Property:Parsed text
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"Parsed text" is a predefined property of type Text. This property is pre-deployed (also known as special property) and comes with additional administrative privileges but can be used just like any other user-defined property.
T
Bibliographic Information
Author
Oppenheim, James
Genre
Poetry
Journal or Book
Songs for the New Age
Publisher
The Century Co.
Year of Publication
1914
Pages
83-84
Additional information
-
You and I in the night, spied on by stars...
You and I in the belovéd night...
You and I within these walls.
A breath from the sea is kissing the housetops of the city,
Kissing the roofs,
And dying into silence.
Earth and stars are in a trance,
They dream of passion, but cannot break their sleep.
They pass into us, and we are their passion, we are their madness,
So shaped that we can kiss and clasp...
One kiss, then death, the miracle being spent.
Watchman, what of the night?
Sleep and birth! Toil and death!
Now the light of the topmost tower winks red and ceases:
Now the lonely car echoes afar off...
Helen looked over the wine-dark seas of Greece, and she was young.
But not younger than we, touching each other, while dawn delays...
car sound night intertext
Dare we betray this moment?
Dare we die, missing this fire?
Whither goes massive Earth tonight, flying with the stars down eternity?
We are alive: we are for each other. +
B
Bibliographic Information
Author
Frost, Robert
Genre
Poetry
Journal or Book
Selected Poems
Publisher
Henry Holt and Company
Year of Publication
1920
Pages
132-135
Additional information
-
Brown lived at such a lofty farm
That everyone for miles could see
His lantern when he did his chores
In winter after half-past three.
And many must have seen him make
His wild descent from there one night,
’Cross lots, ’cross walls, ’cross everything,
Describing rings of lantern light.
Between the house and barn the gale
Got him by something he had on
And blew him out on the icy crust
That cased the world, and he was gone!
Walls were all buried, trees were few:
He saw no stay unless he stove
A hole in somewhere with his heel.
But though repeatedly he strove
And stamped and said things to himself,
And sometimes something seemed to yield,
He gained no foothold, but pursued
His journey down from field to field.
Sometimes he came with arms outspread
Like wings, revolving in the scene
Upon his longer axis, and
With no small dignity of mien.
Faster or slower as he chanced,
Sitting or standing as he chose,
According as he feared to risk
His neck, or thought to spare his clothes,
He never let the lantern drop.
And some exclaimed who saw afar
The figures he described with it,
“I wonder what those signals are
Brown makes at such an hour of night!
He’s celebrating something strange.
I wonder if he’s sold his farm,
Or been made Master of the Grange.”
He reeled, he lurched, he bobbed, he checked;
He fell and made the lantern rattle
(But saved the light from going out.)
So half-way down he fought the battle
Incredulous of his own bad luck.
And then becoming reconciled
To everything, he gave it up
And came down like a coasting child.
“Well—I—be——” that was all he said,
As standing in the river road,
He looked back up the slippery slope
(Two miles it was) to his abode.
road roadside river road condition risk safety
Sometimes as an authority
On motor-cars, I’m asked if I
Should say our stock was petered out,
And this is my sincere reply:
car
Yankees are what they always were.
Don’t think Brown ever gave up hope
Of getting home again because
He couldn’t climb that slippery slope;
car metaphor
Or even thought of standing there
Until the January thaw
Should take the polish off the crust.
He bowed with grace to natural law,
And then went round it on his feet,
After the manner of our stock;
Not much concerned for those to whom,
At that particular time o’clock,
It must have looked as if the course
He steered was really straight away
From that which he was headed for—
Not much concerned for them, I say.
road navigation car driving driving skill
But now he snapped his eyes three times;
Then shook his lantern, saying, “Ile’s
’Bout out!” and took the long way home
By road, a matter of several miles.
road affect navigation
S
Bibliographic Information
Author
Reynolds, Elsbery Washington
Genre
Poetry
Journal or Book
AutoLine o'Type
Publisher
The Book Supply Company
Year of Publication
1924
Pages
131-132
Additional information
-
In years of yore it made us sore,
When teacher called our name,
And said next Friday afternoon,
You’re one that must declaim.
Now we were always timid quite,
To stand before the school,
But declamations once a week,
Was teacher’s golden rule.
There’s nothing to declaim about,
We then did fairly shout.
Then teacher said with nasty flout,
Keep still or you go out.
But teacher loaned us many books,
And all she did indorse,
And that is how we came to tell
The school about the horse.
