Property:Parsed text

From Off the Road Database

Showing 20 pages using this property.
T
Bibliographic Information Author Oppenheim, James Genre Poetry Journal or Book Songs for the New Age Publisher The Century Co. Year of Publication 1914 Pages 83-84 Additional information - You and I in the night, spied on by stars... You and I in the belovéd night... You and I within these walls. A breath from the sea is kissing the housetops of the city, Kissing the roofs, And dying into silence. Earth and stars are in a trance, They dream of passion, but cannot break their sleep. They pass into us, and we are their passion, we are their madness, So shaped that we can kiss and clasp... One kiss, then death, the miracle being spent. Watchman, what of the night? Sleep and birth! Toil and death! Now the light of the topmost tower winks red and ceases: Now the lonely car echoes afar off... Helen looked over the wine-dark seas of Greece, and she was young. But not younger than we, touching each other, while dawn delays... car sound night intertext Dare we betray this moment? Dare we die, missing this fire? Whither goes massive Earth tonight, flying with the stars down eternity? We are alive: we are for each other.  +
B
Bibliographic Information Author Frost, Robert Genre Poetry Journal or Book Selected Poems Publisher Henry Holt and Company Year of Publication 1920 Pages 132-135 Additional information - Brown lived at such a lofty farm That everyone for miles could see His lantern when he did his chores In winter after half-past three. And many must have seen him make His wild descent from there one night, ’Cross lots, ’cross walls, ’cross everything, Describing rings of lantern light. Between the house and barn the gale Got him by something he had on And blew him out on the icy crust That cased the world, and he was gone! Walls were all buried, trees were few: He saw no stay unless he stove A hole in somewhere with his heel. But though repeatedly he strove And stamped and said things to himself, And sometimes something seemed to yield, He gained no foothold, but pursued His journey down from field to field. Sometimes he came with arms outspread Like wings, revolving in the scene Upon his longer axis, and With no small dignity of mien. Faster or slower as he chanced, Sitting or standing as he chose, According as he feared to risk His neck, or thought to spare his clothes, He never let the lantern drop. And some exclaimed who saw afar The figures he described with it, “I wonder what those signals are Brown makes at such an hour of night! He’s celebrating something strange. I wonder if he’s sold his farm, Or been made Master of the Grange.” He reeled, he lurched, he bobbed, he checked; He fell and made the lantern rattle (But saved the light from going out.) So half-way down he fought the battle Incredulous of his own bad luck. And then becoming reconciled To everything, he gave it up And came down like a coasting child. “Well—I—be——” that was all he said, As standing in the river road, He looked back up the slippery slope (Two miles it was) to his abode. road roadside river road condition risk safety Sometimes as an authority On motor-cars, I’m asked if I Should say our stock was petered out, And this is my sincere reply: car Yankees are what they always were. Don’t think Brown ever gave up hope Of getting home again because He couldn’t climb that slippery slope; car metaphor Or even thought of standing there Until the January thaw Should take the polish off the crust. He bowed with grace to natural law, And then went round it on his feet, After the manner of our stock; Not much concerned for those to whom, At that particular time o’clock, It must have looked as if the course He steered was really straight away From that which he was headed for— Not much concerned for them, I say. road navigation car driving driving skill But now he snapped his eyes three times; Then shook his lantern, saying, “Ile’s ’Bout out!” and took the long way home By road, a matter of several miles. road affect navigation  
S
Bibliographic Information Author Reynolds, Elsbery Washington Genre Poetry Journal or Book AutoLine o'Type Publisher The Book Supply Company Year of Publication 1924 Pages 131-132 Additional information - In years of yore it made us sore, When teacher called our name, And said next Friday afternoon, You’re one that must declaim. Now we were always timid quite, To stand before the school, But declamations once a week, Was teacher’s golden rule. There’s nothing to declaim about, We then did fairly shout. Then teacher said with nasty flout, Keep still or you go out. But teacher loaned us many books, And all she did indorse, And that is how we came to tell The school about the horse. One book had pictures and a tale That sounded very fine, But we could never memorize No more than just a Iine, We then proceeded right away To join a horses’ band, And study horses in their play, And learn them out of hand. We then declaimed to all the school, Don’t take us for a fool, We find the horse is good to work, And bigger than a mule. He has two eyes so very keen, They see when you are coming, In front two feet and two behind, That move when he is running. He has two ears with which he hears, And tail to scare the flies, Sometimes he balks but never talks, By eating he survives. Some are bay and some are gray, And some of color muggy, The big and tall look best of all, In a Studebaker buggy. equipment car model If we again had to declaim And take a teacher’s jars, We'd tell you all about mistakes Of certain motor cars. We’d tell it true in words a few, The car of any maker, Is one we sell, the best for you, And made by Studebaker. car car model —The Car with Character.  
