </br> </br> A man cooked us a meal there. Many Indians were around the place. Our principal thought was to get an early start the next day, but Fred took time to go to the woodpile, where he found a piece of broken doubletree of hard, tough wood from which he shaped a substitute for the broken truss rod. It lasted more than 200 miles across a desolate section of Nevada. Perhaps Mr. Briscoe had been right to call him resourceful.</br> </br> </br> </br> car part maintenance Native American </br> </br> </br> </br> </br> </br> </br> We came as near to catastrophe this day as any time on our trip. It was uneven country with some steep hills, and on one I walked behind the car carrying a rock to block a rear wheel when necessary. The roads often followed creek or river bottoms on the climb to the summit, where the mountains usually broadened out before the descent on the other side. But on this one, the descent began as soon as we reached the top, and on a curve we had to avoid a bad rock that towered in the center of the road.</br> </br> </br> </br> road car part mountain river road condition risk scenery slowness </br> </br> </br> </br> </br> </br> </br> The brakes were slow in taking hold and we were headed for the rock when Fred, with a supreme effort, brought the brakes into concerted action with the steering gear, missing the rock by only a few inches.</br> </br> </br> </br> car part driving driving skill risk </br> </br> </br> </br> </br> </br> </br> There was utter silence between us as we started down the steep road in Currant Creek, and when we dared look at each other, we saw that each was white as a sheet. We passed one house on our way down into a level valley which had a hazy mountain range on the farther side. That day we saw only one man, and he was raking rocks out of the road. He seemed quite out of place, but we decided he had come from a mine in the hills. We stopped to ask him directions and, as we were eating fruit for lunch, we gave him an apple. He asked more questions than we did, but he told us to keep straight down the valley until we came to a road that turned directly toward the mountain, fifty miles across the valley, and that by going across this valley we could come to Twin Springs ranch, where we could stay for the night.</br> </br> </br> </br> navigation mountain rural scenery risk road </br> </br> </br> </br> </br> </br> </br> There was no sign of civilization for miles, and the area wasn't a nice place in which to break down or run out of gas. I doubt if we would have found the proper road if this man hadn't been working on the road on this particular day, and so was fortunately in a position to direct us.</br> </br> </br> </br> risk gasoline road scenery navigation </br> </br> </br> </br> </br> </br> </br> It was sunny weather and we had good natural roads. We kept putting the miles behind us and kept nearing the hazy mountain until we were around the foot of it and in another valley. It was ten o'clock at night when we came to some haystacks and buildings which we could hardly tell apart in the dark. Fred's knock was answered by a voice saying they didn't keep people overnight. After some argument, Fred threatened to sleep in the haystack if they didn't let us in. When the man discovered there was a woman outside, he came to the door partly dressed, with a candle in his hand, and agreed to get us a meal and let us stay overnight, but he said there was no bed for us. We found he was only the cook—a surly old Englishman. The others at the ranch were away, driving cattle to Tonopah. He must have seen how tired we were, for after a substantial meal he said he didn't think anyone would be back that night and that we could have the extra bed. There wasn't a white sheet on it, but everything was clean and of good material, for which we were thankful. Soon we were fast asleep.</br> </br> </br> </br> sun weather road agriculture driving mountain road condition affect road side scenery sun </br> </br> </br> </br> </br> </br> </br> When we appeared in the morning, the cook was getting breakfast, and asked Fred to go outside with him and bring in the meat. Fred returned with a grin on his face and a hind-quarter of beef on his shoulder. He carefully laid the meat on a table and the cook cut off immense steaks for our breakfast, which we ate ravenously in preparation for a long day's ride to Tonopah. When he found I had lived in Smoky Valley, Nevada, and visited the A. B. Millett family, who were old friends of his, he changed from a cross cook to a genial host, telling us about the hot springs we would pass on the road that day, showing us the twin springs from which the ranch got its name, and giving us directions so that we had no trouble all day. We brought some of the outside world into his life for a short time, and I don't believe he ever forgot us, besides being paid well for his extra work.