One book had pictures and a tale
That sounded very fine,
But we could never memorize
No more than just a Iine,
We then proceeded right away
To join a horses’ band,
And study horses in their play,
And learn them out of hand.
We then declaimed to all the school,
Don’t take us for a fool,
We find the horse is good to work,
And bigger than a mule.
He has two eyes so very keen,
They see when you are coming,
In front two feet and two behind,
That move when he is running.
He has two ears with which he hears,
And tail to scare the flies,
Sometimes he balks but never talks,
By eating he survives.
Some are bay and some are gray,
And some of color muggy,
The big and tall look best of all,
In a Studebaker buggy.
equipment car model
If we again had to declaim
And take a teacher’s jars,
We'd tell you all about mistakes
Of certain motor cars.
We’d tell it true in words a few,
The car of any maker,
Is one we sell, the best for you,
And made by Studebaker.
car car model
—The Car with Character.
X
Bibliographic Information
Author
Williams, William Carlos
Genre
Poetry
Journal or Book
Spring and All
Publisher
-
Year of Publication
1923
Pages
-
Additional information
-
In passing with my mind
on nothing in the world
but the right of way
I enjoyed on the road by
road law
virtue of the law –
I saw
law
an elderly man who
smiled and looked away
to the north past a house –
a woman in blue
who was laughing and
leaning forward to look up
into the man’s half
averted face
and a boy of eight who was
looking at the middle of
the man’s belly
at a watchchain –
The supreme importance
of this nameless spectacle
sped me by them
without a word –
speed
Why bother where I went?
for I went spinning on the
driving
four wheels of my car
along the wet road until
car car part road road condition
I saw a girl with one leg
over the rail of a balcony +
W
Bibliographic Information
Author
McKay, Claude
Genre
Poetry
Journal or Book
Spring in New Hampshire and Other Poems
Publisher
London Grant Richards Ltd
Year of Publication
1920
Pages
36-37
Additional information
-
The tired cars go grumbling by,
The moaning, groaning cars,
And the old milk carts go rumbling by
Under the same dull stars.
Out of the tenements, cold as stone,
Dark figures start for work;
I watch them sadly shuffle on,
‘Tis dawn, dawn in New York.
car anthropomorphism personification sound sky urban
But I would be on the island of the sea,
In the heart of the island of the sea,
Where the cocks are crowing, crowing, crowing,
And the hens are cackling in the rose-apple tree,
Where the old draft-horse is neighing, neighing, neighing
Out on the brown dew-silvered lawn,
And the tethered cow is lowing, lowing, lowing,
And dear old Ned is braying, braying, braying,
And the shaggy Nannie goat is calling, calling, calling
From her little trampled corner of the long wide lea
That stretches to the waters of the hill-stream falling
Sheer upon the flat rocks joyously!
There, oh there! on the island of the sea
There I would be at dawn.
The tired cars go grumbling by,
The crazy, lazy cars,
And the same milk-carts go rumbling by
Under the dying stars.
A lonely newsboy hurries by,
Humming a recent ditty;
Red streaks strike through the gray of the sky,
The dawn comes to the city.
personification sound car urban sky
But I would be on the island of the sea,
In the heart of the island of the sea,
Where the cocks are crowing, crowing, crowing,
And the hens are cackling in the rose-apple tree,
Where the old draft-horse is neighing, neighing, neighing
Out on the brown dew-silvered lawn,
And the tethered cow is lowing, lowing, lowing,
And dear old Ned is braying, braying, braying,
And the shaggy Nannie goat is calling, calling, calling
From her little trampled corner of the long wide lea
That stretches to the waters of the hill-stream falling
Sheer upon the flat rocks joyously!
There, oh there! on the island of the sea
There I would be at dawn.
T
Bibliographic Information
Author
Reynolds, Elsbery Washington
Genre
Poetry
Journal or Book
AutoLine o'Type
Publisher
The Book Supply Company
Year of Publication
1924
Pages
240
Additional information
-
sublime technology
You may have your blooded speeding horse,
We have given him up without remorse.
The glory that all the nerves can feel,
Is in a Six Studebaker wheel.
car car model car part
The swift and silent pedal machine,
We once considered no wise mean.
O’er us its magic has ceased to steal,
Since turning a Six Studebaker wheel.
car part sound speed
The rushing of racing motor boats,
Our mind no longer on them dotes.
Flying through water has not the appeal,
Of a Six Studebaker steering wheel.
car part metaphor
There is joy in a limited fast express,
If a first class ticket you possess.
