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<div class="poem"> <p>Milt added nothing to her frivolity, but his smile was friendly. He lifted the round rubber cap of the distributor. Then Claire's faith tumbled in the dust. Twice had the wires been tested. Milt tested them again. She was too tired of botching to tell him he was wasting time. </p> </div>  +
<div class="poem"> <p>"Oh, I don't suppose the country hotels are really so awfully good," she speculated. "And look—that nice funny boy. We couldn't hurt his feelings. He's having so much fun out of being a Good Samaritan." </p> </div>  +
<div class="poem"> <p>Over and over there were the same manipulations: slow for down hill, careful of sand at the bottom, letting her out on a smooth stretch, waving to a lonely farmwife in her small, baked dooryard, slow to pass a hay-wagon, gas for up the next hill, and repeat the round all over again. But she was joyous till noon; and with mid-afternoon a new strength came which, as rose crept above the golden haze of dust, deepened into serene meditation. </p> </div>  +
<div class="poem"> <p>"No! Really! I'm already soaked through. You keep dry." </p> </div>  +
<div class="poem"> <p>Instantly, the dismay of it rushing at her, she saw the end of the patch of gravel. The road ahead was a wet black smear, criss-crossed with ruts. The car shot into a morass of prairie gumbo--which is mud mixed with tar, fly-paper, fish glue, and well-chewed, chocolate-covered caramels. When cattle get into gumbo, the farmers send for the stump-dynamite and try blasting. </p> </div>  +
<div class="poem"> <p>Quietly, seriously, Claire said, "No, that wasn't accidental. If you touch me again, I'll stop the car and ask you to walk." </p> </div>  +
<div class="poem"> <p>"A little car? With her paws on the tiny wheel? Oh—sweet! Are you going far, Mr. Daggett?" </p> </div>  +
<div class="poem"> <p>In Vachel Lindsay's <i>Congo</i>, in a poem called "The Santa Fe Trail," he found his own modern pilgrimage from another point of view. Here was the poet, disturbed by the honking hustle of passing cars. But Milt belonged to the honking and the hustle, and it was not the soul of the grass that he read in the poem, but his own sun-flickering flight: </p> </div>  +
<div class="poem"> <p>"Too much excitement in this burg. Saw three people on the streets all simultaneously to-once." </p> </div>  +
<div class="poem"> <p>The tough's grip was torn from the steering wheel. He was yanked from the running-board. He crunched down on the road. </p> </div>  +
<div class="poem"> <p>The man hooked his left arm about the side-post of the open window-shield. It was a strong arm, a firm grip. He seized her left wrist with his free hand. Though all the while his eyes grotesquely kept their amused sparkle, and beside them writhed laughter-wrinkles, he shouted hoarsely, "You'll stop hell!" His hand slid from her wrist to the steering wheel. "I can drive this boat's well as you can. You make one move to stop, and I steer her over—— Blooie! Down the bank!" </p> </div>  +
<div class="poem"> <p>The girl was gone at twenty-nine minutes after twelve. At twenty-nine and a half minutes after, Milt remarked to Ben Sittka, "I'm going to take a trip. Uh? Now don't ask questions. You take charge of the garage until you hear from me. Get somebody to help you. G'-by." </p> </div>  +
<div class="poem"> <p>"Oh. You driving through?" </p> </div>  +
<div class="poem"> <p>"Didn't we see you back in—what was that village we came through back about twelve miles?" </p> </div>  +
<div class="poem"> <p>An instant later, as they skipped round a bend of the long, high-hung shelf road, he pretended to sway dangerously on the running-board, and deliberately laid his filthy hand on her shoulder. Before she could say anything he yelped in mock-regret, "Love o' Mike! 'Scuse me, lady. I almost fell off." </p> </div>  +
<div class="poem"> <p>"Yes, dear; I've looked at it three times, so far," she said, just a little too smoothly. </p> </div>  +
<div class="poem"> <p>Mr. Boltwood did not answer. His machine-finish smile indicated an enormous lack of interest in young men in Teal bugs. </p> </div>  +
<div class="poem"> <p>She waded down the road toward an old wood-lot. At first she tried to keep dry, but she gave it up, and there was pleasure in being defiantly dirty. She tramped straight through puddles; she wallowed in mud. In the wood-lot was long grass which soaked her stockings till her ankles felt itchy. Claire had never expected to be so very intimate with a brush-pile. She became so. As though she were a pioneer woman who had been toiling here for years, she came to know the brush stick by stick—the long valuable branch that she could never quite get out from under the others; the thorny bough that pricked her hands every time she tried to reach the curious bundle of switches. </p> </div>  +
<div class="poem"> <p>"Don't you think you'd better get somebody to help us?" </p> </div>  +
<div class="poem"> <p>Her guest growled at her—the words coming through a slit at the corner of his rowdy mouth, "Sit still, or I'll run you over." </p> </div>  +