</br> </br> </br> </br> navigation </br> </br> </br> </br> </br> </br> </br> After fifteen miles we came to the hot springs steaming out of the ground and rocks. There is always an uncanny feeling about an earthquake or steam coming out of the ground. We stopped, and Fred took off his shoes and stockings and waded around in the water as I took pictures. Indians came here from miles around for hot bath treatments, running the water from pool to pool as they wanted different temperatures.</br> </br> </br> </br> scenery </br> </br> </br> </br> </br> </br> </br> We passed through a rolling section of the state, coming down into a level valley that led us straight across to staked mining claims, probably located during the mining boom, but looking like monuments now. Soon we were in the town of Tonopah, mostly a one-street village. We found a room with a promised bath, but at ten o'clock at night we were informed that the water could not be heated. We had become accustomed to excuses like this when we asked for a bath, so we were not surprised or disappointed.</br> </br> </br> </br> driving road side valley </br> </br> </br> </br> </br> </br> </br> Fred found a garage in Tonopah and the proprietor allowed him to use the machinery to repair the broken truss rod. We stayed here half a day, picking up mail and meanwhile changing our plans. From here we had expected to go south through Goldfield, Stovepipe, and Skidoo, but we were warned we would find sand on the edge of Death Valley, below sea level, where we would have to be towed ten miles by a team at the cost of $40.</br> </br> </br> </br> car part maintenance valley risk </br> </br> </br> </br> </br> </br> </br> Because of the extremely low level, which affects me seriously, Fred began to make inquiries in Tonopah, seeking another route into the southern part of California, and was told there was a horse-and-cart trail used by a power line rider, going west. He consulted the power line officials about taking this road and they said a rider with a horse and cart went over this road three times a week, weather permitting. They telephoned and found there was no snow on the passes and fair weather was predicted, so we decided to go that way, avoiding the deep sand below sea level and saving the towing bill.</br> </br> </br> </br> navigation road road condition weather animal </br> </br> </br> </br> </br> </br> </br> We went straight west over uneven country, crossing a dry borax lake where the 98 percent—pure substance was shoveled up and shipped for commercial use. There was no one living on the way, and the trail was hardly visible at times. In one place we could find no track over a bank and hunted for a suitable place to make the plunge over the edge. Then Fred made me walk ahead to avoid the worry of having another person in the car while he steered it down. He hoped the sand at the bottom would assist him in slowing and stopping, which it did, so we were able to continue on our way intact. Such risks had be taken, for there was no help near for miles—and no turning back—consequently we went through some anxious moments at times, and our nerves got a little frazzled.</br> </br> </br> </br> West driving car resource extraction risk road condition </br> </br> </br> </br> </br> </br> </br> That night we came to Silver Peak, a famous mining camp of early days, with hot springs and bath houses, but it was dark when we arrived and we did not discover them until morning when we were ready to leave. Around here, the ground was strewn with black rock, very much like soft coal or slag, which looked to us as if it had come from a volcano, but we had no idea we were near the truth. When I went outside in the morning, the first thing I saw was an extinct, gray-sided volcano looming high above the green mountains not far from the town. It looked like a big cup and was so old and menacing in a beautiful world it had not been able to destroy, that it fascinated me, and as we left in the morning I couldn't take my eyes from it until it was behind us, and then I was sorry to leave it.</br> </br> </br> </br> road side scenery </br> </br> </br> </br> </br> </br> </br> Before leaving, our host took me out and showed me a rocky knoll that he said in early mining days would be covered with rattlesnakes that came out to sun themselves, and the glitter of their bodies could be seen a long distance as the sun shone on them. One miner began shooting them and saving their rattles, until he was able to send a peck of them to Tiffany's in New York.