But you'll better enjoy an evening meal,
From holding a Six Studebaker wheel.
car part
Give us the still California night,
When the moon is full and shining bright.
Then life to us is never so real,
If turning a Six Studebaker wheel.
car part sky time West
With miles of road like polished floor,
At sixty per and sometimes more,
We glide with ease mid laughters peal,
Safe at a Six Studebaker wheel.
car part infrastructure pleasure road safety speed
Like a panther leaping through the air,
With plenty of power and some to spare,
For a Six Studebaker more of zeal,
You'll have when once you turn the wheel.
car model car part metaphor
We'll warrant your mind will quickly fill
With thoughts for a Six so full of thrill.
To drive the ideal Six Automobile,
Get back of a Six Studebaker wheel.
affect car car model car part metaphor
—The Car with Character.
I
Bibliographic Information
Author
Reynolds, Elsbery Washington
Genre
Poetry
Journal or Book
AutoLine o'Type
Publisher
The Book Supply Company
Year of Publication
1924
Pages
55
Additional information
-
It’s known to all to be the law,
That interest should you wish to draw,
On something that you have within,
You first must put that something in.
For you, your business does not pay,
And you lament from day to day,
You have not to your business given,
That from which pay is deriven.
Your goose it lays a golden egg,
Marks up your interest just a peg,
But feed, you must, your goose of old,
If you would get your egg of gold.
If interest in your church has died,
It doesn’t revive although you’ve tried,
Just ask yourself and look within
To see what you are putting in.
If your home is not going right,
You stay out late most every night,
You have no longer interest there,
You’ve no investment worth the care.
If you have brothers in your lodge,
You now quite often try to dodge,
Then your interest’s growing slim,
You must put in if you would win.
All through life as taught by Him,
If you take out you must put in,
It’s things you do for all about,
You take your biggest interest out.
With motor cars it’s just the same,
What’s been put in comes out again.
Now you can make your own deduction,
From the Studebakers’ big production.
car car model metaphor technology
—The Car wih Character. +
W
Bibliographic Information
Author
Reynolds, Elsbery Washington
Genre
Poetry
Journal or Book
AutoLine o'Type
Publisher
The Book Supply Company
Year of Publication
1924
Pages
24
Additional information
-
Somebody said it can't be done,
Salaries to all and commissions none.
We smiled till tears were in our eyes,
For can't is a word we do despise.
We have done the thing that couldn't be done.
Somebody scoffed it can't be done,
Seven per cent to every last one.
No compound rate or broker's fee,
Will send you sure into bankruptcy.
We have done the thing that couldn't be done.
Somebody sneered it can't be done,
Carry your paper for each mother's son.
You can't collect, your loss run high,
Let broker and banker cut the pie.
We have done the thing that couldn't be done.
Somebody croaked it can't be done,
Service by night without the sun.
Expenses great will bring you ruin,
We heard them not with all their wooin'.
We have done the thing that couldn't be done.
Somebody mocked it can't be done,
Back with you name the cars that 'ave run.
Your profits will in them surely go,
The public be d—d so take them low.
We have done the thing that couldn't be done.
car
Somebody gibed it can't be done,
This thing and that and the other one.
So we took off our coat and defied the whole ring,
And we started to sing as we tackled the thing.
We have done the thing that couldn't be done.
Some people live neath clouds of dread
And never see a single star.
Happier, they would be, if dead
And riding in a Studebaker Car.
car model
—The Car with Character. +
T
Bibliographic Information
Author
Sandburg, Carl
Genre
Poetry
Journal or Book
Chicago Poems
Publisher
Henry Holt and Company
Year of Publication
1916
Pages
52
Additional information
-
Riding against the east,
A veering, steady shadow
Purrs the motor-call
Of the man-bird
Ready with the death-laughter
In his throat
And in his heart always
The love of the big blue beyond.
driving personification zoomorphism sound
Only a man,
A far fleck of shadow on the east
Sitting at ease
With his hands on a wheel
And around him the large gray wings.
Hold him, great soft wings,
Keep and deal kindly, O wings,
With the cool, calm shadow at the wheel.
car part driver +
O
Bibliographic Information
Author
Wyatt, Edith
Genre
Poetry
Journal or Book
-
Publisher
-
Year of Publication
1915
Pages
157-159
Additional information
-
In the Santa Clara Valley, far away and far away,
Cool-breathed waters dip and dally, linger towards another day—
Far and far away—far away.