X
Bibliographic Information Author Williams, William Carlos Genre Poetry Journal or Book Spring and All Publisher - Year of Publication 1923 Pages - Additional information - In passing with my mind on nothing in the world but the right of way I enjoyed on the road by road law virtue of the law – I saw law an elderly man who smiled and looked away to the north past a house – a woman in blue who was laughing and leaning forward to look up into the man’s half averted face and a boy of eight who was looking at the middle of the man’s belly at a watchchain – The supreme importance of this nameless spectacle sped me by them without a word – speed Why bother where I went? for I went spinning on the driving four wheels of my car along the wet road until car car part road road condition I saw a girl with one leg over the rail of a balcony  +
W
Bibliographic Information Author McKay, Claude Genre Poetry Journal or Book Spring in New Hampshire and Other Poems Publisher London Grant Richards Ltd Year of Publication 1920 Pages 36-37 Additional information - The tired cars go grumbling by, The moaning, groaning cars, And the old milk carts go rumbling by Under the same dull stars. Out of the tenements, cold as stone, Dark figures start for work; I watch them sadly shuffle on, ‘Tis dawn, dawn in New York. car anthropomorphism personification sound sky urban But I would be on the island of the sea, In the heart of the island of the sea, Where the cocks are crowing, crowing, crowing, And the hens are cackling in the rose-apple tree, Where the old draft-horse is neighing, neighing, neighing Out on the brown dew-silvered lawn, And the tethered cow is lowing, lowing, lowing, And dear old Ned is braying, braying, braying, And the shaggy Nannie goat is calling, calling, calling From her little trampled corner of the long wide lea That stretches to the waters of the hill-stream falling Sheer upon the flat rocks joyously! There, oh there! on the island of the sea There I would be at dawn. The tired cars go grumbling by, The crazy, lazy cars, And the same milk-carts go rumbling by Under the dying stars. A lonely newsboy hurries by, Humming a recent ditty; Red streaks strike through the gray of the sky, The dawn comes to the city. personification sound car urban sky But I would be on the island of the sea, In the heart of the island of the sea, Where the cocks are crowing, crowing, crowing, And the hens are cackling in the rose-apple tree, Where the old draft-horse is neighing, neighing, neighing Out on the brown dew-silvered lawn, And the tethered cow is lowing, lowing, lowing, And dear old Ned is braying, braying, braying, And the shaggy Nannie goat is calling, calling, calling From her little trampled corner of the long wide lea That stretches to the waters of the hill-stream falling Sheer upon the flat rocks joyously! There, oh there! on the island of the sea There I would be at dawn.  
T
Bibliographic Information Author Reynolds, Elsbery Washington Genre Poetry Journal or Book AutoLine o'Type Publisher The Book Supply Company Year of Publication 1924 Pages 240 Additional information - sublime technology You may have your blooded speeding horse, We have given him up without remorse. The glory that all the nerves can feel, Is in a Six Studebaker wheel. car car model car part The swift and silent pedal machine, We once considered no wise mean. O’er us its magic has ceased to steal, Since turning a Six Studebaker wheel. car part sound speed The rushing of racing motor boats, Our mind no longer on them dotes. Flying through water has not the appeal, Of a Six Studebaker steering wheel. car part metaphor There is joy in a limited fast express, If a first class ticket you possess. But you'll better enjoy an evening meal, From holding a Six Studebaker wheel. car part Give us the still California night, When the moon is full and shining bright. Then life to us is never so real, If turning a Six Studebaker wheel. car part sky time West With miles of road like polished floor, At sixty per and sometimes more, We glide with ease mid laughters peal, Safe at a Six Studebaker wheel. car part infrastructure pleasure road safety speed Like a panther leaping through the air, With plenty of power and some to spare, For a Six Studebaker more of zeal, You'll have when once you turn the wheel. car model car part metaphor We'll warrant your mind will quickly fill With thoughts for a Six so full of thrill. To drive the ideal Six Automobile, Get back of a Six Studebaker wheel. affect car car model car part metaphor —The Car with Character.  