</br> </br> </br> </br> animal </br> </br> </br> </br> </br> </br> </br> This morning, word came that William Howard Taft had been elected President, this being the day after the 1908 election. We went through an uninteresting, sagebrush-covered land, reaching California at Oasis, a ranch house and store with nothing near it for miles. Two young men were eating lunch but curtly refused to serve us a meal, not even a cup of tea for me. Upon inquiring the price of gasoline, one man said shortly, "Gasoline is a dollar a gallon. How much do you want?" Fred quietly replied, "None. We have plenty."</br> </br> </br> </br> agriculture gasoline scenery West </br> </br> </br> </br> </br> </br> </br> When they came out of the store and saw our automobile with its signs, they woke up and began asking questions, but we got in the car as they declared that no auto had ever been over the road, and that no auto could get through. We paid no attention to them and drove away as they stared in astonishment. They watched us out of sight, probably expecting us back before evening. We went through sandy valleys and over summits until at dusk we found ourselves climbing between towering bluffs with stars peeping at us through the opening at the top. On the broad summit other roads converged on ours, and soon after we started the descent, we were flagged to a stop by a man with a red lantern. He demanded seventy-five cents toll, which we gladly paid.</br> </br> </br> </br> affect car mountain road scenery </br> </br> </br> </br> </br> </br> </br> He said the road down the mountain was good but narrow and steep, and that we would find good accommodations in the valley. We took it slowly, because it seemed the rocks reared their bulk to oppose us in the dark, but as we came to them, there always was a good road around them, though I found myself bracing my feet for a bump that never came. We realized that this passage was never meant for an automobile and that more than once the Brush Runabout had rushed in where a long-wheelbase car would have feared to tread. We reached a railroad at Big Pine in Independence Valley, where much later all the traffic went that way, the road having been built through and the man who had made his living towing autos through the sand at the edge of Death Valley had moved away, there being no business. Years later we learned that the Brush was the first car to go from Tonopah, Nevada, to Big Pine, California, on that road.</br> </br> </br> </br> infrastructure mountain road pioneer road condition scenery </br> </br> </br> </br> </br> </br> </br> SUNNY CALIFORNIA-THE END IN THE WEST</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> We were now east of Mount Whitney, the highest point in the country, and we must go a hundred miles south to find a lower mountain to cross. We had level roads and warm weather and enjoyed our ride through Independence Valley where workers on the mountainsides were constructing a $49,000,000 aqueduct to carry water to Los Angeles. We had a little experience with deep sand in this valley at the edge of the Mojave Desert, getting into a spot where our wheels went round and round without moving the car. We could have deflated our tires and pumped them up by hand, but we thought it easier to get out our two canvases, spread them on the sand, and run the car on them, then carry one ahead, spreading it in front of the car and driving onto it, and so on.</br> </br> </br> </br> mountain affect driving car part road road condition temperature weather </br> </br> </br> </br> </br> </br> </br> Some Indians hooted and jeered at us, getting a great kick out of seeing us work, but we laughed with them because we were making slow but sure progress and would soon be gone. We were two days in this valley, turning west at Coyote Park to go over a low range of mountains.</br> </br> </br> </br> affect pleasure Native American mountain </br> </br> </br> </br> </br> </br> </br> The odor of fried bacon led us to three loads of hay, with the wagon drivers camped by the roadside. They were on their way to the aqueduct workers with their teams, as trucks were rarely thought of then. The men aroused from their beds in the hay and waved us a greeting, evidently surprised to see the little car scampering across the hills in the dusk. This was a weird evening, passing tall cactus plants, yucca plants, and Joshua trees in the moonlight, coming down into a mountain-enclosed valley where cattle were so frightened at us we slowed to a snail's pace so they would not injure themselves, running away in panic. We found an exit where a river flowed out into another valley, and came to Onyx, which consisted of a store and post office with a southern California ranch house.