Slow their floating step, but tireless, terraced down the great Plateau.
Towards our ways of steam and wireless, silver-paced the brook-beds go.
Past the ladder-walled Pueblos, past the orchards, pear and quince,
Where the back-locked river’s ebb flows, miles and miles the valley glints,
Shining backwards, singing downwards, towards horizons blue and bay.
All the roofs the roads ensconce so dream of visions far away—
Santa Cruz and Ildefonso, Santa Clara, Santa Fé.
Ancient, sacred fears and faiths, ancient, sacred faiths and fears—
Some were real, some were wraiths—Indian, Franciscan years,
Built the Khivas, swung the bells; while the wind sang plain and free,
"Turn your eyes from visioned hells!—look as far as you can see!"
In the Santa Clara Valley, far away and far away,
Dying dreams divide and dally, crystal-terraced waters sally—
Linger towards another day, far and far away—far away.
agriculture plant road scenery sublime West
As you follow where you find them, up along the high Plateau,
In the hollows left behind them Spanish chapels fade below—
Shaded court and low corrals. In the vale the goat-herd browses.
Hollyhocks are seneschals by the little buff-walled houses.
Over grassy swale and alley have you ever seen it so—
Up the Santa Clara Valley, riding on the Great Plateau?
Past the ladder-walled Pueblos, past the orchards, pear and quince,
Where the trenchèd waters’ ebb flows, miles and miles the valley glints,
Shining backwards, singing downwards towards horizons blue and bay.
All the haunts the bluffs ensconce so breathe of visions far away,
As you ride near Ildefonso back again to Santa Fé.
Pecos, mellow with the years, tall-walled Taos—who can know
Half the storied faiths and fears haunting Green New Mexico?
Only from her open places down arroyos blue and bay,
One wild grace of many graces dallies towards another day.
Where her yellow tufa crumbles, something stars and grasses know,
Something true, that crowns and humbles, shimmers from the Great Plateau:
Blows where cool-paced waters dally from the stillness of Puyé,
Down the Santa Clara Valley through the world from far away—
Far and far away—far away.
T
Bibliographic Information
Author
Williams, William Carlos
Genre
Poetry
Journal or Book
-
Publisher
-
Year of Publication
1916
Pages
-
Additional information
-
At ten A.M. the young housewife
moves about in negligee behind
the wooden walls of her husband's house.
I pass solitary in my car.
car driver
Then again she comes to the curb
to call the ice-man, fish-man, and stands
shy, uncorseted, tucking in
stray ends of hair, and I compare her
to a fallen leaf.
road roadside
The noiseless wheels of my car
rush with a crackling sound over
dried leaves as I bow and pass smiling.
car car part driver sound speed plant +
Bibliographic Information
Author
Reynolds, Elsbery Washington
Genre
Poetry
Journal or Book
AutoLine o'Type
Publisher
The Book Supply Company
Year of Publication
1924
Pages
38
Additional information
-
religion
We know a good old Missouri town,
Where "niggers" a-plenty live all around.
On a little hill down near the mill,
The "nigger" church is standing still.
When we were there some years ago,
This church each night gave quite a show.
To enter the house we had to strive,
For the building was packed to all revive.
The snow outside the church was deep,
Inside were shouts while some did weep.
The preacher's voice above the din,
Proclaimed to all their awful sin.
He said, "I's read de Good Book thro',
I's fahmiliar with all de ol' an' new.
Now you's all bette' believe in dis story,
If you's a gonna get yo' a home in glory."
Just then a gal, big, black and tall,
Shouted, "Fo' de story I sho' does fall.
With de dev'l I's fightin' both day an' night,
But with yo' story I's winnin' de fight."
The preacher replied, "My siste' host,
You's get on de side o' de Holy Ghost.
He'll look down deep in yo' po' ol' heart,
You'll sho' beat de dev'l if yo' do yo' part."
"lf yo' read de Book fo' to get yo' light,
Yo' can dodge de ol' dev'l an' keep out o' sight.
Jus' read fo' to keep from makin' colleesions,
'Bout Paul with his 'pistle after the 'Phesians."
"If yo' faith go to shakin' an' yo' go to slippin',
Jus' read de Good Book without no skippin',
De dev'l am swif', but yo' stick to yo' Maker,
Yo' can beat him to glory in de Six Studebaker."
car model
—The Car with Character. +
W
Bibliographic Information
Author
Josephson, Matthew
Genre
Poetry
Journal or Book
Merz6 Imitatoren , watch step! / Arp1: Propaganda und Arp
Publisher
Merz Verlag
Year of Publication
1923
Pages
62
Additional information
The poem was simultaneously published in a German and an American journal.