I
Bibliographic Information Author Reynolds, Elsbery Washington Genre Poetry Journal or Book AutoLine o'Type Publisher The Book Supply Company Year of Publication 1924 Pages 55 Additional information - It’s known to all to be the law, That interest should you wish to draw, On something that you have within, You first must put that something in. For you, your business does not pay, And you lament from day to day, You have not to your business given, That from which pay is deriven. Your goose it lays a golden egg, Marks up your interest just a peg, But feed, you must, your goose of old, If you would get your egg of gold. If interest in your church has died, It doesn’t revive although you’ve tried, Just ask yourself and look within To see what you are putting in. If your home is not going right, You stay out late most every night, You have no longer interest there, You’ve no investment worth the care. If you have brothers in your lodge, You now quite often try to dodge, Then your interest’s growing slim, You must put in if you would win. All through life as taught by Him, If you take out you must put in, It’s things you do for all about, You take your biggest interest out. With motor cars it’s just the same, What’s been put in comes out again. Now you can make your own deduction, From the Studebakers’ big production. car car model metaphor technology —The Car wih Character.  +
W
Bibliographic Information Author Reynolds, Elsbery Washington Genre Poetry Journal or Book AutoLine o'Type Publisher The Book Supply Company Year of Publication 1924 Pages 24 Additional information - Somebody said it can't be done, Salaries to all and commissions none. We smiled till tears were in our eyes, For can't is a word we do despise. We have done the thing that couldn't be done. Somebody scoffed it can't be done, Seven per cent to every last one. No compound rate or broker's fee, Will send you sure into bankruptcy. We have done the thing that couldn't be done. Somebody sneered it can't be done, Carry your paper for each mother's son. You can't collect, your loss run high, Let broker and banker cut the pie. We have done the thing that couldn't be done. Somebody croaked it can't be done, Service by night without the sun. Expenses great will bring you ruin, We heard them not with all their wooin'. We have done the thing that couldn't be done. Somebody mocked it can't be done, Back with you name the cars that 'ave run. Your profits will in them surely go, The public be d—d so take them low. We have done the thing that couldn't be done. car Somebody gibed it can't be done, This thing and that and the other one. So we took off our coat and defied the whole ring, And we started to sing as we tackled the thing. We have done the thing that couldn't be done. Some people live neath clouds of dread And never see a single star. Happier, they would be, if dead And riding in a Studebaker Car. car model —The Car with Character.  +
T
Bibliographic Information Author Sandburg, Carl Genre Poetry Journal or Book Chicago Poems Publisher Henry Holt and Company Year of Publication 1916 Pages 52 Additional information - Riding against the east, A veering, steady shadow Purrs the motor-call Of the man-bird Ready with the death-laughter In his throat And in his heart always The love of the big blue beyond. driving personification zoomorphism sound Only a man, A far fleck of shadow on the east Sitting at ease With his hands on a wheel And around him the large gray wings. Hold him, great soft wings, Keep and deal kindly, O wings, With the cool, calm shadow at the wheel. car part driver  +
O
Bibliographic Information Author Wyatt, Edith Genre Poetry Journal or Book - Publisher - Year of Publication 1915 Pages 157-159 Additional information - In the Santa Clara Valley, far away and far away, Cool-breathed waters dip and dally, linger towards another day— Far and far away—far away. Slow their floating step, but tireless, terraced down the great Plateau. Towards our ways of steam and wireless, silver-paced the brook-beds go. Past the ladder-walled Pueblos, past the orchards, pear and quince, Where the back-locked river’s ebb flows, miles and miles the valley glints, Shining backwards, singing downwards, towards horizons blue and bay. All the roofs the roads ensconce so dream of visions far away— Santa Cruz and Ildefonso, Santa Clara, Santa Fé. Ancient, sacred fears and faiths, ancient, sacred faiths and fears— Some were real, some were wraiths—Indian, Franciscan years, Built the Khivas, swung the bells; while the wind sang plain and free, "Turn your eyes from visioned hells!