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<div class="poem"> <p>For thirty miles his cheeks were fiery. He, most considerate of roadmen, crowded a woman in a flivver, passed a laboring car on an upgrade with such a burst that the uneasy driver bumped off into a ditch. He hadn't really seen them. Only mechanically had he got past them. He was muttering: </p> </div>  +
<div class="poem"> <p>Her impression of the new land was not merely of sun-glaring breadth. Sometimes, on a cloudy day, the wash of wheatlands was as brown and lowering and mysterious as an English moor in the mist. It dwarfed the far-off houses by its giant enchantment; its brooding reaches changed her attitude of brisk, gas-driven efficiency into a melancholy that was full of hints of old dark beauty. </p> </div>  +
<div class="poem"> <p>The thin pit-pit-pit was coming again. She looked back. She saw Milt's bug snap forward so fast that on a bump its light wheels were in the air. She saw Milt standing on the right side of the bug holding the wheel with one hand, and the other hand—firm, grim, broad-knuckled hand—outstretched toward the tough, then snatching at his collar. </p> </div>  +
<div class="poem"> <p>He peeped with equal earnestness at the socks and the shirts of the traveling men. Socks had been to him not an article of faith but a detail of economy. His attitude to socks had lacked in reverence and technique. He had not perceived that socks may be as sound a symbol of culture as the 'cello or even demountable rims. He had been able to think with respect of ties and damp piqué collars secured by gold safety-pins; and to the belted fawn overcoat that the St. Klopstock banker's son had brought back from St. Paul, he had given jealous attention. But now he graduated into differential socks. </p> </div>  +
<div class="poem"> <p>Thus her tired brain, like a squirrel in a revolving cage, while she sat primly and scraped at a clot of rust on a tin plate and watched him put on the bacon and eggs. Wondering if cats were used for this purpose in the Daggett family, she put soaked, unhappy Vere de Vere on her feet, to her own great comfort and the cat's delight. It was an open car, and the rain still rained, and a strange young man was a foot from her tending the not very crackly fire, but rarely had Claire felt so domestic. </p> </div>  +
<div class="poem"> <p>"Oh, I guess you'd have gone on living! And if drivers can't help each other, who can?" </p> </div>  +
<div class="poem"> <p>"Got an oil can?" he hesitated. </p> </div>  +
<div class="poem"> <p>Milt smiled at his assistant, Ben Sittka, and suggested, "Well, <i>wie geht 's mit</i> the work, eh? Like to stay and get the prof's flivver out, so he can have it in the morning?" </p> </div>  +
<div class="poem"> <p>Mr. Boltwood interposed, "Are the ham and eggs ready?" </p> </div>  +
<div class="poem"> <p>"Any—— Oh, yes, I suppose so." </p> </div>  +
<div class="poem"> <p>"But won't Adolph dig it out again?" </p> </div>  +
<div class="poem"> <p>"Well, anyway, most men would be cussing. You acquire merit by not beating me. I believe that's done, in moments like this. If you'd like, I'll get out and crawl around in the mud, and play turtle for you." </p> </div>  +
<div class="poem"> <p>It was Claire's first bad day since the hole in the mud. She had started gallantly, scooting along the level road that flies straight west of Fargo. But at noon she encountered a restaurant which made eating seem an evil. </p> </div>  +
<div class="poem"> <p>She rarely lost her way. She was guided by the friendly trail signs—those big red R's and L's on fence post and telephone pole, magically telling the way from the Mississippi to the Pacific. </p> </div>  +
<div class="poem"> <p>"Oh, stick it in that stall," grunted the man, and turned his back. </p> </div>  +
<div class="poem"> <p>From the audience of drummers below, a delicate giggle. </p> </div>  +
<div class="poem"> <p>"I'd like to, but I got to chase on. Don't want to wear out the welcome on the doormat, and I'm due in Seattle, and—— Say, Miss Boltwood." He swung out of the bug, cranked up, climbed back, went awkwardly on, "I read those books you gave me. They're slick—mean to say, interesting. Where that young fellow in <i>Youth's Encounter</i> wanted to be a bishop and a soldier and everything—— Just like me, except Schoenstrom is different, from London, some ways! I always wanted to be a brakie, and then a yeggman. But I wasn't bright enough for either. I just became a garage man. And I—— Some day I'm going to stop using slang. But it'll take an operation!" </p> </div>  +
<div class="poem"> <p>"Please! Pretty please!" besought Claire. Her smile was appealing, her eyes on his. </p> </div>  +
<div class="poem"> <p>If Milt had been driving at the rate at which he usually made his skipjack carom over the roads about Schoenstrom, he would by now have been through Dakota, into Montana. But he was deliberately holding down the speed. When he had been tempted by a smooth stretch to go too breathlessly, he halted, teased Vere de Vere, climbed out and, sitting on a hilltop, his hands about his knees, drenched his soul with the vision of amber distances. </p> </div>  +
<div class="poem"> <p>Back East they had a chauffeur and two cars—the limousine, and the Gomez-Deperdussin roadster, Claire's beloved. It would, she believed, be more of a change from everything that might whisper to Mr. Boltwood of the control of men, not to take a chauffeur. Her father never drove, but she could, she insisted. His easy agreeing was pathetic. He watched her with spaniel eyes. They had the Gomez roadster shipped to them from New York. </p> </div>  +