</br> </br> </br> </br> affect animal car mountain plant road side scenery night river slowness tree West </br> </br> </br> </br> </br> </br> </br> The family was not at home but a Chinaman cooked us a late meal, breaking out every few minutes with a chuckling laugh. He was quite confused when he couldn't find the key to our room, so we just pushed the dresser across the door and forgot about it.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> We met the family in the morning. They were curious about us and the car, and four bright-eyed little boys and their timid mother had their first automobile ride before we started. We thought it would be a good advertisement for the car, but the four pairs of brown eyes were sad when we left; it was just the plaything they wanted.</br> </br> </br> </br> affect car pleasure </br> </br> </br> </br> </br> </br> </br> We were told to follow the river road and we would have no trouble. We assumed we had a delightful day ahead of us along the river, but we found ourselves going over mountain tops on narrow shelf roads with hairpin curves and so far above the river that a horse on the river bank looked no larger than a dog. In one place, we turned a bend in the road and came face to face with an old white horse, a cart and driver. The horse hunched down and rolled his eyes in terror, but never moved, leaving that to us, as he was wise to the ways of narrow roads and knew safety lay on the inner side, no matter how scared he might be. We backed up some distance until an inner curve widened enough to let the horse past. His eyes were filled with fear as he passed, keeping strictly in the center of the road and taking no chances with the outer side. I had sympathy for the horse, as I was nervous also after riding all day on the outside, looking down on treetops.</br> </br> </br> </br> affect animal navigation mountain safety river road condition </br> </br> </br> </br> </br> </br> </br> When we stopped to rest, I lay down on the ground to relax and recover my poise. We did not even stop for lunch, as the skies were dark with clouds and we didn't want to be caught in rain on narrow, slippery roads where we might go over the edge and get hung up in a tree. At last we realized we had been going downgrade all day. About dusk we came into open country and long after dark we reached Kern, a town of oil wells and derricks near Bakersfield, California. Here we found a hotel and a much-sought-after bath after our strenuous riverside ride.</br> </br> </br> </br> sky night oil resource extraction road side West river </br> </br> </br> </br> </br> </br> </br> We turned north next day, heading for San Francisco, and felt, after fighting bad roads so long, that we had nothing to do all day. There still were no road signs, but the region was so well settled we had no trouble in finding our way or getting food and lodging.</br> </br> </br> </br> navigation road condition traffic sign navigation </br> </br> </br> </br> </br> </br> </br> Our shovel was forgotten and the umbrella was worn out from the wear it received back of our heels. Flowers were in bloom—especially oleanders—and when we came to the grape and wine districts, we stopped at a winery and climbed a long ladder to look into one of the immense vats of claret, which looked like a lake of ink. The owner gave us a sample, running it out of a hose to rinse the glass before filling it, as one would water. It was a common sight to see a wagon and hay rack full of grapes.</br> </br> </br> </br> agriculture equipment road side scenery </br> </br> </br> </br> </br> </br> </br> Near Dos Palos, where we were delayed one evening by a stoppage in our gas line, we saw a beautiful sight. The honking of wild geese attracted our attention, and we saw flock after flock coming through the air like black clouds, alighting to feed in the marshes nearby, then rising and going on while others came to take their place.</br> </br> </br> </br> animal car part scenery sky sublime </br> </br> </br> </br> </br> </br> </br> We went through Fresno, San Jose, past Stanford University, and soon the breeze from the Pacific Ocean brought the salt odor of the water as we rode along "El Camino Real," the old Spanish road used by the padres, Spaniards and Indians long before California was part of the United States. It is bordered by tall eucalyptus trees, with small mission bells at intervals.