—look as far as you can see!" In the Santa Clara Valley, far away and far away, Dying dreams divide and dally, crystal-terraced waters sally— Linger towards another day, far and far away—far away. agriculture plant road scenery sublime West As you follow where you find them, up along the high Plateau, In the hollows left behind them Spanish chapels fade below— Shaded court and low corrals. In the vale the goat-herd browses. Hollyhocks are seneschals by the little buff-walled houses. Over grassy swale and alley have you ever seen it so— Up the Santa Clara Valley, riding on the Great Plateau? Past the ladder-walled Pueblos, past the orchards, pear and quince, Where the trenchèd waters’ ebb flows, miles and miles the valley glints, Shining backwards, singing downwards towards horizons blue and bay. All the haunts the bluffs ensconce so breathe of visions far away, As you ride near Ildefonso back again to Santa Fé. Pecos, mellow with the years, tall-walled Taos—who can know Half the storied faiths and fears haunting Green New Mexico? Only from her open places down arroyos blue and bay, One wild grace of many graces dallies towards another day. Where her yellow tufa crumbles, something stars and grasses know, Something true, that crowns and humbles, shimmers from the Great Plateau: Blows where cool-paced waters dally from the stillness of Puyé, Down the Santa Clara Valley through the world from far away— Far and far away—far away.  
T
Bibliographic Information Author Williams, William Carlos Genre Poetry Journal or Book - Publisher - Year of Publication 1916 Pages - Additional information - At ten A.M. the young housewife moves about in negligee behind the wooden walls of her husband's house. I pass solitary in my car. car driver Then again she comes to the curb to call the ice-man, fish-man, and stands shy, uncorseted, tucking in stray ends of hair, and I compare her to a fallen leaf. road roadside The noiseless wheels of my car rush with a crackling sound over dried leaves as I bow and pass smiling. car car part driver sound speed plant  +
Bibliographic Information Author Reynolds, Elsbery Washington Genre Poetry Journal or Book AutoLine o'Type Publisher The Book Supply Company Year of Publication 1924 Pages 38 Additional information - religion We know a good old Missouri town, Where "niggers" a-plenty live all around. On a little hill down near the mill, The "nigger" church is standing still. When we were there some years ago, This church each night gave quite a show. To enter the house we had to strive, For the building was packed to all revive. The snow outside the church was deep, Inside were shouts while some did weep. The preacher's voice above the din, Proclaimed to all their awful sin. He said, "I's read de Good Book thro', I's fahmiliar with all de ol' an' new. Now you's all bette' believe in dis story, If you's a gonna get yo' a home in glory." Just then a gal, big, black and tall, Shouted, "Fo' de story I sho' does fall. With de dev'l I's fightin' both day an' night, But with yo' story I's winnin' de fight." The preacher replied, "My siste' host, You's get on de side o' de Holy Ghost. He'll look down deep in yo' po' ol' heart, You'll sho' beat de dev'l if yo' do yo' part." "lf yo' read de Book fo' to get yo' light, Yo' can dodge de ol' dev'l an' keep out o' sight. Jus' read fo' to keep from makin' colleesions, 'Bout Paul with his 'pistle after the 'Phesians." "If yo' faith go to shakin' an' yo' go to slippin', Jus' read de Good Book without no skippin', De dev'l am swif', but yo' stick to yo' Maker, Yo' can beat him to glory in de Six Studebaker." car model —The Car with Character.  +
W
Bibliographic Information Author Josephson, Matthew Genre Poetry Journal or Book Merz6 Imitatoren , watch step! / Arp1: Propaganda und Arp Publisher Merz Verlag Year of Publication 1923 Pages 62 Additional information The poem was simultaneously published in a German and an American journal. With the brain at the wheel The eye on the road And the hand to the left Pleasant be your progress Explorer producer stoic after your fashion Change Change to To what speed to what underwear Here is a town here a mill Nothing surprizes you old horseface Guzzle guzzle goes the siren And the world will learn to admire and applaud your concern with the parts your firmness with employees and your justice to your friends. Your pride will not be overridden Your faith will go unmortified. car part vision haptic sound metaphor driving road affect pleasure speed urban rural  +
