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<div class="poem"> <p>"Now we'll get something done! Look! It's a bug—a flivver or a Teal or something. I believe it's the young man that got us out of the mud." </p> </div>  +
<div class="poem"> <p>She switched off the power—and suddenly she was in a whirlwind of dizzy sickening tiredness. Even in her abandonment to exhaustion she noticed that the young man did not stare at her but, keeping his back to her, removed the tow-rope, and stowed it away in his bug. She wondered whether it was tact or yokelish indifference. </p> </div>  +
<div class="poem"> <p>"Oh, come now, dolly!" </p> </div>  +
<div class="poem"> <p>"Well say, I didn't either, and—I'd be awfully glad if you folks would have something to eat with me now." </p> </div>  +
<div class="poem"> <p>But for the thought of her father she would have fallen asleep, in her drenched tweeds. When she did force the energy to rise, she had to support herself by the bureau, by the foot of the bed, as she moved about the room, hanging up the wet suit, rubbing herself with a slippery towel, putting on a dark silk frock and pumps. She found her father sitting motionless in his room, staring at the wall. She made herself laugh at him for his gloomy emptiness. She paraded down the hall with him. </p> </div>  +
<div class="poem"> <p>"Dad! Look! I'm sure—yes, of course, there's his suitcase—that's the car of that nice boy—don't you remember?—the one that pulled us out of the mud at—I don't remember the name of the place. Apparently he's keeping going. I remember; he's headed for Seattle, too. We'll look for him in the theater. Oh, the darling, there's his cat! What was the funny name he gave her—the Marchioness Montmorency or something?" </p> </div>  +
<div class="poem"> <p>In the dining-room their inquisitional acquaintance, the waitress, fairly ran to them. "Sit down, folks. Waffles this morning. You want to stock up for your drive. My, ain't it an elegant morning! I hope you have a swell drive today!" </p> </div>  +
<div class="poem"> <p>She was escorted by a bouncing, black-eyed waitress to a table for four. The next table was a long one, at which seven traveling men, or local business men whose wives were at the lake for the summer, ceased trying to get nourishment out of the food, and gawped at her. Before the Boltwoods were seated, the waitress dabbed at non-existent spots on their napkins, ignored a genuine crumb on the cloth in front of Claire's plate, made motions at a cup and a formerly plated fork, and bubbled, "Autoing through?" </p> </div>  +
<div class="poem"> <p>He shaved—two complete shaves, from lather to towel. He brushed his hair. He sat down by a campfire sheltered between two rocks, and fought his nails, though they were discouragingly crammed with motor grease. Throughout this interesting but quite painful ceremony Milt kept up a conversation between himself as the World's Champion Dude, and his cat as Vallay. But when there was nothing more to do, and the fire was low, and Vere de Vere asleep in the sleeve of the winter ulster, his bumbling voice slackened; in something like agony he muttered: </p> </div>  +
<div class="poem"> <p>When Claire did not stop in the first town she reached after twilight, but drove on by dark, he had to do some perilous galloping to catch up. The lights of a Teal are excellent for adornment, but they have no relation to illumination. They are dependent upon a magneto which is dependent only upon faith. </p> </div>  +
<div class="poem"> <p>"Oh. You driving through?" </p> </div>  +
<div class="poem"> <p>"And—— Fooled you! Got through that mudhole, anyway! And he said—— Look! Fields stretch out so here, and not a tree except the willow-groves round those farmhouses. And he said 'Gee' so many times, and 'dinner' for the noon meal. And his nails—— No, I suppose he really is just a farm youngster." </p> </div>  +
<div class="poem"> <p>In Vachel Lindsay's <i>Congo</i>, in a poem called "The Santa Fe Trail," he found his own modern pilgrimage from another point of view. Here was the poet, disturbed by the honking hustle of passing cars. But Milt belonged to the honking and the hustle, and it was not the soul of the grass that he read in the poem, but his own sun-flickering flight: </p> </div>  +
<div class="poem"> <p>"I'll say! Only—— Gosh, Mac, I would like to go to a real show, once. And find out how radio works. And see 'em put in a big suspension bridge!" </p> </div>  +
<div class="poem"> <p>Thus Claire's second voyage into democracy. </p> </div>  +
<div class="poem"> <p>"'Fraid of getting held up?" </p> </div>  +
<div class="poem"> <p>The countess said that she did indeed have an extraordinarily punk time, and she sang to Milt the hymn of the little gods of the warm hearth. Then Milt's evening dissipations were over. Schoenstrom has movies only once a week. He sat in the office of his garage ruffling through a weekly digest of events. Milt read much, though not too easily. He had no desire to be a poet, an Indo-Iranian etymologist, a lecturer to women's clubs, or the secretary of state. But he did rouse to the marvels hinted in books and magazines; to large crowds, the mechanism of submarines, palm trees, gracious women. </p> </div>  +
<div class="poem"> <p>"New York." </p> </div>  +
<div class="poem"> <p>He was for the first time seeing a smart woman. This dark, slender, fine-nerved girl, in her plain, rough, closely-belted, gray suit, her small black Glengarry cocked on one side of her smooth hair, her little kid gloves, her veil, was as delicately adjusted as an aeroplane engine. </p> </div>  +
<div class="poem"> <p>"Too much excitement in this burg. Saw three people on the streets all simultaneously to-once." </p> </div>  +