</br> </br> </br> </br> driving ocean road scenery smell tree wind </br> </br> </br> </br> </br> </br> </br> We entered San Francisco by the peninsula, going to a post office where we found word for us to meet a Mr. Harris, the Brush sales manager, at the St. Francis Hotel. He had not arrived, so we registered and spent the afternoon buying new clothes. The first thing I bought was a fragrant bunch of violets, such as grow in California only.</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Next day we drove the dirty, dingy car to Golden Gate Park on our way to the ocean, but a policeman stopped us at the entrance and said no autos with signs were allowed in the park. Fred told him how far we had come, how long it had taken, and all we wanted now was to get to the edge of the water and wet the wheels of the car in the Pacific ocean, then it was to be shipped to Detroit, where he would met it and finish the trip by driving it to New York City in time for the midwinter automobile show.</br> </br> </br> </br> car ocean car part driving maintenance </br> </br> </br> </br> </br> </br> </br> Getting past the brusque-appearing policeman was easy compared to getting past some of the mud we had along the way. He smiled indulgently at our earnestness, and said to go and come by the South Drive, and it would be all right. Having overcome the last obstacle, we drove through the lovely park, past the site of historic Cliff House and Seal Rocks, and down to the ocean, where a wave gently came up, wet the wheels of the travel-stained car, and slowly receded.</br> </br> </br> </br> affect car car part ocean road condition scenery </br> </br> </br> </br> </br> </br> </br> This was the end in the west, and there was no way to show how dear the little grey car had become to us after carrying us across so many miles and through so many dangers. The chug of its one-cylinder engine had been the sweetest music in our ears during our month-long trip. I could only put my hand on the hood and choke back the tears.</br> </br> </br> </br> affect car car part engine engine sound </br> </br> </br> </br> </br> </br> </br> The car was shipped back to Detroit by express so as to be ready to finish its journey to New York City, and Fred was to follow it to Detroit.</br> </br> </br> </br> car train city </br> </br> </br> </br> </br> </br> </br> We looked up old friends and scenes. Meanwhile, Mr. Harris and a new car arrived by train. After a few days he decided to go to Los Angeles to look over the automobile situation. He went by train while we and the new car went by ship—a delightful and unexpected pleasure. We disembarked at San Pedro, the car being swung down from the upper deck. Then we bought gasoline and drove to Los Angeles, twenty miles away. Business took us to Pasadena several times, and we enjoyed driving beneath the palms and through orange groves, where the trees were heavily laden with fruit, not quite ripe but of a beautiful color, always with a few bunches of waxy blossoms.</br> </br> </br> </br> affect pleasure car train driving gasoline other mobilities tree scenery </br> </br> </br> </br> </br> </br> </br> We spent Thanksgiving in Los Angeles, and Fred sold the new car to Fred Ingersoll, a mail carrier in Pasadena who had written the factory. He was one of the first mail carriers to use an automobile in his deliveries, and eventually drove the car enough miles to have circled the earth several times.</br> </br> </br> </br> car </br> </br> </br> </br> </br> </br> </br> The night after the sale and delivery of the car, we were in a Pullman returning to Denver. We spent a day in Salt Lake City and reached home December 1, having been gone a little over two months.</br> </br> </br> </br> car </br> </br> </br> </br> </br> </br> </br> On December 20 Fred left Detroit with the old car to complete the trip across the continent, with Harvey Lincoln, a factory man, as observer. They went through Toledo, Cleveland, Buffalo, and to Little Falls, New York, where they were stopped by a blizzard.</br> </br> </br> </br> car East weather </br> </br> </br> </br> </br> </br> </br> Next morning they started in the snow but found the roads drifted badly and had to return there. After a day's delay they were directed over a high road through timber where the snow drifts were not so bad. At night they came back to the regular route and managed to get through after much shoveling.