With the brain at the wheel
The eye on the road
And the hand to the left
Pleasant be your progress
Explorer producer stoic after your fashion
Change
Change to
To what speed to what underwear
Here is a town here a mill
Nothing surprizes you old horseface
Guzzle guzzle goes the siren
And the world will learn to admire and applaud your concern
with the parts your firmness with employees and your justice to your friends.
Your pride will not be overridden
Your faith will go unmortified.
car part vision haptic sound metaphor driving road affect pleasure speed urban rural +
O
Bibliographic Information
Author
McKay, Claude
Genre
Poetry
Journal or Book
Spring in New Hampshire and Other Poems
Publisher
Grant Richards Ltd
Year of Publication
1920
Pages
18
Additional information
-
About me young and careless feet
Linger along the garish street;
Above, a hundred shouting signs
Shed down their bright fantastic glow
Upon the merry crowd and lines
Of moving carriages below:
O wonderful is Broadway—only
My heart, my heart is lonely.
urban
Desire naked, linked with Passion,
Goes strutting by in brazen fashion;
From playhouse, cabaret and inn
The rainbow lights of Broadway blaze
All gay without, all glad within;
As in a dream I stand and gaze
At Broadway, shining Broadway—only
My heart, my heart is lonely.
urban +
A
Bibliographic Information
Author
Lowell, Amy
Genre
Poetry
Journal or Book
Ballads for Sale
Publisher
Houghton Mifflin Company
Year of Publication
1927
Pages
199-200
Additional information
-
Hush, hush, these woods are thick with shapes and voices,
They crowd behind, in front,
Scarcely can one’s wheels break through them.
For God’s sake, drive quickly!
There are butchered victims behind those trees,
And what you say is moss I know is the dead hair of hanged men.
Drive faster, faster.
The hair will catch in our wheels and clog them;
We are thrown from side to side by the dead bodies in the road,
Do you not smell the reek of them,
And see the jaundiced film that hides the stars?
Stand on the accelerator. I would rather be bumped to a jelly
Than caught by clutching hands I cannot see,
Than be stifled by the press of mouths I cannot feel.
Not in the light glare, you fool, but on either side of it.
Curse these swift, running trees,
Hurl them aside, leap them, crush them down,
Say prayers if you like,
Do anything to drown the screaming silence of this forest,
To hide the spinning shapes that jam the trees.
What mystic adventure is this
In which you have engulfed me?
What no-world have you shot us into?
What Dante dream without a farther edge?
Fright kills, they say, and I believe it.
If you would not have murder on your conscience,
For Heaven’s sake, get on!
forest tree car car part driving speed risk road condition death smell vision haptic personification metaphor intertext +
W
Bibliographic Information
Author
Oppenheim, James
Genre
Poetry
Journal or Book
Songs for the New Age
Publisher
The Century Co.
Year of Publication
1914
Pages
115-116
Additional information
-
Starless and still...
Who stopped this heart?
Who bound this city in a trance?
With open eyes the sleeping houses stare at the Park:
And among nude boughs the slumbering hanging moons are gazing:
And somnambulant drops of melting snow glide from the roofs and patter on the pave...
I in a dream draw the echoes of my footfall silvery sharp...
Sleep-walking city!
Who are the wide-eyed prowlers in the night?
What nightmare-ridden cars move through their own far thunder?
What living death of the wind rises, crackling the drowsy twigs?
urban car personification sound
In the enchantment of the ebb of life,
In the miracle of millions stretched in their rooms unconscious and breathing,
In the sleep of the broadcast people,
In the multitude of dreams rising from the houses,
I pause, frozen in a spell.
We sleep in the eternal arms of night:
We give ourselves, in the heart of peril,
To sheer unconsciousness:
Silently sliding through space, the huge globe turns.