O
Bibliographic Information Author McKay, Claude Genre Poetry Journal or Book Spring in New Hampshire and Other Poems Publisher Grant Richards Ltd Year of Publication 1920 Pages 18 Additional information - About me young and careless feet Linger along the garish street; Above, a hundred shouting signs Shed down their bright fantastic glow Upon the merry crowd and lines Of moving carriages below: O wonderful is Broadway—only My heart, my heart is lonely. urban Desire naked, linked with Passion, Goes strutting by in brazen fashion; From playhouse, cabaret and inn The rainbow lights of Broadway blaze All gay without, all glad within; As in a dream I stand and gaze At Broadway, shining Broadway—only My heart, my heart is lonely. urban  +
A
Bibliographic Information Author Lowell, Amy Genre Poetry Journal or Book Ballads for Sale Publisher Houghton Mifflin Company Year of Publication 1927 Pages 199-200 Additional information - Hush, hush, these woods are thick with shapes and voices, They crowd behind, in front, Scarcely can one’s wheels break through them. For God’s sake, drive quickly! There are butchered victims behind those trees, And what you say is moss I know is the dead hair of hanged men. Drive faster, faster. The hair will catch in our wheels and clog them; We are thrown from side to side by the dead bodies in the road, Do you not smell the reek of them, And see the jaundiced film that hides the stars? Stand on the accelerator. I would rather be bumped to a jelly Than caught by clutching hands I cannot see, Than be stifled by the press of mouths I cannot feel. Not in the light glare, you fool, but on either side of it. Curse these swift, running trees, Hurl them aside, leap them, crush them down, Say prayers if you like, Do anything to drown the screaming silence of this forest, To hide the spinning shapes that jam the trees. What mystic adventure is this In which you have engulfed me? What no-world have you shot us into? What Dante dream without a farther edge? Fright kills, they say, and I believe it. If you would not have murder on your conscience, For Heaven’s sake, get on! forest tree car car part driving speed risk road condition death smell vision haptic personification metaphor intertext  +
W
Bibliographic Information Author Oppenheim, James Genre Poetry Journal or Book Songs for the New Age Publisher The Century Co. Year of Publication 1914 Pages 115-116 Additional information - Starless and still... Who stopped this heart? Who bound this city in a trance? With open eyes the sleeping houses stare at the Park: And among nude boughs the slumbering hanging moons are gazing: And somnambulant drops of melting snow glide from the roofs and patter on the pave... I in a dream draw the echoes of my footfall silvery sharp... Sleep-walking city! Who are the wide-eyed prowlers in the night? What nightmare-ridden cars move through their own far thunder? What living death of the wind rises, crackling the drowsy twigs? urban car personification sound In the enchantment of the ebb of life, In the miracle of millions stretched in their rooms unconscious and breathing, In the sleep of the broadcast people, In the multitude of dreams rising from the houses, I pause, frozen in a spell. We sleep in the eternal arms of night: We give ourselves, in the heart of peril, To sheer unconsciousness: Silently sliding through space, the huge globe turns. I cannot go: I dream that behind a window one wakes, a woman: She is thinking of me.  +
D
Bibliographic Information Author Birney, Earle Genre Poetry Journal or Book The Collected Poems of Earle Birney Publisher McClelland Steward Year of Publication 1928 Pages 38-39 Additional information - & you as remote now as that range radiating heat not holding it the buttes rainstormed but instant dryers i remember you like opera ive a hitchhiker but he wont talk i keep radioing words to you but what to say you’d really like? o luvalee the peach & almond petals? sure but it’s too late in the spring now dear tease ive left ploughed earth & the green ricefields behind revved thru towns with dusty palms yes damn you im up thru spidery almonds no more wine & oranges into hot canyons between bare yellow breasts of hill             something vulgar about the