</br> </br> </br> </br> road equipment forest road condition weather </br> </br> </br> </br> </br> </br> </br> From Albany they went down the side of the Hudson River, but on a steep hill the car coasted to a stop. They found the timing gear had lost some teeth again. It was similar to the accident we had had in Nevada. Fred, fearing much trouble, had the foresight to add an extra timing gear to his parts at Detroit before starting. They simply pushed the car to the sunny side of a barn and made the change in zero weather. After an hour and a half the new gear was in place, the engine timed, and they were on their way.</br> </br> </br> </br> accident car car part engine maintenance weather </br> </br> </br> </br> </br> </br> </br> The car reached New York City December 30. Fred drove over Brooklyn Bridge, through Brooklyn to Coney Island, dipped the wheels of the Brush in the Atlantic Ocean, and was in time for the automobile show which opened January 1, 1909. The insignificant, shabby automobile had reached its goal. It stood in the huge hall with its signs, much-used shovel, and all the dirt and mud it had accumulated on its long trip, among its more aristocratic companions in Grand Central Palace. With its driver, it attracted a great deal of attention.</br> </br> </br> </br> affect car car part driver East mud ocean urban </br> </br> </br> </br> </br> </br> </br> After returning home, Fred received a communication from the Bureau of Tours of the American Automobile Association, with a map marking his route, and informing him they had a record in his name as the Seventeenth Transcontinental Automobile Trip.</br> </br> </br> </br> map </br> </br> </br> </br> </br> </br> </br> This was a happy climax and far beyond our expectations, because we had thought of the trip only as an advertising stunt for the Brush factory and the Brush Runabout.  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Weeks, Carrie Foote </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> The Outing Magazine </br> </br> </br> Publisher </br> </br> -</br> </br> </br> Year of Publication </br> </br> 1906 </br> </br> </br> Pages </br> </br> 687</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> A at the start was an Automobile. </br> It answers to motor car, just as you feel. </br> </br> </br> </br> car </br> </br> </br> </br> </br> </br> </br> B is the Brake that gives you control. </br> If the Bubble Breaks you, you're in a Big hole. </br> </br> </br> </br> car part </br> </br> </br> </br> </br> </br> </br> C stands for Cylinder, and your Chauffeur, </br> Who takes many Chances at sixty-five per. </br> </br> </br> </br> car part speed </br> </br> </br> </br> </br> </br> </br> D is the up-to-Date Dealer serene, </br> And the Dance that he leads you about the machine. </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> E is Experience for young and old; </br> We pay dearly for it, and often are sold. </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> F is the Factory where you will find </br> It is Foolish to Fuss, if they're four months behind. </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> G is Garage, and the God, Gasoline, </br> Who Guides all his subjects, yet never is seen. </br> </br> </br> </br> gasoline infrastructure </br> </br> </br> </br> </br> </br> </br> H is H. P., your Heaven and Hell. </br> What pace are you making? The police can tell. </br> </br> </br> </br> law speed </br> </br> </br> </br> </br> </br> </br> I is Ignition, Insurance and Ice. </br> These three you must have on an expert's advice. </br> </br> </br> </br> car part </br> </br> </br> </br> </br> </br> </br> J might stand now for a new Jeremiah, </br> Who foretells disasters by flame, speed, or tire. </br> </br> </br> </br> car part risk speed </br> </br> </br> </br> </br> </br> </br> K stands for all Kinds of cars on the mart. </br> To pick the Kingpin would take cleverest art. </br> </br> </br> </br> car </br> </br> </br> </br> </br> </br> </br> L stands for License, and Lawyer, and Lie— </br> You're in touch with them all when an auto you buy. </br> </br> </br> </br> car law </br> </br> </br> </br> </br> </br> </br> M is the Model you choose with great care, </br> The Map that you follow for roads that aren’t there. </br> </br> </br> </br> car car model road map </br> </br> </br> </br> </br> </br> </br> N is the Number attached to your car, </br> And the Name (not a rose) that proclaims it a star. </br> </br> </br> </br> car law </br> </br> </br> </br> </br> </br> </br> O is the Oil used for food and for drink, </br> By this Ogre, half human, the real missing link. </br> </br> </br> </br> metaphor oil </br> </br> </br> </br> </br> </br> </br> P stands for "Plain Clothes Men" always about. </br> Police you can spot. For the others, watch out. </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> Q