I cannot go:
I dream that behind a window one wakes, a woman:
She is thinking of me. +
D
Bibliographic Information
Author
Birney, Earle
Genre
Poetry
Journal or Book
The Collected Poems of Earle Birney
Publisher
McClelland Steward
Year of Publication
1928
Pages
38-39
Additional information
-
& you as remote now as that range
radiating heat not holding it
the buttes rainstormed but instant dryers
i remember you like opera
ive a hitchhiker but he wont talk
i keep radioing words to you
but what to say you’d really like?
o luvalee the peach & almond petals? sure
but it’s too late in the spring now dear tease
ive left ploughed earth & the green ricefields behind
revved thru towns with dusty palms
yes damn you im up thru spidery almonds
no more wine & oranges
into hot canyons between bare yellow
breasts of hill something vulgar
about the landscape as well as me
or is it just this jalopy’s had it?
my conrods clank
the rad’s jerked off again
will i ever make vancouver?
hitchiker sound affect car part metaphor Northwest passenger scenery season spring plant agriculture desert topography
my hitch decided no
got out at the last crossroad
& just passed
waving from a new studebaker
at me leaning against this robbers-roost garage
with time to telepath you something
while they screw in a new pump i dont need
hitchhiker car model garage infrastructure car part maintenance passenger
well what’s to say? the view looks edible
peppered with black oaks
white barns for salt a saffron sunset
“there you go being physical again”
i can hear you well why not?
this goddamn sky’s one big red cherry now
& the sacramento’s a hairy crack
between the white thighs of the liveoaks
& by geez if there aint a rock-prick
a-purplin up in all this stagey Eden
northwest taste tree sky river religion plant scenery
but you’re not on my wavelength
& now the crate’s cooled
we'll sign off head on north
you said you hoped to see more of me in the fall
but will we ever fall together?
that would be really operatic.
metaphor technology
T
Bibliographic Information
Author
McKay, Claude
Genre
Poetry
Journal or Book
Harlem Shadows: The Poems of Claude McKay
Publisher
Harcourt , Brace and Company
Year of Publication
1922
Pages
55
Additional information
-
No engines shrieking rescue storm the night,
And hose and hydrant cannot here avail;
The flames laugh high and fling their challenging light,
And clouds turn gray and black from silver-pale.
The fire leaps out and licks the ancient walls,
And the big building bends and twists and groans.
A bar drops from its place; a rafter falls
Burning the flowers. The wind in frenzy moans.
The watchers gaze, held wondering by the fire,
The dwellers cry their sorrow to the crowd,
The flames beyond themselves rise higher, higher,
To lose their glory in the frowning cloud,
Yielding at length the last reluctant breath.
And where life lay asleep broods darkly death.
engine night death +
D
Bibliographic Information
Author
McKay, Claude
Genre
Poetry
Journal or Book
Harlem Shadows: The Poems of Claude McKay
Publisher
Harcourt , Brace and Company
Year of Publication
1922
Pages
43
Additional information
-
The Dawn! The Dawn! The crimson-tinted, comes
Out of the low still skies, over the hills,
Manhattan's roofs and spires and cheerless domes!
The Dawn! My spirit to its spirit thrills.
Almost the mighty city is asleep,
No pushing crowd, no tramping, tramping feet.
But here and there a few cars groaning creep
Along, above, and underneath the street,
Bearing their strangely-ghostly burdens by,
The women and the men of garish nights,
Their eyes wine-weakened and their clothes awry,
Grotesques beneath the strong electric lights.
The shadows wane. The Dawn comes to New York.
And I go darkly-rebel to my work.
city urban car metaphor sound personification +
Bibliographic Information
Author
Reynolds, Elsbery Washington
Genre
Poetry
Journal or Book
AutoLine o'Type
Publisher
The Book Supply Company
Year of Publication
1924
Pages
40
Additional information
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If you are inclined to lament and say,
There are no opportunities found today,
With the rest of the world you're out of step,
Your body and mind are short on pep.
Opportunities once flew thick and fast,
In years far in the distant past,
You'll know they are here today, instead,
If you read the lives of men that are dead.
Read Abraham Lincoln, American,
Enshrined in the heart of every man.
He was born honest in humble obscurity,
He made for himself his opportunity.
To the White House and the President's chair,
No American boy need have despair,
There is nothing a boy can't overcome,
With talent and energy making the run.
Read Horace Greeley, in poverty born,
His name does history's page adorn,
Benjamin Franklin's life and deeds,
Give inspiration for youthful needs.
John Jacob Astor started poor,
He peddled goods from door to door,
Thomas Edison of our present day,
Has traveled far along the way.
These men did not lament and say,
No opportunities are there today,
By grit and ambition, pluck and skill,
They made opportunity through, "I Will."
Today is the golden day of days,
Opportunity all around you plays,
Much depends that you keep on a-trying,
If you climb like Studebakers people are buying.
car model
—The Car with Character. +