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From Off the Road Database

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F
<div class="poem"> <p>The Red Trail Garage is of cement and tapestry brick. In the office is a clean hardwood floor, a typewriter, and a picture of Elsie Ferguson. The establishment has an automatic rim-stretcher, a wheel jack, and a reputation for honesty. </p> </div>  +
<p>Claire glowered at him. She thought of a good line about rudeness. But—oh, she was too tired to fuss. She tried to run the car into the empty stall, which was not a stall, but a space, like a missing tooth, between two cars, and so narrow that she was afraid of crumpling the lordly fenders of the Gomez. She ran down the floor, returned with a flourish, thought she was going to back straight into the stall—and found she wasn't. While her nerves shrieked, and it did not seem possible that she could change gears, she managed to get the Gomez behind a truck and side-on to the stall. </p>  +
<div class="poem"> <p>"Yes." </p> </div>  +
<div class="poem"> <p>He was not a father, just now, but a passenger trying not to irritate the driver. He smiled in a waxy way, and said, "Hard luck! Well, you did the best you could. The other hole, there in the road, would have been just as bad. You're a fine driver, dolly." </p> </div>  +
<div class="poem"> <p>The second Good Samaritan knew that one of the wires in the distributor must be detached and, though she assured him that she had inspected them, he looked pityingly at her smart sports-suit, said, "Well, I'll just take a look," and removed the distributor cover. He also scratched his head, felt of the fuses under the cowl, scratched his cheek, poked a finger at the carburetor, rubbed his ear, said, "Well, uh——" looked to see if there was water and gas, sighed, "Can't just seem to find out what's the trouble," shot at his own car, and escaped. </p> </div>  +
<div class="poem"> <p>Claire fumbled for her chair, oozed into it, and breathed, "Yes." </p> </div>  +
<div class="poem"> <p>To this he added his entire library and private picture gallery, consisting of Ivanhoe, Ben-Hur, his father's copy of Byron, a wireless manual, and the 1916 edition of Motor Construction and Repairing: the art collection, one colored Sunday supplement picture of a princess lunching in a Provençe courtyard, and a half-tone of Colonel Paul Beck landing in an early military biplane. Under this last, in a pencil scrawl now blurred to grayness, Milt had once written, "This what Ill be aviator." </p> </div>  +
<div class="poem"> <p>Before she could issue a questionnaire he was out in the bug. He ran through town. At his friend McGolwey; now loose-lipped and wabbly, sitting in the rain on a pile of ties behind the railroad station, he yelled, "So long, Mac. Take care yourself, old hoss. Off on li'l trip." </p> </div>  +
<div class="poem"> <p>He was up at six, and at a quarter to seven was at work in the garage. He spent a large part of the morning in trying to prove to a customer that even a Teal car, best at the test, would not give perfect service if the customer persisted in forgetting to fill the oil-well, the grease-cups, and the battery. </p> </div>  +
<p>THE LAND OF BILLOWING CLOUDS (66-73) </p>  +
<div class="poem"> <p>"Her name is Vere de Vere!" he confessed. Then he fled back to his bug. He drove it in front of the Gomez-Dep. The hole in the road itself was as deep as the one on the edge of the cornfield, where she was stuck, but he charged it. She was fascinated by his skill. Where she would for a tenth of a second have hesitated while choosing the best course, he hurled the bug straight at the hole, plunged through with sheets of glassy black water arching on either side, then viciously twisted the car to the right, to the left, and straight again, as he followed the tracks with the solidest bottoms. </p> </div>  +
<div class="poem"> <p>The state of mind of the touring motorist entering a strange place at night is as peculiar and definite as that of a prospector. It is compounded of gratitude at having got safely in; of perception of a new town, yet with all eagerness about new things dulled by weariness; of hope that there is going to be a good hotel, but small expectation—and absolutely no probability—that there really will be one. </p> </div>  +
<div class="poem"> <p>Claire was standing in front of him. She was thinking of other drivers, poor people, in old cars, who had been at the mercy of this golden-hearted one. She stared past him, in the direction from which she had come. Another motor was in sight. </p> </div>  +
<div class="poem"> <p>Milt stared at the cobweb-grayed window. "Now I know what I was planning to do. I'm going to Seattle," he said. </p> </div>  +
<div class="poem"> <p>"Oh, it wasn't anything. Tickled to death if I could help you." </p> </div>  +
<div class="poem"> <p>She saw Milt, after five minutes of stationary watching, start forward. He came dustily rattling up with a hail of "Distributor on strike again?" so cheerful that it hurt her to dismiss him. But she had managed a household. She was able to say suavely: </p> </div>  +
<div class="poem"> <p>She watched the hulk of marriage drifting down on her frail speed-boat of aspiration, and steered in desperate circles. </p> </div>  +
<div class="poem"> <p>Minnie Rauskukle, plump, hearty Minnie, heiress to the general store, gave evidence by bridling and straightening her pigeon-like body that she was aware of Milt behind her. He did not speak to her. He ducked into the door of the Old Home Poolroom and Restaurant. </p> </div>  +
<div class="poem"> <p>She looked from her hulking car to his mechanical flea. </p> </div>  +
<div class="poem"> <p>Mr. Boltwood intervened. He looked as uncomfortable as Claire. "We'll see. It's rather against my principles to give money to an able-bodied man like you, even though it is a pleasure to give you a ride——" </p> </div>  +