is the Quest for a feminine hat, </br> That will stay on the head, and have style, and all that. </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> R stands foe Rules which must be obeyed, </br> And the Races we win,—in our dreams, I'm afraid. </br> </br> </br> </br> law </br> </br> </br> </br> </br> </br> </br> S means the Songs that we sing late at night, </br> As the Search light weaves Shadows, now ghostly, now bright. </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> T is the Tonneau for five, three or two. </br> If a Tack finds your Tire, it’s all up with you. </br> </br> </br> </br> car part </br> </br> </br> </br> </br> </br> </br> U is the Unruly, and also Uncertain. </br> On the manners of autos and maids drop the curtain. </br> </br> </br> </br> car law </br> </br> </br> </br> </br> </br> </br> V is Vibration—in sunshine, in gale, </br> It's with us like goggles, or long auto Veil. </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> W stands for Weight, and all kinds of Wheels. </br> (Not Wheels in your head, or Weight in your heels) </br> </br> </br> </br> car part </br> </br> </br> </br> </br> </br> </br> X is Xcess. Pray keep well in hand, </br> For motor-car maniacs people the land. </br> </br> </br> </br> car risk </br> </br> </br> </br> </br> </br> </br> Y stands for Yearnings to go far and fast. </br> O bright Yellow Moon! we'll reach you at last. </br> </br> </br> </br> affect speed </br> </br> </br> </br> </br> </br> </br> Z is the Zany so puffed up with Zeal, </br> That he thinks he has mastered the automobile. </br> </br> </br> </br> car skill car skill  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Williams, William Carlos </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> Spring and All </br> </br> </br> Publisher </br> </br> -</br> </br> </br> Year of Publication </br> </br> 1923 </br> </br> </br> Pages </br> </br> -</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> In passing with my mind </br>on nothing in the world</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> but the right of way </br>I enjoyed on the road by</br> </br> </br> </br> road law </br> </br> </br> </br> </br> </br> </br> virtue of the law – </br>I saw</br> </br> </br> </br> law </br> </br> </br> </br> </br> </br> </br> an elderly man who </br>smiled and looked away</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> to the north past a house – </br>a woman in blue</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> who was laughing and </br>leaning forward to look up</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> into the man’s half </br>averted face</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> and a boy of eight who was </br>looking at the middle of</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> the man’s belly </br>at a watchchain –</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> The supreme importance </br>of this nameless spectacle</br> </br> </br> </br> </br> </br> </br> </br> </br> </br> </br> sped me by them </br>without a word –</br> </br> </br> </br> speed </br> </br> </br> </br> </br> </br> </br> Why bother where I went? </br>for I went spinning on the</br> </br> </br> </br> driving </br> </br> </br> </br> </br> </br> </br> four wheels of my car </br>along the wet road until</br> </br> </br> </br> car car part road road condition </br> </br> </br> </br> </br> </br> </br> I saw a girl with one leg </br>over the rail of a balconyalcony  +
  • Bibliographic Information Author Bibliographic Information</br> </br> </br> Author </br> </br> Williams, William Carlos </br> </br> </br> Genre </br> </br> Poetry </br> </br> </br> Journal or Book </br> </br> -</br> </br> </br> Publisher </br> </br> -</br> </br> </br> Year of Publication </br> </br> 1916 </br> </br> </br> Pages </br> </br> -</br> </br> </br> Additional information </br> </br> -</br> </br> </br> </br> </br> </br> At ten A.M. the young housewife </br>moves about in negligee behind </br>the wooden walls of her husband's house. </br>I pass solitary in my car.</br> </br> </br> </br> car driver </br> </br> </br> </br> </br> </br> </br> Then again she comes to the curb </br>to call the ice-man, fish-man, and stands </br>shy, uncorseted, tucking in </br>stray ends of hair, and I compare her </br>to a fallen leaf.</br> </br> </br> </br> road roadside </br> </br> </br> </br> </br> </br> </br> The noiseless wheels of my car </br>rush with a crackling sound over </br>dried leaves as I bow and pass smiling.</br> </br> </br> </br> car car part driver sound speed plantcar car part driver sound speed plant  +