landscape as well as me or is it just this jalopy’s had it? my conrods clank the rad’s jerked off again will i ever make vancouver? hitchiker sound affect car part metaphor Northwest passenger scenery season spring plant agriculture desert topography my hitch decided no got out at the last crossroad & just passed waving from a new studebaker at me leaning against this robbers-roost garage with time to telepath you something while they screw in a new pump i dont need hitchhiker car model garage infrastructure car part maintenance passenger well what’s to say?             the view looks edible peppered with black oaks white barns for salt             a saffron sunset “there you go being physical again” i can hear you             well why not? this goddamn sky’s one big red cherry now & the sacramento’s a hairy crack between the white thighs of the liveoaks & by geez if there aint a rock-prick a-purplin up in all this stagey Eden northwest taste tree sky river religion plant scenery but you’re not on my wavelength & now the crate’s cooled we'll sign off             head on north you said you hoped to see more of me in the fall but will we ever fall together?               that would be really operatic. metaphor technology  
T
Bibliographic Information Author McKay, Claude Genre Poetry Journal or Book Harlem Shadows: The Poems of Claude McKay Publisher Harcourt , Brace and Company Year of Publication 1922 Pages 55 Additional information - No engines shrieking rescue storm the night, And hose and hydrant cannot here avail; The flames laugh high and fling their challenging light, And clouds turn gray and black from silver-pale. The fire leaps out and licks the ancient walls, And the big building bends and twists and groans. A bar drops from its place; a rafter falls Burning the flowers. The wind in frenzy moans. The watchers gaze, held wondering by the fire, The dwellers cry their sorrow to the crowd, The flames beyond themselves rise higher, higher, To lose their glory in the frowning cloud, Yielding at length the last reluctant breath. And where life lay asleep broods darkly death. engine night death  +
D
Bibliographic Information Author McKay, Claude Genre Poetry Journal or Book Harlem Shadows: The Poems of Claude McKay Publisher Harcourt , Brace and Company Year of Publication 1922 Pages 43 Additional information - The Dawn! The Dawn! The crimson-tinted, comes Out of the low still skies, over the hills, Manhattan's roofs and spires and cheerless domes! The Dawn!   My spirit to its spirit thrills. Almost the mighty city is asleep, No pushing crowd, no tramping, tramping feet. But here and there a few cars groaning creep Along, above, and underneath the street, Bearing their strangely-ghostly burdens by, The women and the men of garish nights, Their eyes wine-weakened and their clothes awry, Grotesques beneath the strong electric lights. The shadows wane. The Dawn comes to New York. And I go darkly-rebel to my work. city urban car metaphor sound personification  +
Bibliographic Information Author Reynolds, Elsbery Washington Genre Poetry Journal or Book AutoLine o'Type Publisher The Book Supply Company Year of Publication 1924 Pages 40 Additional information - If you are inclined to lament and say, There are no opportunities found today, With the rest of the world you're out of step, Your body and mind are short on pep. Opportunities once flew thick and fast, In years far in the distant past, You'll know they are here today, instead, If you read the lives of men that are dead. Read Abraham Lincoln, American, Enshrined in the heart of every man. He was born honest in humble obscurity, He made for himself his opportunity. To the White House and the President's chair, No American boy need have despair, There is nothing a boy can't overcome, With talent and energy making the run. Read Horace Greeley, in poverty born, His name does history's page adorn, Benjamin Franklin's life and deeds, Give inspiration for youthful needs. John Jacob Astor started poor, He peddled goods from door to door, Thomas Edison of our present day, Has traveled far along the way. These men did not lament and say, No opportunities are there today, By grit and ambition, pluck and skill, They made opportunity through, "I Will." Today is the golden day of days, Opportunity all around you plays, Much depends that you keep on a-trying, If you climb like Studebakers people are buying. car model —The Car with Character.  +